Edition #5 of the Royal Court’s Living Newspaper takes a more reflective approach to great effect
“Most people do it. Not me, I have a conscience”
The Royal Court’s Living Newspaper continues with edition #5 which feels a little less reactive to the headlines and a little more reflective on the state of the world as we find it today. It looks back, probing into how our history has shaped us but it also identifies the precipice of the current moment and how, more than ever, so very much is at stake.
The quiet fury of Dalia Taha’s A Warning takes aim at Israeli border policies through the medium of books, Kayla Meikle’s devastatingly contained performance a real stand out. And Zia Ahmed’s elegiac scene/unscene finds a brutal poetry in its takedown of the systemic racism in the theatrical establishment, skewering good liberal intentions perfectly. Continue reading “Review: Royal Court’s Living Newspaper #5”
Written by Zia Ahmed, Leo Butler, Guillermo Calderón, Nick Cassenbaum, E.V. Crowe, Maud Dromgoole, Nessah Muthy, Iman Qureshi, Marcelo Dos Santos, Nina Segal, Dalia Taha, Joel Tan and Maya Zbib.
Who has created our country’s past and who is shaping its future? Who gets to have their cake and eat it?
Edition 5 sets out to dismantle histories – be that personal or political – whilst finding allies in bookshop glances, questioning who is desperate for hygge comfort and looking to our comrades and weather reporters for the true future.
As we look back and forward, Edition 5 is a provocation to find joy in the cracks and the spaces left behind. Continue reading “News: writers and cast for Living Newspaper #5”
So many of the recommendations for shows to see next year focus on the West End. And for sure, I’m excited to catch big ticket numbers like All About Eve, Come From Away, and Waitress but I wanted to cast my eye a little further afield, so here’s my top tips for shows on the London fringe (plus one from the Barbican) and across the UK.
1 Medea, Internationaal Theater Amsterdam at the Barbican
Simon Stone’s sleekly contemporary recasting of Euripides is straight up amazing. Anchored by a storming performance from Marieke Heebink, it is as beautiful and brutal as they come. It’s also one of the few plays that has legit made me go ‘oh no’ out loud once a particular penny dropped. My review from 2014 is here but do yourself a favour and don’t read it until you’ve seen it.
2 Macbeth, Watermill Theatre
2018 saw some disappointing Macbeths and I was thus ready to swear off the play for 2019. But the Watermill Ensemble’s decision to tackle the play will certainly break that resolve, Paul Hart’s innovative direction of this spectacular actor-musician team will surely break the hoodoo…
3 Noughts and Crosses, Derby Theatre, and touring
Pilot Theatre follow on from their strong Brighton Rock with this Malory Blackman adaptation by Sabrina Mahfouz, a Young Adult story but one which promises to speak to us all. Continue reading “20 shows to look forward to in 2019”