“Some things are better left out of the history books”
Have you heard the one where Jesus, the three wise men and Caligula walk into a pub? No? Well it is pretty much the set up for John Wolfson’s curious new play The Inn at Lydda, at least once you’ve thrown John the Baptist and Tiberius Caesar in there as well. An eclectic bit of programming in the candlelit surroundings of the Sam Wanamaker Playhouse, Wolfson has spun his tale from a tidbit in the New Testament Apocrypha and taken it to almost-farcical levels of comedy.
Ailing Roman Emperor Tiberius Caesar has heard of a legendary healer over in Judea and so off he pops to be cured by him, only problem is we’re in the days between the Resurrection and the Ascension. Stopping off at a hostelry in the city of Lydda where this news filters through, their party bumps into Tiberius’ lascivious great-nephew and heir Caligula, plus three weary travellers who have been waiting 33 years to reunite with a man who might just be hiding in a nearby cave. Continue reading “Review: The Inn at Lydda, Sam Wanamaker Playhouse”
“I invite thee, consuming desolation, to this temple”
Well it is not so much desolation that can be consumed at the Union Theatre in Southwark but rather the first professional production of the play Double Falsehood since 1792. It is most notable for being a play that was controversially included in the Arden Complete Works of Shakespeare last year despite its provenance being hotly debated. As it is understood in this Clown’s mind, Double Falsehood is a 1727 adaptation by Lewis Theobald reportedly based on a 1613 play called Cardenio by Shakespeare and John Fletcher (who also collaborated on Henry VIII and The Two Noble Kinsmen). There’s reams of debate and scholarly concerns about this but ultimately, it should not be allowed to detract from what is an interesting production here.
Set in Andalucía around the court of Duke Angelo, whose youngest son Henrique causes a whole world of trouble when he rapes and abandons servant girl Violante and then decides to pursue and marry Leonora who just happens to be betrothed to his friend Julio. The fall-out from these events sees everyone scattered, themselves and their families left behind distraught, throughout the local countryside and it is left up to the noble older son and heir of Angelo, Roderick, to round everyone up and reunite lovers, parents and children and ensure that justice is served in the Spanish hills. Continue reading “Review: Double Falsehood, Union Theatre”