News: Royal & Derngate announces further productions for its 2021/22 Made in Northampton season

Royal & Derngate has announced four further productions to complete its 2021/22 Made in Northampton season. A new production of Joe Penhall’s biting contemporary satire Blue/Orange is brought to the stage this autumn by the producing team behind Ralph Fiennes’ hugely successful Four Quartets which is soon to transfer to the West End. Giles Terera and Michael Balogun will collaborate with Artistic Director James Dacre with original music by Valgeir Sigurðsson of Bedroom Community. The venue then premieres The Wellspring, an autobiographic work from playwright Barney Norris and his father David Owen Norris, directed by Jude Christian. The venue’s previously announced production of An Improbable Musical will then premiere with a cast including Niall AshdownRuth BrattAdam CourtingJosie Lawrence and Janet Etuk.

This autumn also sees Royal & Derngate’s artist development programme Generate host a festival of new work and present 60 Miles by Road or Rail chronicling the recent history of Northampton Town. Meanwhile, the venue’s charity compilation album Incidental: Music for the Stage, will be released on 24 September on CD and all major streaming platforms. Continue reading “News: Royal & Derngate announces further productions for its 2021/22 Made in Northampton season”

The finalists of The Offies 2020

Offies Awards - Off West End Theatre Awards

The finalists for the 2020 Offies (for performances in 2019) have been announced and congratulations to all 89 mentioned below. A tip of the hat too to the 400+ nominees who you can find here.

DESIGN

Design: Costume
Adrian Gee, Amour, Charing Cross Theatre
Emily Bestow, 42nd Street, Upstairs at the Gatehouse
Hannah Wolfe , Great Expectations, National Youth
Theatre, Southwark Playhouse

Design: Set
Diego Pitarch, Night of the Living Dead – Live!,
Pleasance
Justin Williams, Whistle Down the Wind, Union
Theatre
Lee Newby, The View UpStairs, Soho Theatre
Rachael Ryan, Thrill Me, Hope Theatre

Design: Sound
Benjamin Grant, The War of the Worlds, New Diorama
Lex Kosanke, Hunger, Arcola
Matt Eaton, All’s Well That Ends Well, Guildford Bard,
Jermyn Street Theatre
Xana, Blood Knot, Orange Tree

Design: Lighting
Christopher Nairne, Preludes, Southwark Playhouse
Clancy Flynn, An Act of God, Vaults
Jessica Hung Han Yun, Equus, English Touring Theatre,
Theatre Royal Stratford East
Nic Farman, Night of the Living Dead – Live!, Pleasance

Design: Video
Andrzej Goulding, The Unreturning, Theatre Royal
Stratford East
Ben Bull, Baby Reindeer, Bush Theatre
Douglas Baker, Moby Dick, Jack Studio Theatre Continue reading “The finalists of The Offies 2020”

Review: The Scar Test, Soho Theatre

“I just – I can’t believe this is England”

Hannah Khalil’s intelligent exploration of the Israeli-Palestine conflict Scenes from 68* Years was one of my top-ranked plays of last year and so I was delighted to be able to see her new play The Scar Test, albeit in the oppressive, claustrophobic heat of the Soho Upstairs at the height of summer. And with that knowledge of at least some of Khalil’s theatrical style, it was a pleasure to be able to sink into her idiosyncratic storytelling and be so thoroughly challenged by its subject matter.

Here, Khalil has turned her focus to the experience of female detainees at the notorious Yarl’s Wood detention centre and the many, many indignities suffered by those trying to work their way through the knots and prejudices of our immigration system. And as with that previous play, multiple verbatim strands are splintered into non-linear episodes, some coalescing into something approaching an overall arc, some disappearing into the ether, forgotten victims neglected by us all. Continue reading “Review: The Scar Test, Soho Theatre”

Review: Love, National Theatre

“I’m so sorry”

Oooft. No remedy for the January blues this, but one of the most brutally affecting pieces of theatre you could ever bear to see. Alezander Zeldin’s Love follows what life can be found in the anonymous surroundings of a halfway house, a hostel run by the council for people in need of temporary accommodation. People are only meant to be there for a maximum of six weeks but with the system in meltdown, some have been there for over a year, living beyond what anyone could ever call reasonable.

It is tempting to see this as the failure of Big Society but really it is society in general that is being held to account here. The blind eye that we continually turn to those less fortunate than ourselves, the bureaucratic nightmares that we read Guardian thinkpieces about and then never consider again, the consequences of the collapse in the social responsibility of social security, the brutal reality of how desperately foodbanks are needed and the desperation that people feel in needing to use them. Continue reading “Review: Love, National Theatre”

Review: The Spanish Tragedy, Old Red Lion

“Where words fail, violence prevails”

You enter the Old Red Lion for Thomas Kyd’s Elizabethan revenge thriller The Spanish Tragedy to find that Dexter Morgan has been on the case. Lizzie Leech’s design for the auditorium has it bleached out in antiseptic white, meat hooks hanging front and centre, strips of opaque plastic hanging from the ceiling facilitating the swift despatch of bodies. For there’s a goodly deal of despatching that needs to be done by the time this bloodthirsty lot is done.

Dan Hutton’s production condenses the text down to 85 minutes (and presumably even less, given “additional material by the company” is also credited) but the frame of the story remains intact, with a nifty bit of gender-swapping to boot. Lorenzo (maybe) loves Balthazar who loves Bel-Imperia who loves Horatio, so Lorenzo has Horatio killed which doesn’t sit too well with Hieronimo, his mother who vows revenge. But not Revenge, who is also present in human form along with a ghost called Andrea. Continue reading “Review: The Spanish Tragedy, Old Red Lion”

2015 Offie Award Finalists

Offies Awards - Off West End Theatre Awards

Best Female
Linda Bassett for Visitors at The Bush and the Arcola Theatre
Laura Jane Matthewson for Dogfight at Southwark Playhouse 
Shannon Tarbet for The Edge Of Our Bodies at The Gate

Best Supporting Female
Leila Crerar for Martine at Finborough Theatre
Vicki Lee Taylor for Carousel at Arcola Theatre
Thea Jo Wolfe for Singing In The Rain at Upstairs At The Gatehouse

Best Male
Patrick O’Kane for Quietly at Soho Theatre
Harry Lloyd for Notes From Underground at The Print Room, Coronet
Robin Soans For Visitors at the Bush and Arcola Theatre Continue reading “2015 Offie Award Finalists”