News: Tristram Kenton’s stage archive – the musicals edition

Since it is the season of goodwill to all men, I’m not going to belabour the point that it is a shame that ‘musicals’ have been lumped together as a category here, whereas the likes of Pinter and Kane got their own specials, whither Sondheim, Herman and Tesori. Still, it’s lovely as ever to stretch back over years of musical theatre productions to see some of Tristram Kenton’s most iconic shots for the Guardian:
https://www.theguardian.com/stage/gallery/2020/dec/02/musicals-on-stage-in-pictures-tristram-kenton

Photos: Tristram Kenton

Album Reviews: Singing You Home / Mamma Mia! Here We Go Again / Vanara the Musical

This trio of album reviews covers Singing You Home: Children’s Songs for Family Reunification, Mamma Mia! Here We Go Again (2018 Film Soundtrack) and Vanara the Musical

“Ay, ay, ay, ay, canta y no llores”

Regardless of your politics, Singing You Home: Children’s Songs for Family Reunification is a really rather lovely album of bilingual children’s songs. But in this day and age nothing is not political and the current US administration’s policy of child separation is a genuine atrocity that it is hard to know how to respond. Laura Benanti had the nous to conceive this project though and produced it with Mary-Mitchell Campbell and Lynn Pinto, and a whole host of the great and good of the American musical theatre. Thus this is more than just your usual set of lullabies – Lin-Manuel Miranda and Mandy Gonzalez crooning on the Mexican song ‘Cielito Lindo’, Audra McDonald shining on Jason Robert Brown’s ‘Singing You Home’, Kristin Chenoweth’s ‘Beautiful Dreamer’, well worth the investment for this uniquely exceptional cause. Continue reading “Album Reviews: Singing You Home / Mamma Mia! Here We Go Again / Vanara the Musical”

Album Review: Frozen 2 / Hello Again / Chicago

The release of Frozen 2 (2019 Film Soundtrack), sends me off to a couple of other film soundtracks I’ve been meaning to review in Hello Again (2017 Film Soundtrack) and Chicago (2002 Film Soundtrack)

“Are you the one I’ve been looking for
All of my life?”

Possibly the album that is most wanted by kids and most feared by parents is the soundtrack to the forthcoming Frozen 2. Musical supremos Kristen Anderson-Lopez and Robert Lopez return in fine form with a suite of songs that suggest quite the emotional journey for the film and one which could be too sad for even me to cope with. In that respect, Kristen Bell’s griefstricken ‘The Next Right Thing’ scares me but it is gorgeously done. ‘Into the Unknown’ with its daring intervals and Aurora’s ethereal supplemental vocals seems like the song most identified to replicate ‘Let It Go’ enormous success but it is the dramatic swoops of ‘Show Yourself’ that I think Idina Menzel shines best on, along with Evan Rachel Wood. Wood’s delicate ‘All is Found’ speaks to the film’s core mysteries and Jonathan Groff finally gets a song with the amusing 80s-inflected ‘Lost In The Woods’. Continue reading “Album Review: Frozen 2 / Hello Again / Chicago”

Album Reviews: Kristen Chenoweth – For The Girls / Idina Menzel – Christmas: A Season of Love

A pair of album reviews for the OG Wicked stars – Kristen Chenoweth’s For The Girls and Idina Menzel’s Christmas: A Season of Love

“You know the Queen of hearts is always your best bet”

No matter how they’ve diverged now, the careers of Kristen Chenoweth and Idina Menzel will forever be connected by Wicked and so you wonder whether their respective 2016 albums being released at the same time was ‘just’ a coincidence. And those ties just won’t quit as late 2019 sees them both dropping records, albeit with a month or two inbetween this time.

Chenoweth’s album is For The Girls, a concept album of sorts, produce by Steve Tyrell and Jon Allen, focusing on tracks either written or performed by female artists. She might not exactly reinvent the wheel with her covers, but there’s something impressive about the way in which she draws the connecting line between the country pop of her upbringing – ‘Desperado’, ‘Crazy’ – to the standards for which she’s now famed – a glorious ‘The Man That Got Away’, ‘The Way We Were’. As diverse a collection it gets, it always coheres effectively.  Continue reading “Album Reviews: Kristen Chenoweth – For The Girls / Idina Menzel – Christmas: A Season of Love”

The Curtain Up Show Album of the Year 2016 nominees

Best UK Cast Recording
American Psycho – Original London Cast Recording
Close To You: Bacharach Reimagined – Original London Cast Recording
Funny Girl – Original London Cast Recording
Half A Sixpence – 2016 London Cast Recording
Kinky Boots – Original West End Cast Recording
Mrs Henderson Presents – Original London Cast Recording

Best American Cast Recording
Allegiance – Original Broadway Cast Recording
The Color Purple – New Broadway Cast Recording
Fiddler On The Roof – 2016 Broadway Cast Recording
Lazarus – Original Cast Recording
On Your Feet! – Original Broadway Cast Recording
Waitress – Original Broadway Cast Recording

Best Solo Album / Non Cast Recording
Cheyenne Jackson – Renaissance
Lin-Manuel Miranda – The Hamilton Mixtape
Idina Menzel – idina.
Kristin Chenoweth – The Art of Elegance
Nadim Naaman – Sides
Samantha Barks – Samantha Barks

Album Review: Idina Menzel – idina. / Kristin Chenoweth – The Art of Elegance

“I get along without you very well”

Whether through coincidence or design, the paths of original Elphaba and Glinda have intertwined once again as Idina Menzel and Kristin Chenoweth released new albums on the same day. And it is interesting to see how their paths have diverged, both navigating the worlds of film and TV, music and of course theatre but in completely different ways, as reflected by this pair of records here. 

The largely self-penned idina. sees mine a confessional singer/songwriter route, utilising the pain of her divorce to present an emotive set of pop songs, more varied than perhaps you might expect from the power ballads for which she’s become known. To my mind, the country-ish tinge to tracks like Nothin’ In This World succeed more than the dance-oriented ‘Everybody Knows’ and the rockier edge of some tracks suits the emotional turmoil from whence they came. It’s a solid collection but I have to admit it isn’t one that particularly grabbed my attention as one that I want to return to any time soon. Continue reading “Album Review: Idina Menzel – idina. / Kristin Chenoweth – The Art of Elegance”

Happy London Pride – paying tribute to Orlando and beyond

“Love, sweet love…no, not just for some but for everyone”

It’s no secret that Broadway cares but there’s still something extremely touching about a community coming together to help others, especially when it feels close to home. However others want to spin it, the attack on the Pulse nightclub in Orlando was an attack on the LGBT+ community and that is something that is just chilling in its cold reality. But from such horror comes something positive too as people rally together to share love and support, solidarity and hope that no matter how dark it gets, we’re never alone. 


In London, the LGBT+ community has the Pride in London Parade to spark the coming together over what will be a poignant weekend. And on Broadway, Broadway Records President Van Dean, SiriusXM Radio Host Seth Rudetsky and Producer James Wesley have pulled together a dream choir of amazing performers to record a charity single of Burt Bacharach and Hal David’s ‘What The World Needs Now Is Love’ to benefit the Orlando LGBT+ community. Take a look at the video below (and be blown away by such luminaries as Audra McDonald, Bernadette Peters, Lin-Manuel Miranda, Idina Menzel and so many more) but I urge you to please buy a copy too, to support this very worthy cause.

You can buy ‘What The World Needs Now’ here. 100% of the proceeds from the sale of the song will benefit the GLBT Community Center of Central Florida



And matching Broadway for passionate respect are the London Gay Men’s Chorus. The response to their musical tribute of Simon and Garfunkel’s ‘Bridge Over Troubled Water’ at the Soho vigil for the Orlando victims was such that they have decided to release it as their own charity single (it had originally been intended for their 25th anniversary album later this year, and recorded just hours before the attack took place).


You can find out more about ‘Bridge Over Troubled Water’ here or purchase it directly on iTunes and Google Play. Proceeds from the sale of the charity single will be split equally between the Orlando Victims Fund, organised by Equality Florida; and Galop, the UK’s LGBT anti-violence charity that supports victims of homophobic, biphobic and transphobic hate crime.

Album Review: If/Then (Original Broadway Cast Recording)

“I know all the odds and even so…” 

One of the temptations with cast recordings, and something that’s been facilitated by the dawning of the digital age, is to make a playlist of your favourite songs and then forget about the others. I am terrible for doing this – it’s why I’m word perfect on only half of Wicked – and yet I never seen to stop. If/Then is a good example of this – the edited highlights on my iPhone give the impression of a great show whereas the reality is more just good

Predictably, these excerpts mostly include Idina Menzel’s inimitable vocal, around which Tom Kitt’s score was crafted. The delicate duet of ‘Here I Go’ with the lovely James Snyder, the stirring ‘You Learn To Live Without’, the irresistible melodic force of ‘Always Starting Over’, she’s so at home in this world of emotionally swirling tunes that it is impossible not to get swept up with her, especially in the last song’s slow-building climax. Continue reading “Album Review: If/Then (Original Broadway Cast Recording)”

Review: If/Then, Richard Rodgers Theatre

“I’d lie to say I’m never sometimes always thinking of you”

I couldn’t do New York without taking the opportunity to see Idina Menzel and in lieu of battling the crowds at Times Square, tickets were booked for her starring role in Tom Kitt and Brian Yorkey’s If/Then. Having had the soundtrack for a wee while now, and being a big fan thereof, I pretty much knew what I was letting myself in for, meaning there was none of the apparent confusion that blighted much of the initial critical response which found the show hard to follow.

Is it confusing? I don’t think so. It’s tricksy yes, as a twin set of narratives follow two different paths that newly-divorced Elizabeth could take as she moves to New York City to start her life anew. Pushing 40, she feels the clock ticking both personally and professionally and so as Liz it is the former that takes precedent and as Beth, the latter. The same friends and colleagues appear in each strand too, with different experiences so you do have to pay some attention but that’s no real hardship. Continue reading “Review: If/Then, Richard Rodgers Theatre”