“Please don’t be happy. Uh, sorry, I don’t… Obviously I want you to be. And I hear that you are now, which is wonderful. What I’m trying to say is, I want you to be happy, but don’t be happy that I’m happy, because I’m not.”
aka not even beardy Jude Law can get you through this slog of a movie
“You are a curiosity”
American versions of Shakespeare (whether his plays or the man himself) are always worth looking up, even if only for a chuckle and new TNT TV series Will is certainly no exception. There’s some weight behind it – it was created by Craig Pearce, the longtime writing partner of filmmaker Baz Luhrmann and has Shekhar Kapur, who directed the award-winning Elizabeth and Elizabeth: The Golden Age, directing and executive producing and in the role of the Bard himself, there’s a potentially star-making role for British newcomer Laurie Davidson.
I watched the first two episodes and they sure make an arresting introduction. You feel Luhrmann’s influence almost immediately as this is no antiquated version of a sedate Elizabethan London, but rather it is one shot through with bright colours and a punk-filled attitude. Literally so, as they have conceived the burgeoning theatre scene of the time as being akin to the contemporary(ish) world of punk rock – theatres filled with patrons in leather and mohicans, the soundtrack filled with the Clash and drunken singalongs to Lou Reed. Continue reading “TV Review: Will, Episodes 1 + 2”
“I appreciate the thought, honestly. But given that we were almost killed by a couple of Death Eaters a few minutes ago…”
aka the one with a road trip (and a superfluous extra part)
“It’s a little bit Punjab
And a little bit UK”
It’s been just about a month since Bend it like Beckham heard the final whistle at the Savoy so I thought I’d cast a reviewer’s eye over the Original London Cast Album which was released last year. I’ve long been a fan of Howard Goodall’s work and this score was no exception, hooking me from the first time I saw to the show to the second and the third with its fusion of his own inimitable British style and the Bhangra influences drawn from Gurinder Chadha’s book, aided in authenticity by co-orchestrator Kuljit Bhamra.
Recorded live in the theatre (although there’s minimal sound from the audience until the very end), it sounds a real treat and it really does give the best of both the worlds it represents. Whether individually as in Sophie-Louise Dann’s ‘There She Goes’ or Rekha Sawhney leading the bridal party in the gorgeous Punjab lament ‘Heer’, or multiculturally as the majority of the music, it is always highly tuneful and musically interesting, highlighting styles of music that are too rarely seen in the West End. Continue reading “Album Review: Bend it like Beckham (Original London Cast Album)”
“Just look at them now”
A third trip back to UB2 and Bend it like Beckham remains a real pleasure (original review / preview). It’s interesting how the release of a show’s cast recording can impact my feelings towards it – being a big Howard Goodall fan, I’ve listened to this OCR a lot and fallen more in love with its music than ever. And in this age of playlists, it’s quite easy to come up with edited highlights that skate over some of the weaker moments to give an idealised version of the production.
That said, going back to the Phoenix Theatre was still highly enjoyable and it’s always fascinating to see how different emphases come through after repeated views. For me, it has been the realisation that the heart of the show lies as much with Jess’ parents, the under-rated Natasha Jayetileke and Tony Jayawardena making us care so deeply about their experiences that have allowed second-generation Jess to reach for the freedom she craves. Continue reading “Re-review: Bend it like Beckham, Phoenix Theatre”
“Who wants to cook aloo gobi when you can bend a ball like Beckham”
As anyone who has ever been to my parents’ annual Bonfire Night party can attest, a good aloo gobi is nothing to be sniffed at (nor my mum’s lamb saag for that matter) but when you’re a teenager, such things are far from your mind. So it is for Jesminder Bhamra – her older sister has just gotten engaged, her parents are keen for her to keep close to her Punjabi Sikh heritage but all she wants to do is play football in the park. And when she gets spotted by the captain of the local girls’ team, Jess finds herself torn between her family and following her heart’s desire.
Based on Gurinder Chadha’s enormously successful film of the same name, this musical version of Bend It Like Beckham is a ball-bouncing, cross-cultural match-up of a show. Adapted by Chadha and Paul Mayeda Berges, the story maintains its vivacious energy as Jess weaves her way through wedding prep and vibrantly staged parties with the extended family whilst tackling the rigours of life with new pal and teammate Jules in the Hounslow Harriers where her footballing prowess is soon spotted by the keen coach Joe, someone else Jules also has her eye on. Continue reading “Review: Bend it like Beckham, Phoenix Theatre”
“Who wants to cook aloo gobi when you can bend a ball like Beckham”
The musical of Gurinder Chadha’s Bend it like Beckham, with music by Howard Goodall and lyrics by Charles Hart, has quite a long preview period – no surprise for a brand new piece of musical theatre – but having been along, I thought I’d jot down some of my thoughts as opposed to writing it up fully – somewhere between a preview and a review to give you a taster of the show. I’d also recommend having a look for tickets now because there are some great bargains to be had in the stalls, seats as cheap as £15 for row E and a barely restricted view. Continue reading “(P)review: Bend it like Beckham, Phoenix Theatre”
“6 knows that 6 is 6”
I’ve never seen the original series of The Prisoner from the 1960s so I was able to approach the 2009 remake with a fresh mind and take in another of Ruth Wilson’s earlier televisual appearances. A co-production between ITV and US cable network AMC, it was filmed in the Namibian desert and featured the likes of Ian McKellen and Jim Caviezel in its cast as a man who wakes up in a strange isolated village with people calling him 6, and no idea of how or why he got there or how he can escape. It’s something of a curious beast. Caviezel’s 6 is the leading man of this show yet it is not always immediately apparent why we should really care about his fate. Somewhere between Caviezel’s handsome but anodyne looks and Bill Gallagher’s simplistic script, the driving thrust of the show just isn’t there.
There are aspects to enjoy though. Wilson gets some brilliantly emotive scenes as 313, the doctor who finds herself at the forefront of event as she is caught up in 6’s battle against the Village, and there’s some amazing work from her in the final episode, and Ian McKellen really is excellent as the Machiavellian 2, the sinister puppeteer who controls so much of what is going on, even as it seems that things are slipping from his grasp. Good support comes too from a range of strong actors in minor parts like Hayley Atwell, Lennie James and Rachael Blake. Continue reading “DVD Review: The Prisoner (2007)”