“Sometimes being subtle doesn’t have the desired
‘Mirror mirror on the wall’, ‘the mirror crack’d from side to side’, ‘it’s like you’re my mirror’, there’s many a mirror that has gone down in fame but in its current form, new musical The Mirror Never Lies doesn’t look set to join them. Based on the Barbara Pym novel The Sweet Dove Died and a clear labour of love for bookwriter, lyricist and director Joseph – with music by Juan Iglesias – it is ill-served by this flimsy production.
The plot certainly has potential. Set in the swinging Sixties of Carnaby Street, girl-about-town Leonora is struggling to come to terms with the realities of middle age. When handsome young university student James drops into her life, she sets herself to making him hers, but she has stiff competition first in fellow student Phoebe and then in lascivious American Ned who brings out James’ bisexual side. Continue reading “Review: The Mirror Never Lies, Cockpit Theatre”
“The train is coming…”
The third year of the From Page To Stage season of new musical theatre is now well underway at the Tristan Bates Theatre and the centrepiece of this year’s festival is a production of The Stationmaster with book by Susannah Pearse and music and lyrics by Tim Connor. The musical is an adaptation of Ödön von Horváth’s Judgment Day (last seen in London at the Almeida in 2009) but moves the action to a small town in the Lake District in 1958.
Life in Kirby is all homemade jam, cake competitions and friendly pints down the local and railway stationmaster Thomas Price is at the heart of the tight-knit community. But behind closed doors and the net curtains lies a certain disenchantment, his marriage to Catherine is under strain and a chance encounter with the equally disaffected Anna sends their lives hurtling down the wrong tracks, a disaster further compounded by the tragedy of their ensuing actions. Continue reading “Review: The Stationmaster, Tristan Bates Theatre”