The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
“I wasted time, and now doth time waste me”
I am aware that I’m flying in the face of received wisdom here but I really wasn’t a fan of the RSC’s Richard II. The announcement of David Tennant in the leading role ensured its sell-out success (regardless of the actual strength of the production) and its transfer to the Barbican after its initial run in Stratford-upon-Avon likewise proved to be the quickest of sellers. Its critical notices have been close to superlative too, so the level of expectation was certainly high.
But for all of this, I found Gregory Doran’s production to be largely quite dull, it hardly ever provoked excitement or even piqued my interest in the slow-moving telling of its tale of regime change and the corrosive effects of absolute monarchy on the individual. The inferences of a Christ-like demeanour to this King are heavily played and Tennant laps this up, irascible and irritable throughout and increasingly given to thoughts of his own divinity. Intentional perhaps, but hard to like. Continue reading “Review: Richard II, Barbican”
“What are thou that usurp’st this time of night”
The recent RSC production of Hamlet, starring David Tennant, has been filmed and was broadcast on BBC2 on Boxing Day afternoon, a curious piece of scheduling but thanks to the beauty of iPlayer, I was able to watch it as my leisure this evening. Rather than filming the play as it was performed on stage, the original cast deliver this modern-dress and modern-day adaption on location which gives it a much more filmic feel, especially with some of the camera tricks used, such as observing the action from the CCTV cameras.
David Tennant really is rather good here. His Hamlet is both wiry and wired, constantly moving and shifting, mimicking those around him with a quick wit but all-the-while suffused with a precipitous edge. The sense of danger is never far from this often bare-footed prince, but in my limited Hamlet experience, I did miss a little of the brooding intensity that Jude Law brought to the role. Equally strong though was Patrick Stewart’s coldly calculating Claudius. From his opening scene, there is no doubt that he has Hamlet’s cards marked and employs a chilling restraint throughout which was far scarier than any amount of raging. And Oliver Ford Davies’ Polonius was also good value for money, flirting between the doddery old dear of the court and the canny politician keeping himself in favour. Continue reading “TV Review: Hamlet, RSC”