73rd Primetime Emmy Awards nominees

Outstanding Comedy Series
Black-ish (ABC)
Cobra Kai (Netflix)
Emily in Paris (Netflix)
The Flight Attendant (HBO Max)
Hacks (HBO Max)
The Kominsky Method (Netflix)
PEN15 (Hulu)
Ted Lasso (Apple TV+)

Outstanding Drama Series
The Boys (Prime Video)
Bridgerton (Netflix)
The Crown (Netflix)
The Handmaid’s Tale (Hulu)
Lovecraft Country (HBO)
The Mandalorian (Disney+)
Pose (FX)
This Is Us (NBC) Continue reading “73rd Primetime Emmy Awards nominees”

News: Broadway stars to give us Show of Titles

SHOW OF TITLES
Directed By: Lonny Price
Music Direction by Jason Howland
Date: June 8th, 2021 at 8:00PM ET

An evening of celebrated stars performing the titles songs from Broadway’s best.

With Performances By
Annaleigh Ashford, Glenn Close, Len Cariou, Darren Criss, Santino Fontana, Kelsey Grammar, David Alan Grier, Jake Gyllenhaal, Joshua Henry, Isabelle Huppert, Norm Lewis, Patti LuPone, Rob McClure, Brian Stokes Mitchell, Melba Moore, Jessie Mueller, Eva Noblezada, Kelli O’Hara, Laura Osnes, Steven Pasquale, Michael Rupert, Ernie Sabella, Lea Salonga, Phillipa Soo, Will Swenson, Aaron Tveit, Leslie Uggams, Vanessa Williams & Patrick Wilson.

And Special Appearances By
Broadway Inspirational Voices, Candice Bergen, Danny Burstein, Bryan Cranston, Sheldon Harnick, John Kander, Angela Lansbury, John Lithgow, Lindsay Mendez, Phylicia Rashad, Ben Vereen, BD Wong & Florian Zeller. Continue reading “News: Broadway stars to give us Show of Titles”

11th Critics’ Choice Television Awards nominees

Best Series
Best Comedy Series
Better Things (FX)
The Flight Attendant (HBO Max)
Mom (CBS)
PEN15 (Hulu)
Ramy (Hulu)
Schitt’s Creek (Pop)
Ted Lasso (Apple TV+)
What We Do in the Shadows (FX)

Best Drama Series
Better Call Saul (AMC)
The Crown (Netflix)
The Good Fight (CBS All Access)
Lovecraft Country (HBO)
The Mandalorian (Disney+)
Ozark (Netflix)
Perry Mason (HBO)
This Is Us (NBC) Continue reading “11th Critics’ Choice Television Awards nominees”

TV Review: The Crown Series 3

Series 3 of The Crown sees new actors in across the board but Olivia Colman is sadly no Claire Foy. Helena Bonham Carter rocks though

“Sometimes duty requires one to put personal feelings…
‘And frivolity”
…aside”

Doing little to dispel rumours that she isn’t a Time Lord, The Crown takes its cues from Doctor Who as Series 3 sees the Queen regenerate from Claire Foy to Olivia Colman. And not just that, the whole cast of main players has been replaced as this new company will take us through the next couple of series. It’s a clever move, considering the spain of history that the show takes but it is also a little sad to lose such excellent performances as Vanessa Kirby’s Princess Margaret, Victoria Hamilton’s Queen Mum, Alex Jennings and Lia Williams as Edward and Wallis and of course, Foy’s exceptional work.     

Series 3 then, takes us from 1964 to 1977, featuring such notable events as the Aberfan tragedy, the moon landing and the arrival of Camilla in Charles’ life. And with its many millions and pick of the white acting talent in this country, it remains eminently watchable. That said, something has shifted for me and it just doesn’t feel as effective as the first two seasons. A large element of this is the way series creator and main writer Peter Morgan has structured the show, choosing to maintain a massive ensemble of recurring characters but keeping the focus, and turnover, of episodes relentlessly tight. Continue reading “TV Review: The Crown Series 3”

26th Screen Actors Guild Awards nominees

Film
Outstanding Performance by a Male Actor in a Leading Role
Christian Bale – Ford v Ferrari as Ken Miles
Leonardo DiCaprio – Once Upon a Time in Hollywood as Rick Dalton
Adam Driver – Marriage Story as Charlie Barber
Taron Egerton – Rocketman as Elton John
Joaquin Phoenix – Joker as Arthur Fleck / Joker

Outstanding Performance by a Female Actor in a Leading Role
Cynthia Erivo – Harriet as Harriet Tubman
Scarlett Johansson – Marriage Story as Nicole Barber
Lupita Nyong’o – Us as Adelaide Wilson / Red
Charlize Theron – Bombshell as Megyn Kelly
Renée Zellweger – Judy as Judy Garland Continue reading “26th Screen Actors Guild Awards nominees”

25th Critics’ Choice Awards nominees

Best Picture
1917
Ford v Ferrari
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
Once Upon a Time in Hollywood
Parasite

Uncut Gems

Best Director
Noah Baumbach – Marriage Story
Greta Gerwig – Little Women
Bong Joon-ho – Parasite 
Sam Mendes – 1917 
Josh Safdie and Benny Safdie – Uncut Gems
Martin Scorsese – The Irishman
Quentin Tarantino – Once Upon a Time in Hollywood Continue reading “25th Critics’ Choice Awards nominees”

TV Review: The Crown, Series 3 Episodes 1-3

The Crown returns with Olivia Colman and Tobias Menzies at the helm, and Helena Bonham Carter stealing the show

“Everyone at the Post Office is delighted with the new profile”

Gotta get those hits…who knows how far behind I am, given I’m 9 hours ahead of the UK at the moment, but I thought I’d jot down my initial thoughts on the first three episodes of series 3 of The Crown (all written by Peter Morgan and directed by Benjamin Caron), as Netflix kindly offered them up as holiday entertainment. (And since I’m away, I’ve been a little insulated from all the Prince Andrew drama, which from over here almost feels like a random bit of guerilla marketing).

  • I wonder if I have a little hangover from just how good Claire Foy was, but I’m 100% feeling Olivia Colman in the role yet. She doesn’t seem quite as subsumed into the character, in the way that Foy’s every minutely detailed movement seemed to be. That said, there’s some scorching moments when Jason Watkins’ Harold Wilson dares to suggest her response to the Aberfan tragedy is lacking.
  • The excellent Tobias Menzies hasn’t really had enough screen time yet to have his Prince Philip make an impact, though I’ve every faith.
  • The casting of Helena Bonham Carter as Princess Margaret is inspired, the extravagance of the character is perfectly suited to her but she’s bringing a real depth at the same time. 
  • And I have to say I miss Matthew Goode’s hugely erotic insouciance as Antony Armstrong-Jones, Ben Daniels’ much more wearied take hasn’t quite ticked my boxes yet.

Elsewhere, the headlong rush through the years means that we’re doomed to the smallest contributions from some excellent actors – Samuel West’s Anthony Blunt and Angus Wright’s MI5 bod were gone too soon, though I live in hope of more from Penny Downie’s Duchess of Gloucester, Aden Gillett as Richard Crossman and Sinéad Matthews as Marcia Williams (seriously, her accent is a thing of pure beauty).

And given the budget is allegedly in the many millions, it certainly looks a treat once again. From glistening palatial lushness to agonisingly destroyed villages, these are fully realised worlds no matter how short a space of time we end up spending in them. Caron’s direction also makes room for a more uncomplicated cinematic as well though, choosing iconic visual to close out each episode – the regal silhouette, juxtapositions of Margarets old and new, the children playing. This is a Crown that has lost none of its lustre.

Photo: Sophie Mutevelian

Nominations for 2017-2018 Outer Critics Circle Awards

John Gassner Playwriting Award
Kate Benson, [PORTO]
Jocelyn Bioh, School Girls; Or, the African Mean Girls Play
Lindsey Ferrentino, Army and the Orphans
Meghan Kennedy, Napoli, Brooklyn
Dominique Morisseau, Pipeline

Outstanding Actor in a Musical
Harry Hadden-Paton, My Fair Lady
Joshua Henry, Carousel
David M. Lutken, Woody Sez
Conor Ryan, Desperate Measures
Ethan Slater, SpongeBob SquarePants
Continue reading “Nominations for 2017-2018 Outer Critics Circle Awards”

TV Review: The Crown, Series 2

A quick whip through Series 2 of The Crown

“History is not made by those who did nothing”

Do I still love The Crown? Yes. Do I still find it a little hard to muster enthusiasm about it until I’m watching it. Absolutely. It remains lavish prestige drama that carries little excitement about it and that’s perhaps inevitable as it trundles through the decades of the second half of the twentieth century, little dramatic surprise can really be sprung.

Instead, the thrills come from the script of Peter Morgan’s fantasia into the emotional life of our monarch, and a production that looks like the multi-millions of dollars that have been spent on it. Oh, and the cream of British acting talent popping in for a scene or two at an astonishingly high rate. Continue reading “TV Review: The Crown, Series 2”