God-tier guest casting, daring deviation in the storytelling and Leo getting hit on the head, Series 13 of Silent Witness is probably one of my absolute faves
“Your kind think you’re some kind of heroic martyr, you won’t be told or fobbed off. If people get dragged into your mess then it’s jolly unfortunate but you don’t give a shit because you have right on your side”
Now this is the good stuff. Series 13 of Silent Witness opted to shake things up just a little more than usual and the result, for me, is one of their most effective seasons to date. For one, having Leo be the one who is attacked rather than Nikki is (three series on the trot in case you’d forgotten) is just nice for the variety but adding a note of frailty into this most sanctimonious of characters works well.
It also sets up a cracking episode which sees Nikki and Harry at loggerheads as they take the same evidence and end up with wildly different conclusions which they’re then forced to defend in court. And a campus shooting episode, whilst having hardly anything to do with forensic pathology, is brilliantly conceived and chillingly executed. Fresh takes on the storytelling really makes this series feel alive. Continue reading “TV Review: Silent Witness Series 13”
“I’m going to stuff you, bear”
A rather unexpectedly lovely surprise from the end of last year whose key message of acceptance of foreigners feels ever more pertinent in the current circumstances. Paul King’s Paddington, based on Michael Bond’s classic creation, has that warm feel of a classic family film, full of set-pieces and humour and a deal of minor peril, but none so much as to really make you scared. Instead, there’s a glowing happiness that almost (sadly) feels as old-fashioned as a marmalade sandwich.
As if you didn’t know, Paddington comes from darkest Peru and a wittily filmed black and white prologue shows us how a British geographer called Montgomery Clyde befriended his family in the jungle, eventually leaving with a promise of a place to stay should they ever visit London. When circumstances conspire to leave Paddington alone on a railway platform in W2, he’s taken in by the Brown family and capers ensue. Continue reading “DVD Review: Paddington (2014)”
“Were thou as young as I”
In Joseph Drake and Audrey Brisson, Sally Cookson’s Romeo + Juliet has a perfectly matched pair of pint-sized lovers to take to the stage at the Rose Kingston. And in creating a non-specifically modern Verona (as hinted by the format of the title which borrows from Luhrmann), Cookson creates the ideal setting in which to let her vivid imagination run riot over Shakespeare’s much-performed classic. Her bold vision may not be to everyone’s tastes but it delivers a unique pleasure.
Katie Sykes’ multi-platformed urban playground of a set suggests an underbelly of a city akin to the undercroft of the Southbank Centre, recently saved for its skateboarders and under the tumble of fluorescent tubes that makes up Aideen Malone’s lighting design, there’s a highly charged sense of energy ready to explode. Benji Bower’s score carries much of the weight of the atmosphere though, an insistent presence throughout the production for better and for worse. Continue reading “Review: Romeo + Juliet, Rose Theatre Kingston”