Regions across the UK were hoping to win the lottery but with the news of Tier 2 (for now) for London, here’s some Christmas theatre news
The Donmar Warehouse announces today that it will present a special concert online to mark the festive season. LOOKING A LOT LIKE CHRISTMAS will be performed in the beautiful setting of St Paul’s Church (affectionately known as The Actors’ Church), in the heart of Covent Garden and premiere online for free on the Donmar’s YouTube channel on Wednesday 16 December, 7.30pm. The concert will be captioned, and an audio introduction will be available in partnership with Vocaleyes.
This hour-long concert of musical numbers, sketches and seasonal poetry will be directed by Simon Evans (Staged, The Resistible Rise of Arturo Ui) with musical direction by Nigel Lilley (Piaf, Caroline, or Change) and production design by Grace Smart (My Beautiful Laundrette, One Night in Miami). Continue reading “News update for Christmas theatre in London”
An unnecessary amount of theatre news exploded forth today, maybe everyone was just too busy watching CNN all of last week… I’m just going to rattle through it all quickly to save everyone time.
Jason Robert Brown’s Songs From A New World will play the Vaudeville Theatre for a month from 5th February. David Hunter, Rachel John, Cedric Neal , Rachel Tucker and Shem Omari James, who all reprise their roles from the London Palladium gigs in October.
The previously announced Lynn Ahrens and Mike Ockrent’s A Christmas Carol has revealed its supporting cast around Brian Conley’s Scrooge. Lucie Jones, Sandra Marvin, Martyn Ellis, Cedric Neal, Jeremy Secomb, Matt Jay-Willis and Jacqueline Jossa will join him at the Dominion Theatre from 7th December. Continue reading “News: November news aplenty”
This set of album reviews covers Mazz Murray – Midnight Mazz – Here We Go Again, Mascherato the Musical (Original Studio Cast Recording) and Howard Goodall’s Songs from the Musicals Vol. 1
“You thrill me, you delight me
You please me, you excite me”
If anyone gets to follow Cher in making an album of ABBA songs, then it is probably the West End’s Donna Sheridan, Mazz Murray. Midnight Mazz – Here We Go Again sees her interpret 10 of Agnetha, Björn, Benny, and Anni-Frid’s best with an unexpectedness tenderness that you don’t necessarily always associate with the band. Handclaps guitar arpeggios adorn ‘Chiquitita’, a solo ‘My Love My Life’ feels packed with more yearning than ever, so too a delicately layered ‘I’ve Been Waiting For You’ which is making a late case to be one of my all-time favourite ABBA songs. A lovely way to revisit some of those oh-so-familiar songs. Continue reading “Album Reviews: Mazz Murray – Midnight Mazz – Here We Go Again / Mascherato the Musical / Howard Goodall’s Songs from the Musicals Vol. 1”
West End stars and Broken Wings alumni collaborate with members of the Lebanese Philharmonic Orchestra to raise money for the Red Cross’ Beirut Emergency Appeal
Following the devastating explosion in Beirut on August 4th 2020, over 40 artists have collaborated between London and Beirut to film a music video of ‘All I Longed To See’, from new musical Broken Wings by Nadim Naaman and Dana Al Fardan, with orchestrations by Joe Davison.
The video has been produced in aid of The Beirut Emergency Appeal, a collaborative fund established between both The British and Lebanese Red Cross. As a result of the explosion, at least 181 people have lost their lives, over 6,000 people have been wounded, and 300,000 are now homeless. These numbers are likely to continue to rise. Continue reading “News: The West End & Beirut collaborate for The Beirut Emergency Appeal”
Lots of fun at Leicester Square Theatre for Ramin Karimloo’s intimate concert with Seth Rudetsky and a whole load of special guests
“I knew where I needed to be”
The Broadway @ The Leicester Square brand is one which surfaces infrequently but always pays rich rewards when it does. Having attracted Patti LuPone, then Audra McDonald and John Barrowman into the intimate surroundings of an informal chat and sing-song arrangement with Seth Rudetsky, it is now Ramin Karimloo’s turn to deliver such a boutique concert.
The particular joy of these concerts is their slightly chaotic nature, the way in which no-one seems entirely sure what is going to happen, least of Karimloo and Rudetsky themselves. Tonight we all recorded a rendition of Happy Birthday for Jenna Russell and got an impromptu duet on ‘Confrontation’ with Jeremy Secomb who was dragged out of the audience – who knows what the next two shows will bring. Continue reading “Review: Ramin Karimloo with Seth Rudetsky , Leicester Square Theatre”
A sparkling lead turn from Rebecca Trehearn, and brilliant choreography from Alistair David, enliven this Sweet Charity at Nottingham Playhouse
“Your game makes very good sense”
So pleased to have managed to squeak into Nottingham Playhouse’s Sweet Charity before it finished, this is what everyone uses their annual leave for, right…?! The second major production of the show in recent months following the Watermill’s strong actor-muso interpretation this summer, it is one which makes a bold move in introducing Alistair David’s choreography to give this 1966 musical a fresh lick of paint.
It’s the only real sense of updating that Bill Buckhurst’s production provides but it is an impactful one, David reimagining almost wholesale and invigorating the almost-too-familiar sounds of Cy Coleman’s classic score. In takis’ podium-based design, it looks a dream and more than justifies new AD Adam Lenson’s decision to reintroduce musicals to the programme here after an absence of more than a decade. Continue reading “Review: Sweet Charity, Nottingham Playhouse”
Carlo Albán – Sweat
Christy Altomare – Anastasia
Denée Benton – Natasha, Pierre & The Great Comet of 1812
Jon Jon Briones – Miss Saigon
Barrett Doss – Groundhog Day
Amber Gray – Natasha, Pierre & The Great Comet of 1812
Josh Groban – Natasha, Pierre & The Great Comet of 1812
Lucas Hedges – Yen
Raymond Lee – Vietgone
Eva Noblezada – Miss Saigon
Jeremy Secomb – Sweeney Todd
Cobie Smulders – Present Laughter
Dorothy Loudon Award for Excellence in the Theater: Katrina Lenk, Indecent and The Band’s Visit
John Willis Award for Lifetime Achievement in the Theatre: Glenn Close
Special Theatre World Award: Dave Malloy for his Broadway debut in Natasha, Pierre & the Great Comet of 1812 as an actor, composer, writer, lyricist, and orchestrator.
If I Forget, by Steven Levenson, Roundabout Theatre Company
Indecent, by Paula Vogel, Vineyard Theatre
A Life, by Adam Bock, Playwrights Horizons
Oslo, by J. T. Rogers, Lincoln Center Theater
Sweat, by Lynn Nottage, The Public Theater
The Band’s Visit, Atlantic Theater Company
Come From Away
Hadestown, New York Theatre Workshop
The Lightning Thief: The Percy Jackson Musical
Continue reading “Nominations for the 2017 Drama Desk Awards”
Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre. Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman
Oslo Produced by Lincoln Center Theater. Written by J.T. Rogers
Underground Railroad Game Produced by Ars Nova. Written by Jennifer Kidwell and Scott R. Sheppard
Vietgone Produced by Manhattan Theatre Club in association with South Coast Repertory. Written by Qui Nguyen
The Wolves Produced by The Playwrights Realm in association with New York Stage and Film and Vassar’s Powerhouse Theatre Season. Written by Sarah DeLappe
The Band’s Visit Produced by Atlantic Theater Company. Music and Lyrics by David Yazbek, Book by Itamar Moses, Based on the screenplay by Eran Kolirin
Dear Evan Hansen Produced by Second Stage Theatre in association with Stacey Mindich Productions. Book by Steven Levenson, Music and Lyrics by Benj Pasek and Justin Paul
Hadestown Produced by New York Theatre Workshop. Written by Anaïs Mitchell
Ride the Cyclone Produced by MCC Theater. Book, Music, and Lyrics by Brooke Maxwell and Jacob Richmond
The Total Bent Produced by The Public Theater. Text by Stew, Music by Stew and Heidi Rodewald Continue reading “Nominations for 2017 Lucille Lortel Awards”
“Livin’ for the moment’s rewards”
I did like Nadim Naaman’s first album We All Want The Same but with its compositions stretching over a decade of Naaman’s songwriting, it didn’t quite have the cohesion to show off his emerging talents. For his second CD though, he’s gone all-out to demonstrate the depths of both sides to him as a musician – opting for a double-length album, half the songs are musical theatre numbers which have received his own spin, and the other half are original songs written over the last year. Thus Sides reaches with larger ambition, and succeeds.
Naaman has a marvelous showman quality to his voice but it’s beautiful to hear him bring out all the colours he can – the sense of building excitement in The Hunchback of Notre Dame’s ‘Out There’, the driving, the driving swagger of The Fix’s One, Two, Three complemented by its tenderly heartfelt break. A jaunty ‘Moving Too Fast’ sees him looking back to one of his first professional roles as The Last Five Years’ Jamie whereas his current gig – Raoul in The Phantom of the Opera – is acknowledged with a startling but hugely effective Latin-inflected treatment of its title song, accompanied by the glorious richness of Celinde Schoenmaker’s voice.
Continue reading “Album Review: Nadim Naaman – Sides”