“There’s only one thing one has to have
One has to have no shame”
Hitting the West End just before I moved to London and well before I started blogging, Andrew Lloyd Webber’s The Woman In White has the ignominy of being one of his less successful shows. With lyricist David Zippel and book-writer Charlotte Jones, this adaptation of Wilkie Collins’ novel failed to capture the ongoing attention of UK audiences, shuttering after 19 months, but downright flopped on Broadway where it lasted just 3.
The Woman In White has now been announced as Thom Southerland’s major project over Christmas, running for 12 weeks at the Charing Cross Theatre with Laura Pitt-Pulford onboard, and it got me to thinking that I hadn’t actually ever listened to the show at all. The cast recording was made on the opening night and as the show underwent considerable redevelopment even whilst playing, the ending on this record does not reflect the ending that audiences saw in theatres. Continue reading “Album Review: The Woman In White (2004 Original London Cast Recording)”
“When a person’s personality is personable, he should not sit like a lump”
With the amount of theatre I see, I rarely go to the cinema these days – my Cineworld card collected dust for a quite a few months before I admitted defeat and cancelled it – so when I received an invitation to a press screening of a film, I was amused and intrigued by the novelty of the idea. Of course, it wasn’t that much of a stretch in the end because the film was a recording of Stephen Sondheim’s musical Company from last year’s Lincoln Centre (Center?) production in New York featuring Neil Patrick Harris and a cast of luminaries including Patti LuPone (who inspired possibly the greatest YouTube video ever), Martha Plimpton (her from the Goonies all grown up) and Anika Noni Rose (the one from Dreamgirls who wasn’t Beyoncé or who won an Oscar).
I have to admit I was initially a little wary about going to see this: my relationship with Sondheim took a bit of a battering in the deluge of productions that celebrated his anniversary year and it was only really with the utterly fabulous Sheffield Crucible production of Company at the end of last year that the pieces all finally clicked together for me and I could hand on heart for the first time say that I absolutely loved a Sondheim show. But I have gotten much better at managing expectations for shows, especially in relation to other productions of the same, and this was an opportunity to see a whole bunch of performers, whom I like but may never get to see, live on a big screen. And you’ll get the chance when the show screens for one night only on Thursday 15th March at 7pm – the list of cinemas is available here. Continue reading “Review: Sondheim’s Company in the cinema”