Album Reviews: Jonathan Reid Gealt – Whatever I Want It To Be / This Ordinary Thursday / Among Friends – The Words and Music of Richard Kates

This trio of album reviews spans the decades with Jonathan Reid Gealt – Whatever I Want It To Be, This Ordinary Thursday and Among Friends – The Words and Music of Richard Kates

“Nothing worth doing will ever come easy”

There’s something irrepressibly catchy about the music of Jonathan Reid Gealt as evidenced on this album Whatever I Want It To Be. From the cracking one-two of the driving pop of the title track sung with exciting energy by Jane Monheit and Alysha Umphress and the swinging delights of Loren Allred, Natalie Weiss and Luke Edgemon on the adorable ‘Boy Crazy’ to the more restrained but no less deeply felt emotion of Joshua Henry on ‘Let Me Try’ or Laura Osnes on the shimmeringly lovely ‘Lullaby’, this is some top-notch songwriting. Continue reading “Album Reviews: Jonathan Reid Gealt – Whatever I Want It To Be / This Ordinary Thursday / Among Friends – The Words and Music of Richard Kates”

Album Review: Scott Alan Live

“And there it is…”

For a composer who hasn’t had a major show on over here, Scott Alan inspires an amazing amount of evangelical joy from his fans. This has come from a series of albums and concerts in which his songwriting has been showcased by a wide-ranging collection of Broadway and West End stars, culminating in a rapturously received residency at the St James Theatre a couple of months ago. I like his work, having previously reviewed a couple of his albums, but I haven’t been as ecstatic as some about it so I thought I’d go back to the ones I hadn’t listened to. 

His double album Live offers reworkings of many of his songs and mixes things up further by retaining many of his frequent collaborators but letting them loose on different songs, even switching up genders on some of them. It’s a great move – Natalie Weiss smashes the joyful ‘I’m A Star’, Laura Osnes wraps her delicate voice beautifully around ‘Now’ and Jeremy Jordan is charming as ever on ‘Please Don’t Let Me Go’ and that’s all in the opening five songs. The slightly indulgent length of the album means we don’t always maintain such intense quality over both discs plus bonus tracks.

Continue reading “Album Review: Scott Alan Live”