“You take yourself with you, wherever you go”
Sampling the best musical theatre that this country has to offer can prove to be a time-consuming business as it is increasingly the case that some of the best work is being done by theatres outside of London. Sheffield, Chichester and Leicester have all made it onto my theatres that I regularly visit now and after this stellar in-house production of Howard Goodall’s The Hired Man (in a co-production with Leicester’s Curve), it seems that Colchester’s Mercury Theatre might be joining that list.
It helps that the show can lay claim to being one of the best new British musicals of recent decades – Goodall’s sweeping, folk-tinged score marries strikingly with Melvyn Bragg’s book, based on his own novel inspired by the tough life of his grandfather in the Cumbrian hills, and what results is a work of hugely elegiac beauty. Stretching from 1989 through to 1921, The Hired Man covers a definitive period of British history in depicting the often grim realities of life in the more rural areas of the country at a time of great social and economic upheaval. Continue reading “Review: The Hired Man, Mercury Theatre”