2019 Laurence Olivier Awards nominations

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”

Review: Songs for Nobodies, Ambassadors Theatre

Songs for Nobodies at the Ambassadors Theatre proves striking, if ultimately a little slight

“Tout ça m’est bien égal”

An impressive transfer sees one-woman show Songs for Nobodies move into the Ambassadors Theatre from a run last year at Wilton’s Music Hall and it is a striking, if ultimately a little slight, evening. Joanna Murray-Smith’s play links together five vignettes which feature ordinary people – the ‘nobodies’ – who find themselves in the orbit of legendary performers. 

And in the hands of Australian performer Bernadette Robinson, we not only get to hear their stories but listen to performances from the stars – Garland, Cline, Piaf, Holiday, Callas – in a truly virtuosic turn that ends on an operatic high. It is a thrilling sensation to watch Robinson switch effortlessly but oh so effectively into these iconic divas and she sounds amazing as all. Continue reading “Review: Songs for Nobodies, Ambassadors Theatre”

Review: Scenes from a Marriage, St James Theatre

“Sometimes it grieves me that I have never loved anyone. I don’t think I’ve ever been loved either. It really distresses me”

Trevor Nunn’s revisit of his production of Scenes from a Marriage for the St James Theatre was due to open last week but untimely and persistent illness for one of its leads, Mark Bazeley, meant that a series of early performances were cancelled and its opening postponed until tonight. And we could all probably do with some of whatever he took to get well as alongside the glorious Olivia Williams, there’s some extraordinary work going on here in this adaptation by Joanna Murray-Smith of Ingmar Bergman’s timeless classic, first seen at Coventry’s Belgrade back in 2008 with Nunn’s then-wife Imgen Stubbs and Iain Glen.

Over fifteen or so ‘scenes’ spanning a decade, we see the portrayal of Johan and Marianne’s marriage from the opening (dubious) highlight of being interviewed for a magazine on their 10th wedding anniversary through the trials of painful losses and abject betrayals into the battlefield of bitter recriminations, the divorce courts and beyond. It probes into the state of marriage with unblinking precision, peeling away the layers of complacency that settle into long-running relationships and revealing the truth about how people really feel about each other, no matter how messy or raw it becomes. Continue reading “Review: Scenes from a Marriage, St James Theatre”