NIck Payne adapts his play Wanderlust for TV, with a great lead performance from Toni Collette and stunning work from Sophie Okonedo
“I thought old people were supposed to go off sex”
It being more than 10 years since I saw Nick Payne’s play Wanderlust at the Royal Court, I’d be hard pressed to tell you much about how it differed from this TV adaptation which aired back in 2018 but essentially, Payne circles around notions of sex and intimacy and the different roles they can play in different relationships. At the heart of the tale here are Joy and Alan, long married but sexually stale and thus we follow their decision to open out their marriage, with all the attendant difficulties that presents to their tightly-wound emotional states.
We also see the ripple effects on their teenage children, each finding their own way through love and sex and life and friendship, and we also see a lot of Joy’s therapy clients, the significance of which comes heavily to bear late on. Toni Collette and Steven Mackintosh are great value for money as Joy and Alan, Paul Kaye and Zawe Ashton also entertain as their new sex partners, and Kate O’Flynn and Anastasia Hille both thrill in supporting parts. The whole damn thing is worth it though for the simply spectacular Episode 5 in which locks Collette’s Joy and Sophie Okonedo as her own therapist in a room and keeps them there, to just stunning effect.
Taron Egerton, Jonathan Bailey, Jade Anouka and Phil Daniels have been announced as the cast of C O C K, the first West End production of Mike Bartlett’s Olivier award winning play about love and identity which opened at the Royal Court upstairs in 2009 with Ben Whishaw and Andrew Scott and has also played Chichester and Washington DC.
Directed by Tony and Olivier award winning Marianne Elliott, it will have a limited run at the intimate-for-the-West-End Ambassadors Theatre. Given the intensity and intimacy of the play itself, it will fascinating to see how it fares in a bigger space. Audiences will be able to find out for themselves from Saturday 5 March 2022 to Saturday 4 June 2022,.
Tickets are on sale now here. Continue reading “News: Mike Bartlett’s C O C K re-emerges in the West End”
The Mono Box is delighted to announce RESET THE STAGE, a collection of 7 filmed monologues written by 7 emerging, ethnically diverse writers performed by established actors on the empty stages of 7 London theatres in lockdown will stream live online on Thursday 17th June at 7.30pm.
This series of short films featuring actors Sharon Duncan-Brewster (Star Wars: Rogue One, Sex Education), Ken Nwosu (Killing Eve, Sticks & Stones) and Danny Kirrane (Don’t Forget the Driver, Peterloo) The evening will be introduced by Patrons of The Mono Box, Sir Derek Jacobi, Youssef Kerkour, Susan Wokoma and James Norton. All ticket sales will raise money for the continual work of the company nurturing and providing opportunities to emerging theatre talent. Continue reading “News: the Mono Box presents Reset the Stage”
Streaming allows to me take in a transatlantic version of Mike Bartlett’s Cock, starring Queer as Folk’s Randy Harrison
“You want your boyfriend’s help with the woman you’re sleeping with?”
The subject matter of Mike Bartlett’s Cock is one which has proved satisfyingly timeless, at least over the last decade but in a socially distanced age, it turns out that its form has also future-proofed it. Though it has four characters that interact, its focus on verbal interplay rather than physical shenanigans allies itself with the manipulations needed for COVID-19 protocols much more than other plays.
And having mounted an award-winning production of the play for Washington DC’s Studio Theatre in 2014, director David Muse has returned to it to launch the theatre’s debut online season. The result is a finely tuned hybrid of film and theatre that slots well into the now-global pandemic programming and as mentioned, Bartlett’s exploration of sexual fluidity remains as pointedly pertinent as ever, particularly in how it refracts through our relationships. Continue reading “Review: Cock, Studio Theatre online”
Plays by writers including Mike Bartlett and EV Crowe that were forced to close early because of the pandemic will be revived on BBC Radio 3 and Radio 4 as part of a festival created by actor Bertie Carvel.
Lockdown Theatre Festival will feature actors including Katherine Parkinson, Rachael Stirling and Nicholas Burns, who will record their lines in isolation, to reimagine their performances for specially created radio versions of the plays.
The plays, which will be broadcast on June 13 and 14, are: The Mikvah Project by Josh Azouz, which had been running at the Orange Tree Theatre, the Lyric Hammermith Theatre’s Love Love Love by Bartlett, Winsome Pinnock’s Rockets and Blue Lights, from the Royal Exchange in Manchester, and Crowe’s Shoe Lady, which was being staged by the Royal Court in London. Continue reading “News: Lockdown Theatre Festival brings four cancelled shows to radio”
Mike Bartlett’s Cock receives a stirring revival from director Kate Hewitt at Chichester’s Minerva Theatre
“I suppose I like both, but that’s okay isn’t it, that’s okay?”
Sometimes you look back at a cast you’ve seen and think wow, I’m glad I booked for that. The original Royal Court production of Mike Bartlett’s Cock – revived here at Chichester’s Minerva – had a cast that included no less than Katherine Parkinson, Andrew Scott and Ben Whishaw enclosed in the claustrophobic intimacy of Miriam Buether’s brilliant design. So no pressure for director Kate Hewitt to live up to, honest…
And it is pressure that she lives up to, mainly because Bartlett’s play remains as fresh as a daisy (chain) nearly 10 years after it was written. Its exploration of fluid sexuality feels ripped out of the frothing mouth of clickbait-muffin Piers Morgan, its rejection of conventional sexual identity labels still a key issue for many, the complication of the dating world in the 21st century as sharply pertinent as ever.
Continue reading “Review: Cock, Minerva”
“Every night on the news there’s literally always some sort of massively catastrophic end-of-the-world shit going down… And I always wonder ‘how would I cope, if that happened to me?’”
I enjoyed Stuart Slade’s BU21 massively when it played the Theatre503 early last year (see my original review and my top ten of 2016) but I hadn’t intended to revisit the show – sometimes the memory of it is plenty sufficient. The feedback from friends who had appreciated the play just as much persuaded me to change my mind though and I’m glad I went back, as there was as much that I’d forgotten as there was that I remembered I loved, making this a definite recommendation from me, even if you’ve been before.
Running time: 100 minutes (without interval)
Booking until 18th February
“Everything’s just a bit wider apart”
On the second day of Christmas, Black Mirror gave to me…two lovelorn kids
Fifteen Million Merits takes place in a fiercely satirical version of our entertainment culture, where appearing on reality TV is king and everyone else is trapped in a factory-like environment where they must cycle for hours on end to generate all the electricity needed. Forced to watch inane crap on the screens that constantly surround them, their activities are frequently interrupted by adverts, just like on the Channel 4 player!
Daniel Kaluuya’s Bing has inherited 15 million merits from his brother on his passing and decides to use them to enter Jessica Brown Findlay’s Abi into Hot Shots, the X Factor-like show with a scarily vacuous Julia Davis and a sinister Cowell-a-like Rupert Everett. This is the only route out of their slave-like existence but sure enough, nothing is as simple as it seems and as ever, you have to be careful what you wish for. Continue reading “12 Days of Christmas – Black Mirror 1:2”
“After all this time?”
aka the one that wraps it all up, and pisses it away with a ridiculous epilogue
“I appreciate the thought, honestly. But given that we were almost killed by a couple of Death Eaters a few minutes ago…”
aka the one with a road trip (and a superfluous extra part)