“What can you say, about a girl…”
Just a quickie for this most beloved of shows. The CFT production of Love Story that failed to take the West End by storm back in 2010 was a thing of sheer loveliness and Howard Goodall’s luscious score has to rank among my all-time favourites, I really do think it is that beautiful. So all future productions have a high benchmark to live up to – there was a low-key version at the Brockley Jack last year and this year, we have Elizabeth Newman’s production for the Bolton Octagon.
And what a lovely thing it is. Unafraid to be delicately simple and flirting with actor-musicianship in Ciaran Bagnall’s cleverly designed set, it is a deeply musical take on the soaring romance of the story that glides speedily through the relationship between Daniel Boys’ college jock Oliver Barrett IV and Lauren Samuels’ wisecracking musician Jennifer Cavilleri. From the chemistry of their ‘opposites attract’ first meeting to the heartbreaking sadness of the end, it’s a beautiful piece of work. Continue reading “Review: Love Story, Octagon Theatre”
“If I were a rich man, yubby dibby dibby dibby dibby dibby dibby dum. All day long I’d biddy biddy bum, if I were a wealthy man.”
Oh, to be a fly on the wall when lyricist Sheldon Harnick announced the second line of a song he’d written for Fiddler on the Roof was “yubby dibby dibby dibby dibby dibby dibby dum”. But along with book writer Joseph Stein and composer Jerry Bock, their efforts translated into one of the most successful Broadway productions ever, with this story of Tevye, a milkman in pre-revolutionary Russia, and his three headstrong daughters making life in the village very difficult by challenging the old order. Craig Revel-Horwood employs his tried-and-tested actor-musician model to invigorate new life into the show (one which is new to me, I’ve never even seen the film) which is just undertaking a huge UK tour, starting at Southampton’s Mayflower Theatre (another first for me).
Due to the indisposition of Paul Michael Glaser, we were treated to an understudy performance as Tevye and not even the named understudy Paul Kissaun at that, Eamonn O’Dwyer took on the role and a fine job he did too. Though demonstrably too young for the part, his wry exasperation at the way the world turns and the warm geniality with which he rolls with it made for an assured central presence that kept the show moving with a twinkle-eyed grace. Even with the age mismatch with Karen Mann as his long-suffering wife Golde, there was a palpable chemistry that made their second half duet ‘Do You Love Me?’ a genuinely lovely thing. Continue reading “Review: Fiddler on the Roof, Mayflower”