Hattie Morahan makes a more than able replacement for Anna Maxwell Martin in Series 2 of The Bletchley Circle
“Well ladies, let’s get cracking”
Series 2 of The Bletchley Circle at least has one more episode in it than the first, as it takes the form of two two-part stories but as it is the last season, it is also tinged with sadness. It is also a little curiously structured as Anna Maxwell Martin’s Susan departs after the first story, allowing Hattie Morahan’s Alice Merren – who appears as the protagonist of the opening mystery – to step up and replace her in the group for their final case.
Alice just happens to be another former colleague from Bletchley Park who, as the series opens, is awaiting trial for killing her old flame from those Bletchley days. Julie Graham’s Jean is sure she must be innocent and so reconvenes Lucy, Millie and a reluctant Susan to try and prove her innocence and solve the mysterious connections to a place called Porton Down… Continue reading “TV Review: The Bletchley Circle Series 2”
“Why won’t you listen to me”
A bit of random thing that only came to my attention because of a kind soul on Twitter, this collection of five short films from the last few years presented by the BBC Film Network and BBC HD, offered the opportunity to notch up bonus appearances from Andrew Scott and Rafe Spall, as well as appreciating some up and coming filmmaking talent.
Scott’s film is Silent Things in which he plays Jake, a guy with Asperger’s who strikes up an unlikely camaraderie with a quirky teenager, Georgia Groome’s Amy who challenges him to test his boundaries with mixed results and which in turn also threatens his friendship with Charlotte, also autistic and who resents the closeness that Jake is able to achieve with others. Written by Rob Brown and Edward Jackson, it is small but perfectly formed and elevated by all three performances from its leads, not just Scott. Predictably he is excellent, unshaven and more unkempt than we’re used to seeing him, his is a performance of great subtlety leading us to empathise strongly with Jake’s predicament. Antonia Campbell-Hughes’ Charlotte suffers more severely and so is less able to socialise, her bluntness still sensitively portrayed though and the self-determined drive neatly suggested. Groome is also good and altogether, it made for an engaging short piece.
Modern Life is Rubbish was also amongst my favourites here, Rafe Spall and Rebecca Night starring as a recently split-up couple who are going through the traumatic experience of dividing their music collection and ruminating on their relationship, their potential future friendship and what might have been. It is very well written, Philip Gawthorne picking up on so many of the tiny awkward details like attending the same social events after the split, being brutally honest about the things you didn’t like about the other and the ease with which one can fall back into intimacy without even thinking about it. And well performed too, Spall’s traditional music obsessive railing against greatest hits collections and the very existence of the iPod, his bluffness not quite able to mask his breaking heart as Rebecca Night tries to remain pragmatic as the one who has moved out and so not wanting to spend any more time there than is necessary. Continue reading “Television Review: BBC HD Film Shorts”
“Enlightenment by demonstration”
Trotting into the depths of the Barbican Pit, And The Horse You Rode In On is the latest piece by innovative company Told by an Idiot. Conceived by Hayley Carmichael and Paul Hunter and created by the company, the show has the subtitle ‘a sequence of serious follies’, mixing together as it does five different narratives, weaving them together in an unlikely mishmash. These influences range from Hitchcock’s film Sabotage to a Dario Fo hostage story, from Are You Being Served to Bugs Bunny, taking in the Baader-Meinhof Gang and some of Günter Grass’ writing, this latter two pointing most directly (to my eyes at least) to what is being examined here, namely what drives people to commit extreme acts for their beliefs and the relative powerlessness we have to stop them.
Told by an Idiot have been working long enough to allay any suspicions about whether their approach works and it really does, but unlikely as it may seem, the strongest part of the work is the humour: this is deeply, belly-achingly, funny stuff, there was one point where I was near-helpless with laughter. I am loathe to give things away here and words could not do them justice anyway, but Are You Being Served played in German was hysterical, followed by a sequence of scenes that were acted by three actors but voiced-over by two off-stage and riotously funny with it. The story of the Italian circus troupe making a perilous journey across the Alps and then being taken hostage, singing cheerily all-the-while was another triumph with a conclusion which, though ridiculous, made perfect sense. Continue reading “Review: And The Horse You Rode In On, Told By An Idiot at the Barbican Pit”