“Oh for…fucking internet”
On the first day of Christmas, Black Mirror gave to me…a politician fucking a pig.
Can Charlie Brooker ever have conceived that four years after The National Anthem aired, the theme of his first episode of Black Mirror would actually come horrifically to life as Lord Ashcroft’s biography of David Cameron alluded to unsavoury acts with a pig’s head. Continue reading “12 Days of Christmas – Black Mirror 1:1”
“I’m laughing on the outside but screaming on the inside”
The first session of the Women Centre Stage: Power Play Festival, tucked away in a rehearsal room under the stage, was entitled A Question of Identity, featuring three contrasting works of equal but different power. I saw Rose Lewenstein’s Fucking Feminists as part of the Acts of Defiance festival at Theatre503 a couple of months ago, but its rapid wordplay and competing voices which parse and pull apart notions of contemporary feminism easily allow for repeated viewing as you consider whether a chair can be feminist or if white feminists are only interested in getting themselves above the glass ceiling.
As directed by Lisa Cagnacci, the foursome of Ania Sowinski, Jody Jameson, Karlina Grace-Paseda, and Anna Elijasz are clearly revelling in the familiarity with their material and pushing both its thoughtfulness and cheekiness. By comparison, Stephanie Ridings’ The Road To Huntsville is much more restrained, a one-woman show tracking a writer’s research journey into the world of women who correspond and enter in romantic relationships with convicts. Though perhaps less overtly theatrical, its message is no less chilling (I’m still reeling from the Danielle Steel titbit) and Ridings expertly manoeuvres our sympathies through her discoveries. Continue reading “Review: Women Centre Stage: Power Play Festival – A Question of Identity”
“We underestimated her”
The first series of Line of Duty was well-received by critics and audiences alike, hence a second series of Jed Mercurio’s police show being commissioned. With the centre of the anti-corruption team AC-12’s investigation DCI Gates having reached a conclusion of sorts, their attentions are turned onto Keeley Hawes’ DI Lindsay Denton, the sole survivor of an ambush on a witness protection scheme that leaves three police officers dead. Suspicions are aroused by some suspect decision-making on her part but it’s soon evident that there’s much more to the case, not least in the tendrils that connect it to the past.
Series 1 was very good but Series 2 seriously raises the bar, firstly by engaging in some Spooks-level business in casting the excellent Jessica Raine and well…spoilers, but secondly in getting from Hawes the performance of a lifetime in a masterpiece of a character. Denton is so multi-faceted that she’d beat a hall of mirrors at its own game and from her manipulative use of HR to her way with noisy neighbours to the shocking abuse she suffers in custody to the machinations of her superiors, the slipperiness of this woman is merciless and magisterial in its execution, its inscrutable nature utterly compelling. Continue reading “TV Review: Line of Duty Series 2”
“This could be the gateway to extraordinary things”
The second series of Da Vinci’s Demons continues the historical fantasy in all its raucous, vaguely homo-erotic glory and feels like a stronger season for it. Having set up the busy world of Medici-ruled Florence and all its enemies, alongside Leonardo’s ongoing mystical quest at the behest of the Sons of Mithras, the show breathes a little here and has no compunction in scattering its main players on separate storylines, whilst folding in new ones to keep the story-telling ever fresh.
Most notably, Tom Riley’s captivating Leo hops on a ship with his pals and a guy called Amerigo Vespucci (Lee Boardman eventually getting to milk an excellent gag) to chase the Book of Leaves all the way to Peru and the depths of Machu Picchu. These South American scenes are just fantastic, magnificent to look at as our heroes take on the Incan Empire in all its gruesome feathered glory to uncover the mystery around Leo’s mother and the hidden power contained with the book. Continue reading “DVD Review: Da Vinci’s Demons Series 2”
“I have to write an essay on Shakespeare’s view of the family, it’s a bugger”
Denmark Hill is something of a rarity, a 30 year old Alan Bennett television play that never saw the light of day and so remained unproduced until this radio version brought it back to life. A suburban riff on Hamlet which sets it in a contemporary South London, it’s more of an interesting curio than an essential addition to the Bennett canon but it still has many points of interest. A nifty turn of phrase when it comes to a joke, the often ridiculous behaviour of human beings at times of crisis, and a top-notch cast that includes Penny Downie’s Gwen, her new lover George played by Robert Glenister and her angst-ridden son Charles, the ever-lovely Samuel Barnett.
Sadly not a dramatisation of the Ocean Colour Scene song, Nick Payne’s The Day We Caught The Train is a predictably lovely piece of writing from one of our most reliable new writers. Olivia Colman’s Sally is a GP mourning the recent death of her mother, trying hard not to let being a single mother rule her life even if the fact is she hasn’t had sex for a year. We join her on a regular day full of mini-dramas which seem designed to keep her from something special, a date with Ralph Ineson’s kindly David. Naturally, it doesn’t quite go to plan but the way it unfolds into something beautifully moving is skilfully done indeed. Continue reading “Radio Review: Denmark Hill / Statistical Probability of Love at First Sight / The Day We Caught The Train”