News: Seth Rudetzy’s Vote-a-thon has quite the line up

Join Seth and James as Stars In The House hosts an Election Day Vote-A-Thon featuring Iain Armitage, Colleen Ballinger, Laura Benanti, Annette Bening, Stephanie J. Block, Brenda Braxton, Betty Buckley, Laura Bell Bundy, Andréa Burns, Ann Hampton Callaway, Liz Callaway, Tom Cavanagh, Michael Cerveris, Will Chase, Javier Colon, Gavin Creel, Marcia Cross, Charlotte d’Amboise, Darius DeHaas, Dana Delany, Colin Donnell, Jill Eikenberry, Melissa Errico, Victor Garber, Peri Gilpin, Josh Groban, Sean Hayes, Marilu Henner, Megan Hilty, Carly Hughes, Jeremy Jordan, Celia Keenan-Bolger, Judy Kuhn, Anika Larsen, Laura Leighton, Beth Malone, Melissa Manchester, Terrence Mann, Andrea Martin, Michael McElroy, Lindsay Mendez, Laurie Metcalf, Ingrid Michaelson, Lisa Mordente, Jessie Mueller, Patti Murin, Julia Murney, Kelli O’Hara, Karen Olivo, Adam Pascal, Lauren Patten, Christine Pedi, Rosie Perez, Anthony Rapp, Caroline Rhea, Alice Ripley, Chita Rivera, Jenna Russell, Lea Salonga, Glenn Scarpelli, Marc Shaiman, Martin Short, Elizabeth Stanley, Ben Stiller, Michael Tucker, Jenna Ushkowitz, Vanessa Williams, Schele Williams, Marissa Winokur, BD Wong, Tony Yazbeck and Bellamy Young.

10th Critics’ Choice Television Awards nominees

Best Series
Best Comedy Series
Barry (HBO)
Fleabag (Amazon)
The Marvelous Mrs. Maisel (Amazon)
Mom (CBS)
One Day at a Time (Netflix)
PEN15 (Hulu)
Schitt’s Creek (Pop)

Best Drama Series
The Crown (Netflix)
David Makes Man (OWN)
Game of Thrones (HBO)
The Good Fight (CBS All Access)
Pose (FX)
Succession (HBO)
This Is Us (NBC)
Watchmen (HBO) Continue reading “10th Critics’ Choice Television Awards nominees”

Winners of the 2018 Drama Desk Awards

Outstanding Play
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Mean Girls
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Winners of the 2018 Drama Desk Awards”

The complete 72nd Tony nominations

Best play
The Children
Farinelli and the King
Harry Potter and the Cursed Child, Parts One and Two
Junk
Latin History for Morons

Best musical
The Band’s Visit
Frozen
Mean Girls
SpongeBob SquarePants: The Musical

Best book of a musical
Itamar Moses for The Band’s Visit
Jennifer Lee for Frozen
Tina Fey for Mean Girls
Kyle Jarrow for SpongeBob SquarePants: The Musical Continue reading “The complete 72nd Tony nominations”

Nominations for the 2018 Drama Desk Awards

Outstanding Play
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Mean Girls
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Nominations for the 2018 Drama Desk Awards”

Oscar Week Film Review: The Post

Star names can’t hide the dullness here

“My decision stands, and I’m going to bed”

No. No, no, no. No. The fact that The Post has any Oscar nominations is testament to how much in thrall to star power the Academy is. And fair enough, the trifecta of Steven Spielberg, Tom Hanks and Meryl Streep is a weighty one. But this is a dull film, rushed through production to try and capitalise on topicality, that is being severely over-recognised here.

 

Round-up of (international) news and treats and other interesting things

 
Tony Award winner Jessie Mueller, Tony nominee Joshua Henry, and Grammy-winning opera star Renée Fleming will headline a Broadway revival of Rodgers and Hammerstein’s Carousel. The production, helmed by Tony winner and Charlie and the Chocolate Factory director Jack O’Brien, is scheduled to begin performances Friday, March 23, 2018 at a theatre to be announced.

Mueller, a Tony winner for Beautiful: The Carole King Musical and recent star of Waitress, will take on the role of Julie Jordan, with Henry—currently playing Aaron Burr in the touring company of Hamilton—as Billy Bigelow. Fleming will play Nettie Fowler; the Grammy-winning soprano can be seen on the Metropolitan Opera stage this season in Der Rosenkavalier—a production that is said to mark her retirement from her traditional operatic repertoire.
The revival, produced by Scott Rudin and Roy Furman, will feature Amar Ramasar and Brittany Pollack—both of the New York City Ballet—as Jigger and Louise, respectively. New York City Ballet’s Justin Peck will choreograph the new staging on the 1945 musical. The resident choreographer promises “an even more dance-and-movement-focused production.”

Continue reading “Round-up of (international) news and treats and other interesting things”

9 of my top moments in a theatre in 2016

The end-of-year lists of favourite plays and performances should be on their way soon, once the food coma has abated, but to tide you over, here’s my list of 9 of my top moments in a theatre over 2016, the things that first come to mind when someone says ‘what did you enjoy this year’. For reference, here’s my 2015 list and 2014 list.
 

The ‘arrival’ of the Hope Theatre

I’ve been gazumped by The Stage in recognising this Islington fringe theatre for a stellar year but it is no more than Matthew Parker and his team there deserve. Over the course of 2016, intelligent and exciting programming has made the Hope into a must-see venue for me, no mean feat in a market already full of fringe venues and new ones opening every time you look up. From promoting new writing to astutely chosen revivals, scorchingly personal writing to themed seasons culminating in delightfully campy lesbian musicals, this theatre has been on fire all year long and has made me excited to see every single thing they put – and there’s precious few places, large or small, that can say that.
 

Wizards and magic and owls, oh my

I’d have to see Harry Potter and the Cursed Child again before deciding officially whether it is a great piece of drama or not, but there’s no doubting that it is a stonking piece of theatre and the atmosphere at the very first shows was something quite amazing to be a part of, even from the back row of the balcony. The romantic sweep of Christine Jones’ set and Steven Hoggett’s movement, John Tiffany’s endlessly imaginative direction and of course, the masterfully jaw-dropping effects from Jamie Harrison. It felt like something I’d never seen before and in the case of Sprocket the Owl, it was something no-one else saw either! 
 

Continue reading “9 of my top moments in a theatre in 2016”