“I had to forget…”
Although you’d be hard-pressed to notice, something other than Harry Potter and the Cursed Child’s first preview happened in theatreland last night. New British musical The Go-Between opened and you can read my 4 star review for Cheap Theatre Tickets can be found here.
Running time: 2 hours 30 minutes (with interval)
Booking until 15th October
“Time that the whole town was stirred up”
At a time when West End shows are closing left right and centre, this touring version of Betty Blue Eyes serves as a timely reminder that that isn’t always the end. Itself a victim of a curtailed run at the Novello back in 2011, this production emerges as a model of collaboration with 4 regional powerhouses co-producing – Mercury Theatre Colchester, Liverpool Everyman & Playhouse, Salisbury Playhouse and West Yorkshire Playhouse – a UK tour which currently stretches into August.
Ron Cowen and Daniel Lipman’s book adapts Alan Bennett and Malcom Mowbray’s witty story from the film A Private Function – a northern town’s determination to celebrate the Princess Elizabeth’s wedding is kyboshed by the unrelenting yoke of post-war austerity and rationing, though chiropodist Gilbert Chilvers and his social climbing wife Joyce have other plans. And the beautifully constructed music and lyrics are provided by British musical theatre stalwarts Stiles & Drewe. Continue reading “Review: Betty Blue Eyes, Mercury Theatre”
“You take yourself with you, wherever you go”
Sampling the best musical theatre that this country has to offer can prove to be a time-consuming business as it is increasingly the case that some of the best work is being done by theatres outside of London. Sheffield, Chichester and Leicester have all made it onto my theatres that I regularly visit now and after this stellar in-house production of Howard Goodall’s The Hired Man (in a co-production with Leicester’s Curve), it seems that Colchester’s Mercury Theatre might be joining that list.
It helps that the show can lay claim to being one of the best new British musicals of recent decades – Goodall’s sweeping, folk-tinged score marries strikingly with Melvyn Bragg’s book, based on his own novel inspired by the tough life of his grandfather in the Cumbrian hills, and what results is a work of hugely elegiac beauty. Stretching from 1989 through to 1921, The Hired Man covers a definitive period of British history in depicting the often grim realities of life in the more rural areas of the country at a time of great social and economic upheaval. Continue reading “Review: The Hired Man, Mercury Theatre”