Rightly or wrongly, I never once wanted to go and see We Will Rock You but there’s no doubting how fun this cover of ‘Bohemian Rhapsody’ is
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With credits that include the original Broadway cast of Hamilton, the most recent remake of A Star Is Born and Usnavi in the forthcoming screen adaptation of In The Heights, Anthony Ramos can officially be described as hot stuff. And of course he’s had time to write and release his debut album The Good & The Bad too, which emerges as a genre-hopping delight that draws on the melting pot of influences that is New York as much as it does his Puerto Rican heritage. A biographical concept album of sorts, Ramos’ tales of growing flow effortlessly whether through the r’n’b pop of stand-out ‘Mind Over Matter. the hip-hop-inspired storytelling of the title track or the gorgeously smooth balladry of ‘Isabella’ and ‘Figure It Out’. Continue reading “Album reviews – Anthony Ramos – The Good & The Bad / Aimie Atkinson – Step Inside Love / Jenna Lee-James – On The Edge”
“Every moment’s one to treasure”
Composers who put together albums of their songs, especially if they are up and coming talent who haven’t necessarily had a breakthrough show yet, are often in something of a bind. Do you go for as diverse a selection of your material as you can find or do you concentrate on showcasing your strengths – both approaches have their merits and their disadvantages and I don’t personally think there is any easy, or right answer. Act One – Songs from the musicals of Alexander S Bermange is probably closer to the latter option and sure enough, it has its strengths and its weaknesses.
Bermange has quite a list of credits to his name but has arguably yet to really mark his mark on the London scene. I only really became aware of him recently when his show Thirteen Days had a small run as part of this year’s Arcola’s Grimeborn Festival. As a musical treatment of the Cuban missile crisis, it was a work of mixed qualities, not always entirely successful but one which equally showed intriguing promise, not least in the firmly old-school manner of rousing song-writing. And that is what comes across most clearly in this collection, which bypasses the post-Sondheim school to cleave closer to the likes of Schwartz and balladeer. Oh, and it features a simply sensational cast of sheer quality. Continue reading “Album Review: Act One – Songs from the musicals of Alexander S Bermange”
If there was going to be any play or musical that appeared twice on this blog, it had to be Joseph and the Amazing Technicolour Dreamcoat. As clearly explained in my first entry, this is probably my favourite musical (certainly in my top three) and so when I was offered a free ticket to the press night of the relaunch with Gareth Gates in the title role, there was no chance of me resisting!
Gareth Gates has been slotted into the gap left by Lee Mead with seemingly no major changes that I could ascertain. The only real difference that I could see was due to Gates’ relative youth, and also his youthful appearance. He plays the early scenes with Jacob and the brothers as more of an obnoxious brat, which kind of makes sense in terms of driving them to “fratricide” and so in this way his youth worked for him. The other time it was noticeably different was in the reunion scene when Joseph plants the golden cup. As Gareth Gates sings “Benjamin, you nasty youth…”, it was hard to suppress a smile as the actor playing Benjamin looks a good few years older than him. Continue reading “Review: Joseph and the Amazing Technicolour Dreamcoat (again), Adelphi”
For me, there’s no doubt about what the first theatre post would be about. I have probably seen Joseph and the Amazing Technicolour Dreamcoat something like 20 times, played piano for one production, percussion for another, and sung in it twice (both times in the chorus 🙁 ). It occupies such a special place in my heart, and that of most of my families’ too, that I doubt I could ever grow tired of it. That said, the most recent production of this before the latest reboot, came pretty close to ruination, Stephen Gately has a lot to answer for!
Anyhow, that’s all in the past. Lee Mead won the much documented Any Dream Will Do BBC talent search and took the lead role in July 2007, and what a job he does! This was the second time I have seen this production and it still surprised me with the energy that is brings to what is such familiar material. Lee Mead really does have the air of a superstar about him and commands the stage with such gravitas, it is hard to drag the eyes away from him, plus he can’t half hold a tune, injecting real emotion into Any Dream Will Do which is no small feat. Jenna Lee James as the Narrator does not please quite as much. She seems to auditioning for a lead in another musical and belts out her numbers with varying degrees of success and little care for her diction, she appears more interested in adlibbing than actually narrating the story. Continue reading “Review: Joseph and the Amazing Technicolour Dreamcoat, Adelphi”