“It’s amazing what Parliament will do when they feel guilty”
Charles II: The Power and the Passion was a 2003 BBC miniseries the likes of which I doubt we’ll see again in these times of austerity as it was a sprawlingly lavish costume drama, directed by a young Joe Wright. Covering the life and reign of Charles II, it starts just before his restoration to the throne after the death of Oliver Cromwell and runs right through to his death. Thus as 27 years of history are condensed into 4 hours, liberties and dramatic license is freely taken and this isn’t really the place to be too pernickety about this kind of things.
We follow Charles from his libidinous time in exile on the continent to arriving back in London to be crowned King and to lock horns with Parliament. Charles still believed strongly in the absolute power of the monarchy but the politicians of the day were determined not to surrender any of their new-gained influence and so much struggles ensued as members of his court both grew in influence and fell from favour as everyone jockeys for power and to make sure they’re on the winning side. There is also the matter of the succession as Charles has no legitimate heir, though plenty of illegitimate offspring, and wants his brother named but he is a Catholic. Continue reading “DVD Review: Charles II The Power and the Passion”
“Certainty is a state of mind, faith is a state of heart. There’s a marked difference, I believe.”
I wavered about the status of this review/not-a-review as the performance of the Royal Court’s The Faith Machine that I saw had to be delivered under house lights without any of Neil Austin’s lighting design since a heavy downpour in the afternoon had put the lighting rig out of action which was a shame as Mark Thompson’s design looks intriguing. Indeed, the rain continued to drip onto the stage throughout the show and so the actors had a fair amount to contend with whilst still working things out in this preview. We did still pay full price though so I am not feeling totally forgiving: so I’ve called it a review, but the focus will mainly be on the play itself rather than the production.
Alexi Kaye Campbell scored a massive hit with his first play The Pride back in 2008 and the play recently had its regional premiere which I was able to catch in Sheffield and I was vastly impressed by the maturity of the writing and its refusal to settle for easy answers. Thus the anticipation for The Faith Machine was quite high, especially with a cracking cast like the one put together here for Jamie Lloyd’s production. Continue reading “Review: The Faith Machine, Royal Court”
“Words and thoughts are just as important as deeds”
Though Ibsen is reputed to have described Emperor and Galilean as his ‘major work’ which took nine years to complete, it has never previously been staged in English and little is known about it given how often his other works are revived. This may well be because it was not actually written for the stage but to be read, consequently the original epic spreads over ten acts and is allegedly over eight hours long. Never one to shirk a challenge though, the National Theatre commissioned a new adaptation by Ben Power which condenses it down to about 3 hours 20 minutes yet still employs over 50 performers to bring this version of Ibsen’s epic to life. This was a preview performance on Monday 13th June.
The play spans 351 to 363AD, following the life of Julian, nephew of the Roman emperor, an intelligent erudite man even from his teenage days which were spent exploring his faith and studying the Bible with his friends. But chafing against the constraints of the imperial household which isn’t altogether sympathetic to his existence, he escapes to a carefree existence in Athens where he is seduced by the exotic lure of the worship of the ancient pagan Gods. His eventual rise to Holy Roman Emperor thus saw him try to abolish Christianity as the state religion and replace it Paganism, returning back to the values of old, but conflating his own personal struggle with faith with the trials of ruling a fading empire is an awful lot for one man to take on. Continue reading “Review: Emperor and Galilean, National Theatre”
“Your face isn’t the most cheerful today”
The Prince of Homburg by Heinrich von Kleist is this year’s summer play at the Donmar Warehouse marking the return of Ian McDiarmid after Be Near Me last year. Presented in a new version here by Dennis Kelly (who I still haven’t quite forgiven yet for The Gods Weep), it was written in 1811 just before the German Romantic playwright committed suicide, and apparently was one of Hitler’s favourite plays. In order to squeeze this in before my holiday, I ended up seeing the second preview which should be acknowledged when reading my comments.
The play follows the titular Prince of Homburg, a shining light in the Prussian Army but possessed of a dreamy waywardness which flies in the face of the strict obedience of the law that typifies Prussian military behaviour and when he defies an order from his father-figure the Elector, matters of courage and honour push them both to a horrifying point of no return. Continue reading “Review: The Prince of Homburg, Donmar Warehouse”
Thanks to the West End Whingers, I am now hyper-alert to the most random of details and there is much in this production to please them. Some excellent preparation and arranging of roses, some chopping of rhubarb, and onstage eating of lettuce soup, and then some fish stew and bread out of a lovely Le Creuset pot. However, there was no placemat for said pot, and so I did spend a couple of minutes worrying about the mark it would leave on the table.
But only for a couple of minutes, for this is a wonderful production which I found to be thoroughly engrossing. After a double whammy of “things that I hate” from the last couple of productions at the Donmar, namely verse plays and Nordic playwrights, this was the Donmar on top form. Adapted from Andrew O’Hagan’s novel, Be Near Me tells the story of a Oxbridge Catholic priest’s struggle to adapt to moving to a predominantly Protestant Scottish town. Continue reading “Review: Be Near Me, Donmar”
THE SPOTLIGHT BEST ACTRESS IN A PLAY
Katy Stephens – The Histories, RSC at the Roundhouse
Deanna Dunagan – August: Osage County at the NT Lyttelton
Lesley Sharp – Harper Regan at NT Cottesloe
Lindsay Duncan – That Face at the Duke of York’s
Margaret Tyzack – The Chalk Garden at the Donmar Warehouse
Penelope Wilton – The Chalk Garden at the Donmar Warehouse
THE SPOTLIGHT BEST ACTOR IN A PLAY
Kenneth Branagh – Ivanov, Donmar West End at Wyndham’s
Adam Godley – Rain Man at the Apollo
Chiwetel Ejiofor – Othello at the Donmar Warehouse
Eddie Redmayne – Now or Later at the Royal Court Downstairs
Ian McDiarmid – Six Characters in Search of an Author at the Gielgud
Kevin Spacey & Jeff Goldblum – Speed the Plow at the Old Vic Continue reading “2009 What’s On Stage Award nominations”