10 questions for 10 years – Rosie Wyatt

She’s been acting less time than I’ve been blogging but I can’t hold that against Rosie Wyatt, an actress whose name you should know

I’m not saying that Rosie Wyatt in the sole reason I like monologues now but her captivating performance in Bunny went a long way to convincing of the merits to the form that up until that point, I had mostly resisted. So much so she was nominated for a prestigious fosterIAN award for Best Actress.

So it was great to hear it was a positive time for her too:

“I have loads of nice memories of Bunny. Rehearsals with Joe Murphy remain one of my happiest, creative periods to date. Waiting to go in to the Fringe Awards to collect our Fringe First and being totally overwhelmed and Jack Thorne teasing me. And my Dad coming out to New York, his first and only solo trip abroad, to see me perform.”

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Review: Symphony, The Vaults

“I do enjoy a skimpy short”

Originally commissioned in 2012 when it played festivals like Latitude, nabokov’s Symphony is a great fit for the ethos of the Vault Festival taking place underneath Waterloo and this sparky revival proves to be one of the highlights of the programme so far. Three short plays by three of the UK’s most exciting playwrights which mix together spoken word and live music, the show treads a blurred line between theatre and gig and pulses with an exciting spirit.

The way that the three writers utilise Ed Gaughan’s music in their stories is quite different but always interesting. Jonesy by Tom Wells is a riff on sporting underdog movies, with an asthmatic student determined to prove himself in his GCSE PC class but ending up in the netball team when rugby turns out to be too rough. Iddon Jones makes a lovable lead and Wells’ quirky sense of humour shines through, not least when Jonesy’s personal theme song finally plays. Continue reading “Review: Symphony, The Vaults”