“I am not made of stone”
The boldness of Shakespearean adaptation can be a car crash when it goes wrong but when it is right, as in this 1995 version of Richard III, it is utterly thrilling. From the crashing of a tank through walls and subsequent gory executions into the jaunty sway of 1930s music, Ian McKellen and Richard Loncraine’s idiosyncratic reshaping of the story, first seen at the NT in 1992, is cannily and compellingly done. And because it has been done well, one is far more inclined to grant the liberties that have been taken with the text, because they’re reasoned and reasonable.
Relocated to a parallel version of 1930s Britain in which years of civil war has bred fascism, Richard of York’s rise to power has never seemed quite so chilling as it does here. An ingenious use of British landmarks put to different use cleverly disorients the audience but never so much that it seems too far beyond belief. So Battersea Power Station becomes a coastal military base, St Pancras is substituted for Westminster, and the visuals are just stunning throughout, culminating in a genuinely breath-taking rally. Continue reading “DVD Review: Richard III (1995)”
‘The chauffeur’s daughter’”
Since I don’t really watch old films (I know, I know…), I can’t compare this 1995 remake of Sabrina to the Humphrey Bogart and Audrey Hepburn-starring original from 1954 but quite frankly, I wouldn’t want to as the newer film feels like it might have well come from the 1950s as well as it is horrendously staid and uninspired. The ugly duckling daughter of the family chauffeur, Sabrina Fairchild spends her life on the edges of the fabulously rich Larrabee dynasty, marvelling at the business sense of older son Linus and dreaming of handsome younger son David yet barely noticed by either.
When she is packed off to France for an internship with Vogue magazine, her two-year stay in Paris becomes transformative and when she eventually returns to Long Island, David is instantly taken with her despite not recognising who she is and the fact that he is engaged to another woman Elizabeth. Elizabeth just happens to be the daughter the owner of the next big business Linus wants to do a deal with and so not wanting the deal to be scuppered, he sets about seducing Sabrina’s attentions away from David. As this is a romance, he of course falls in love in the process but is unable to admit his feelings, 3 guesses as to whether it all works out in the end… Continue reading “DVD Review: Sabrina (1995)”
“Sooner or later, we shall all have to pay for what we do”
Oliver Parker’s first Wilde adaptation was this 1999 film of An Ideal Husband, with Rupert Everett leading the cast as Lord Goring. What is remarkable now though is the casting of both Cate Blanchett and Julianne Moore who now boast nearly 10 Academy Award nominations (and 1 win) between them so this proves a great opportunity to catch them both just at the point where their careers were going stratospheric.
Sir Robert Chiltern’s security as a politician and respected gentleman comes under threat when the devilish Mrs Cheveley, a school-time enemy of his wife Lady Gertrude, attempts to blackmail him into voting a particular way in Parliament as she has evidence of past misdoings. He turns to his friend and eternal bachelor Lord Goring for assistance, who is currently avoiding the keen attentions of Robert’s sister Mabel, as he was previously engaged to Mrs Cheveley but the plot to extricate him has unintended consequences. Continue reading “DVD Review: An Ideal Husband”
“Do you think that you are mad?”
I remember very little of this film, having not seen it since it was first released, so much so that much of the stage play – recently revived for a tour which will shortly take up residency in the West End – felt brand new to me. Alan Bennett adapted his own play, The Madness of George III (the film had to be retitled for international audiences…) and Nicholas Hytner directed the film, as he directed the show at the National Theatre, and it fit quite neatly into my post-Christmas costume drama/Royalty film splurge.
The story of how George III’s deteriorating mental health led to a constitutional crisis as his ambitious son made a play for power to try and force a Regency forms the backbone of the film as Nigel Hawthorne’s monarch is subjected to the vagaries of contemporary medical practice which had no understanding of mental illness and contained very little practice, instead being based on observations. It is only when a new course of action is recommended by non-medical man Dr Willis who utilises behaviour modification to try help regain equilibrium that progress is begin to be made, but the Prince of Wales and his political allies are moving fast to seize power. Continue reading “DVD Review: The Madness of King George”
Continuing from Part I, Henry IV Part II lends itself to a lighter interpretation due to the even higher comic content in its examination of the quirks of the human being, in particular of the Englishman. With one insurrection quashed by Hal’s victory over Hotspur, another mounts up to threaten England and in quashing it, Henry IV hastens his own death. The young Prince Hal now has to step up even further to the mark as his heir, all the while resisting the ever-present grasping hands of Falstaff who wants to milk his relationship to the future King for all it is worth.
I’m not sure what it was about this show that made me like it so much more than Part I, but I felt that the whole ensemble was pulling together much stronger: Susan Brown as Mistress Quickly and Eve Myles as Doll Tearsheet,the two women hankering after Falstaff were both good, Jeffery Kisoon as a fading Lord Percy roused great emotion for his fallen son and Gambon continues his excellent comic work. Continue reading “Review: Henry IV Part II, National Theatre”