What first attracted you to new TV show Treadstone you might ask? I couldn’t possibly say *eyes wander upwards…*
“You will be a great soldier for our cause”
I hadn’t intended to watch Treadstone but the realisation that Brian J Smith was in it made it somewhat more appealing… Throw in Jeremy Irvine too and suddenly it proves very much relevant to my interests. It’s a new TV series located in the Bourne film universe, full of international spy capers and also a bit of timeline trickery as it looks both at the beginnings of the Treadstone black ops programme in the 1970s and its present-day activities and their ramifications.
The neatest trick in Tim Kring’s series is to decentralise the narrative, so instead of a Bourne, or pseudo-Bourne figure at the heart of this story, we’re following a whole raft of sleeper agents across the globe as they’re ‘reactivated’ into killing machines. So there’s vigour and variety in the untold action sequences, and a real sense of stories to be told as all of these people struggle with the realisation of what they are responsible for, even as that responsibility has been robbed from them. So lots to look forward to, including a number of British faces such as Jamie Parker and Tom Mothersdale, alongside the pretty boys 😉
Christopher Adams and Timothy Allsop’s Open at the VAULT Festival is exactly the kind of fresh, forward-thinking queer theatremaking we need more of
“Do I want my first kiss to be on the District Line?”
A real sense of genuine feeling ripples all the way through Open. Husbands in real life, co-stars on this stage, Christopher Adams and Timothy Allsop’s play explores their nine year relationship and the ways in which it has evolved from meeting on Guardian Soulmates through civil partnership to marriage, accompanied by their decision to be open to sleeping with other men.
Statistics are tossed out – apparently 40% of gay couples are in open relationships – but what makes Open work is the specificity of the story being told here. This is no advertorial for all gay men to sleep around, but rather Chris and Tim’s deeply personal history being laid out, a bracingly frank investigation into the reasons for their choices and exactly how it made them feel. Continue reading “Review: Open, VAULT Festival”
“It’s a good idea, some people might find it funny”
Grief does funny things to people. Different things too. Some retreat into themselves, trapped in a fug of isolation they can’t see a way out of. Others go out of their way to show the world that everything is fine, going so far as to dress up in a tiger suit, even if they’re dying on the inside. Joe Eyre’s Tiger, directed by Will Maynard, brings the two together with some cheesecake, some yoga, a whole lotta David Bowie and a brand of neatly intelligent comedy.
Comedian Alice is the one experiencing the first kind of grief. Utterly poleaxed by the death of a loved one, she’s completely withdrawn from the outside world and even from her doctor boyfriend Oli, whose patience is being stretched to breaking point after six long months. The hunt for a flatmate brings a man dressed as a tiger to their front door replete with a suite of knock knock jokes and a chink of light in the darkness of Alice’s depression. Continue reading “Review: Tiger, VAULT Festival”