Review: Top Hat, Aldwych Theatre

“You’ll declare it’s simply topping to be there”

On the face of it, Top Hat should have been a rip-roaring extravaganza of a show that tapped and waltzed and strutted its way right into my affections, featuring some of my favourite things like a healthy selection of classic songs from the Irving Berlin back catalogue and the kind of choreography from Bill Deamer that genuinely makes me wonder if it isn’t too late to find my inner Billy Elliot (don’t worry, I know it is…). But at this Tuesday matinée, I found it was particularly topping to be there and I was sadly left a little underwhelmed by the whole shebang.

It seems perverse to comment on the plot of a musical being far-fetched, especially one based on an old-school Broadway film as this is, but the book here – adapted by director Matthew White and Howard Jacques – is criminally lame. The story is a whole lot of silliness, which is fine – girl complains about guy dancing in the room above her, guy flirts with girl, girl gets cold feet when she think s guy is married to her best friend. Oh, and the guy is a leading Broadway star about to open a show. Where the problem lies is in the incredibly dated humour, which one can just about explain away as a period piece, but which just sags and droops with lame joke after overblown stereotype which was lapped up all too easily by this audience, of whom I was the youngest member by quite some margin.  Continue reading “Review: Top Hat, Aldwych Theatre”

Shows I am looking forward to in 2012

Though the temptation is strong, and the actuality may well prove so, I don’t think I will be catching quite so much theatre in 2012 as I did last year. I could do with a slightly better balance in my life and also, I want to focus a little more on the things I know I have a stronger chance of enjoying.

So, I haven’t booked a huge amount thus far, especially outside of London where I think I will rely more on recommendations, but here’s what I’m currently looking forward to the most: Continue reading “Shows I am looking forward to in 2012”

Review: Godspell, Union Theatre

“C’mere Jesus, I got something to show ya”

Godspell occupies a strange place in my personal history in that it is a show whose soundtrack I have known intimately for such a long time, I had it on cassette as a boy, we even sang songs from it in our primary school choir, and yet I had never seen it on stage until earlier this year in a theatre pub production in Walthamstow. I wasn’t quite sure what to make of that one, but when the Union Theatre announced a production directed by Michael Strassen, I decided to give it another shot. That the highlight of the previous show was the sexy gay Judas (yes, I know he wasn’t really gay) and that I happened to notice there was another sexy potentially gay Judas in this one who I’ve seen naked recently had nothing to do with it.

It is the 40th anniversary of the show, conceived by John-Michael Tebelak with music and new lyrics by Stephen Schwartz, which is based on parables from the Bible and leading up to the end of Jesus’ life, set to a pop-rock soundtrack. I wouldn’t say it is overtly religious as much of the messages that it portrays are ones with universal meaning of love, compassion for others and the strength of community. As well as directing, Strassen is also responsible for the minimal staging which shears it of the 1970s flower-child feel which the show is often associated with, and in conjunction with Steve Miller’s lighting design, provides an arresting visual aesthetic with its use of stylised posing and shadows, and I loved the motif of the eclipsed sun which prefigured the darkness of the relationship between Jesus and Judas. Continue reading “Review: Godspell, Union Theatre”