The Curtain Up Show Album of the Year 2017 nominees

Best UK Cast Recording
42nd Street – 2017 London Cast Recording
Bat Out Of Hell The Musical – Original Cast Recording
Dreamgirls – Original London Cast Recording
Everybody’s Talking About Jamie – Original Concept Recording
Girl From The North Country – Original London West End Cast Recording
The Wind in the Willows – Cast Recording

Best American Cast Recording
Anastasia – Original Broadway Cast Recording
Come From Away – Original Broadway Cast Recording
Dear Evan Hansen – Original Broadway Cast Recording
Hello, Dolly! – New Broadway Cast Recording
Spongebob Squarepants – Original Cast Recording
Sunday in the Park with George – 2017 Broadway Cast Recording

Best Solo Album/Non Cast Recording
Collabro – Home
Leading Ladies – Songs From The Stage
Marisha Wallace – Soul Holiday
Patti LuPone – Don’t Monkey With Broadway
Rachel Tucker – On The Road
Sheridan Smith – Sheridan

Album Reviews: Jonathan Reid Gealt – Whatever I Want It To Be / This Ordinary Thursday / Among Friends – The Words and Music of Richard Kates

This trio of album reviews spans the decades with Jonathan Reid Gealt – Whatever I Want It To Be, This Ordinary Thursday and Among Friends – The Words and Music of Richard Kates

“Nothing worth doing will ever come easy”

There’s something irrepressibly catchy about the music of Jonathan Reid Gealt as evidenced on this album Whatever I Want It To Be. From the cracking one-two of the driving pop of the title track sung with exciting energy by Jane Monheit and Alysha Umphress and the swinging delights of Loren Allred, Natalie Weiss and Luke Edgemon on the adorable ‘Boy Crazy’ to the more restrained but no less deeply felt emotion of Joshua Henry on ‘Let Me Try’ or Laura Osnes on the shimmeringly lovely ‘Lullaby’, this is some top-notch songwriting. Continue reading “Album Reviews: Jonathan Reid Gealt – Whatever I Want It To Be / This Ordinary Thursday / Among Friends – The Words and Music of Richard Kates”

Winners of the 2017 Drama Desk Awards

Outstanding Play
If I Forget, by Steven Levenson, Roundabout Theatre Company
Indecent, by Paula Vogel, Vineyard Theatre
A Life, by Adam Bock, Playwrights Horizons
Oslo, by J. T. Rogers, Lincoln Center Theater
Sweat, by Lynn Nottage, The Public Theater
 
Outstanding Musical
Anastasia
The Band’s Visit, Atlantic Theater Company
Come From Away
Hadestown, New York Theatre Workshop
The Lightning Thief: The Percy Jackson Musical

Continue reading “Winners of the 2017 Drama Desk Awards”

Winners of 2016-2017 Outer Critics Circle Awards

John Gassner Playwriting Award
Jaclyn Backhaus, Men on Boats
Sarah DeLappe, The Wolves
Paola Lázaro, Tell Hector I Miss Him
Qui Nguyen, Vietgone
WINNER – Bess Wohl, Small Mouth Sounds

Outstanding Actor in a Musical
Christian Borle, Falsettos
Nick Cordero, A Bronx Tale
David Hyde Pierce, Hello, Dolly!
WINNER – Andy Karl, Groundhog Day
Tony Shalhoub, The Band’s Visit Continue reading “Winners of 2016-2017 Outer Critics Circle Awards”

The complete 71st Tony nominations

Best play
A Doll’s House, Part 2 by Lucas Hnath
Indecent by Paula Vogel
Oslo by JT Rogers
Sweat by Lynn Nottage

Best musical
Come from Away
Dear Evan Hansen
Groundhog Day the Musical
Natasha, Pierre and the Great Comet of 1812

Best book of a musical
Come from Away by Irene Sankoff and David Hein
Dear Evan Hansen by Steven Levenson
Groundhog Day the Musical by Danny Rubin
Natasha, Pierre and the Great Comet of 1812 by Dave Malloy
Continue reading “The complete 71st Tony nominations”

Nominations for the 2017 Drama Desk Awards

Outstanding Play
If I Forget, by Steven Levenson, Roundabout Theatre Company
Indecent, by Paula Vogel, Vineyard Theatre
A Life, by Adam Bock, Playwrights Horizons
Oslo, by J. T. Rogers, Lincoln Center Theater
Sweat, by Lynn Nottage, The Public Theater
 
Outstanding Musical
Anastasia
The Band’s Visit, Atlantic Theater Company
Come From Away
Hadestown, New York Theatre Workshop
The Lightning Thief: The Percy Jackson Musical

Continue reading “Nominations for the 2017 Drama Desk Awards”

Nominations for 2016-2017 Outer Critics Circle Awards

John Gassner Playwriting Award
Jaclyn Backhaus, Men on Boats
Sarah DeLappe, The Wolves
Paola Lázaro, Tell Hector I Miss Him
Qui Nguyen, Vietgone
Bess Wohl, Small Mouth Sounds

Outstanding Actor in a Musical
Christian Borle, Falsettos
Nick Cordero, A Bronx Tale
David Hyde Pierce, Hello, Dolly!
Andy Karl, Groundhog Day
Tony Shalhoub, The Band’s Visit Continue reading “Nominations for 2016-2017 Outer Critics Circle Awards”

Album Review: If/Then (Original Broadway Cast Recording)

“I know all the odds and even so…” 

One of the temptations with cast recordings, and something that’s been facilitated by the dawning of the digital age, is to make a playlist of your favourite songs and then forget about the others. I am terrible for doing this – it’s why I’m word perfect on only half of Wicked – and yet I never seen to stop. If/Then is a good example of this – the edited highlights on my iPhone give the impression of a great show whereas the reality is more just good

Predictably, these excerpts mostly include Idina Menzel’s inimitable vocal, around which Tom Kitt’s score was crafted. The delicate duet of ‘Here I Go’ with the lovely James Snyder, the stirring ‘You Learn To Live Without’, the irresistible melodic force of ‘Always Starting Over’, she’s so at home in this world of emotionally swirling tunes that it is impossible not to get swept up with her, especially in the last song’s slow-building climax. Continue reading “Album Review: If/Then (Original Broadway Cast Recording)”

Review: If/Then, Richard Rodgers Theatre

“I’d lie to say I’m never sometimes always thinking of you”

I couldn’t do New York without taking the opportunity to see Idina Menzel and in lieu of battling the crowds at Times Square, tickets were booked for her starring role in Tom Kitt and Brian Yorkey’s If/Then. Having had the soundtrack for a wee while now, and being a big fan thereof, I pretty much knew what I was letting myself in for, meaning there was none of the apparent confusion that blighted much of the initial critical response which found the show hard to follow.

Is it confusing? I don’t think so. It’s tricksy yes, as a twin set of narratives follow two different paths that newly-divorced Elizabeth could take as she moves to New York City to start her life anew. Pushing 40, she feels the clock ticking both personally and professionally and so as Liz it is the former that takes precedent and as Beth, the latter. The same friends and colleagues appear in each strand too, with different experiences so you do have to pay some attention but that’s no real hardship. Continue reading “Review: If/Then, Richard Rodgers Theatre”