With the loss of its original core cast and the destabilising presence of Martine McCutcheon, Series 4 of Spooks struggles to find its feet
“You’re up against the British state…who do you think is going to win that particular battle?”
This season of Spooks struggles quite badly amidst all the upheaval of Series 3 in which in the entire original team departed Thames House. Tom’s identikit replacement Adam does well enough but somehow, something goes terribly wrong with the introduction of his wife and fellow spy Fiona (Olga Sosnovska). They sadly lack chemistry and their domestic drama just doesn’t translate well into the business of saving the country on a weekly basis.
The tone is set by the randomly chaotic energy of Martine McCutcheon’s guest spot in the opener two-parter and from then on, as we cover people smuggling, the rise of far right political movements, cultists and the ethics of releasing terrorist suspects, the series jerks along rather, Raza Jaffrey’s Danny-a-like isn’t given anywhere near enough to do and the snaffling of Miranda Raison’s Jo off the street is as bizarre an advert for recruitment as any.
It’s a pretty low-key series for Ruth – hints of her passion for Harry come through whether in romantic feeling or rebelling against him a bit. She comes into her own in the final episode with the revelation of a step-brother who killed himself but has never been mentioned before putting her in the line of fire but all in all she deserves better. Continue reading “Lockdown TV Review: Spooks Series 4”
“Sorry I go a bit weird and wonky sometimes”
On the third day of Christmas, Black Mirror gave to me…three cheating lovers
The Entire History of You is the final part of the first series of Charlie Brooker’s Black Mirror and finds itself somewhere in the middle of the preceding two episodes in terms of its sci-fi/reality interface. Here, future technology has advanced so that people have ‘grains’ implanted that record memories and allow them to played back whenever but the story it is used to tell is an all-too-familiar one of human jealousy.
Toby Keggell’s Liam is an unhappy lawyer whose miserable state of mind after a difficult work appraisal leads him to suspect his wife, Jodie Whittaker’s Ffion, of having an affair with a former lover called Jonas, a suave Tom Cullen. It played out eerily effectively, especially in the look on people’s faces when ‘recalling’ but never really took flight into as superlative a piece of television as episodes one or two. Continue reading “12 Days of Christmas – Black Mirror 1:3”
“Have you never been in love?
‘No, too much choice.’”
Now this is a curious thing – released in 2001 but feeling very much a child of the 90s, Born Romantic is a British rom-com written and directed by David Kane, centring on a salsa club in London and the romantic capers of the men and women to attend. It has a highly personable cast – and there’s always fun in seeing familiar faces with a much fresher hue about them – but this is fairly bog-standard, low-budget stuff. It says nothing new about relationships, metropolitan living or indeed anything exciting, it just putters along in a rather inoffensive manner that makes it hard to recommend.
For those who know their US late-night chat-show hosts, there’s still fun in seeing Craig Ferguson in a straight acting role, one of three main “romantics” of the multi-stranded story. His Frankie is a hapless divorcee, still co-habiting with his ex played by Hermione Norris, and struggling to wangle his way into the affections of emotionally distant art restorer Eleanor, the divine Olivia Williams who like everyone else here is treading water. Kane’s writing hits on some interesting points but rarely gets the opportunity to delve beneath the surface as the narrative skips around the numerous other storylines, barely scratching the surface of any. Continue reading “DVD Review: Born Romantic”
Originally included as an extra on the DVD of the first series of The IT Crowd, Graham Linehan’s Hello Friend plays amusingly on the difficulties that can ensue when venturing into the unknown with new internet software for computers. Martin Savage’s John Ward buys “Praemus”, which claims to be a better way to use the internet but soon gets caught up in a horrendous world of huge bills, faceless bureaucracy and email-only customer service which takes over his life completely. It is perhaps a little bit too long, given it is one extended skit but it is nevertheless good fun, not least for the brief cameo from Richard Ayoade’s Moss. Continue reading “Short Film Review #18”