Danny Mac, Kerry Ellis and Layton Williams star in The Theatre Channel – Episode Six: Showstoppers, with added Antonio Banderas
“Let’s go on with the show”
The beauty of so many theatrical things going digital is that it is now harder to properly miss out on something. Episode Six of The Theatre Channel, subtitled Showstoppers, aired last month but I let it slip me by – fortunately it is available on demand so in advance of dipping into its newest Rodgers and Hammerstein tribute, I gave it a shot.
And I’m glad I did, as it very much indulged my inner theatrical nerd by stretching its definition of showstopper way beyond the Phantom and Les Mis classics you might have expected them to plump for. Instead, we get hits from the likes of The Last Five Years, Sideshow, If/Then and Annie Get Your Gun, proving that wonders well beyond the West End hits. Continue reading “Review: The Theatre Channel – Episode Six: Showstoppers”
Following acclaim for their spectacular musical-packed digital series, Adam Blanshay Productions’ The Theatre Channel is back with a sixth episode, featuring more theatrical legends and musical magic! The new episode, entitled ‘Showstoppers’, will kickstart proceedings with incredible performances from major West End talent including Danny Mac (Sunset Boulevard; Pretty Woman The Musical), Kerry Ellis (Wicked; We Will Rock You) and Layton Williams (Everybody’s Talking About Jamie; RENT). The series will be available to stream in a new partnership with Stream.Theatre from Friday 30th April, with tickets for Episode 6 now on sale.
Further talent involved includes dynamic sister duo Amber Davies (9 to 5; Love Island) and JadeDavies (Les Misérables; The Phantom of the Opera) as Side Show’s conjoined twins, alongside Katie Deacon (Mary Poppins; An American In Paris) showcasing the original A Chorus Line choreography by Michael Bennett. The track for this stunning rendition of ‘Music and the Mirror’ has been provided by Antonio Banderas’ Malaga-based Theatre company Teatro del Soho, following their acclaimed Spanish-language revival. Academy Award and Tony nominee AntonioBanderas will also be sharing his knowledge of the production in an extra special exclusive interview for The Theatre Channel, featured in the episode. Continue reading “News: All-star musical anthology series The Theatre Channel returns”
After a successful West End debut in December 2020 at the Apollo Theatre, selling out two nights to 5-star reviews, Roles We’ll Never Play returns to the West End just in time for theatres opening!
Roles We’ll Never Play will see two star studded casts (a different cast each night) singing songs outside of their casting brackets. Notable performances in the last concert included a show stopping ‘All Male’ version of ‘Ex-Wives’ from Six The Musical and power house leading lady Alice Fearn ending the show with an incredible rendition of Santa Fe from Disneys Newsies. Continue reading “News: Roles We’ll Never Play returns”
Who knew that Leeds would be a musical theatre hotspot this December but between The Girls and this Music & Lyrics and West Yorkshire Playhouse production ofChitty Chitty Bang Bang, it’s been the place to be for big, warm-hearted musical fun. This is the first new version of Chitty Chitty… since its original 2002 West End production and its many regional tours but in James Brining’s clever and wondrous adaptation, it’s thoroughly revitalised and as lovely as any cherry peach parfait.
Ian Fleming’s novel was adapted by Jeremy Sams, via Roald Dahl and Ken Hughes’ own reshaping of the story for the cinema, and with a glorious score from the Sherman Brothers (as if they could do any other kind) beefed up with new songs by them as well, it captures much of the Disney noir feel of the film whilst bringing its own depths too. I’d forgotten how much sadness there was in the tale and that’s something Brining never lets us forget, even whilst delighting us with flying cars and fun. Continue reading “Review: Chitty Chitty Bang Bang, West Yorkshire Playhouse”
One of the more worthwhile festive releases this year is also pleasingly one of the more interesting. The Make A Difference Trust brings together the British entertainment community and its audiences to raise funds to support people living with HIV and AIDS and with The West End Goes MAD For Christmas, has brought together a host of new musical theatre champions to offer up a compilation of Christmas songs that offer a fascinating alternative to the age old carols and standards that proliferate at this time of year.
And producers Nikki & Joe Davison at Auburn Jam Records have done a brilliant job in matching composers to performers across the eight songs, curating pre-existing tracks and new, and shining a light on some serious talent. The plaintive simplicity of Stuart Matthew Price’s self-penned ‘This Christmas’ is characteristic of much of his oeuvre of classic songwriting, Gina Beck’s crystalline soprano dances beautifully around the timeless melody of Alexander S Bermange’s ‘Praying For You’ and Nadim Naaman‘s ‘A Soldier’s Christmas’ treads an equally emotive path, sung charmingly by Gerónimo Rauch and Naaman himself.