Ian Hallard’s debut play Adventurous finds a gently comic soul in its exploration of middle-aged online pandemic dating
“Is it because I said lesbian?”
In some ways, Adventurous isn’t adventurous at all. It feels like we’re destined to watch the same jokes about being muted on Zoom in in every online show and the perils of dating online are hardly fresh fodder either. But what Ian Hallard’s debut play does have, is an abundance of heart and a gently comic spirit that makes it shimmer anew.
Ros is emerging back into life after years as an unpaid carer, Richard is reeling from a divorce and both are preparing to dip a toe back into the dating pool by signing up to an agency. And as they match and meet over a hesitant first date on Zoom, we follow the baby steps of their developing connection over the following months, even to a Tier 2 IRL meet. Continue reading “Review: Adventurous”
Ros is looking for romance. Richard needs a new companion. They’re a match! But the year is 2020, and dating isn’t simple. From glitchy Zoom introductions, to their socially distanced first date in an actual restaurant, Adventurous follows the twists and turns of Ros and Richard’s relationship as they negotiate technology, treachery…and tortoises.
Filmed in lockdown, this is the premiere of actor Ian Hallard’s debut play. Both comic and touching, Adventurous tells the unexpected story of two single souls with an unstable connection. It reunites Hallard with Olivier Award-winner Sara Crowe following their many double-acts in Jermyn’s Street Theatre’s 2018 production of Noel Coward’s Tonight at 8.30. This online production is a heartwarming and hilarious treat. Continue reading “A round-up of February theatre news”
Dame Janet Suzman, Miranda Raison, Michael Pennington, Jamael Westman and Kirsty Bushell among the 72 actors performing The Odyssey over 12 hours
In this digital theatrical first, Jermyn Street Theatre joins forces with The London Review Bookshop and publishers WW Norton to stage a live performance of all twenty-four books of Homer’s masterpiece Continue reading “News: 72-strong cast announced for Jermyn Street’s 12-hour Odyssey”
A starry Mary Queen of Scots proves an intriguing if a little frustrating film debut for Josie Rourke
“The world will decide for itself”
An intriguing, if a little frustrating one this. Josie Rourke is a titan in the world of theatre and Mary Queen of Scots marks her cinematic debut. But despite a classy pair of lead performances from Saoirse Ronan and Margot Robbie as diametrically opposed queens Mary and Elizabeth, an ensemble consisting of the cream of British acting talent, and the sweeping beauty of the Highlands to frame every other shot, the film never really quite sparks into life.
Beau Willimon’s screenplay, based on John Guy’s book Queen of Scots: The True Life of Mary Stuart, dances around historical accuracy with its own determination, building in a climactic meeting between the two which although visually striking, dramatically brings precious little. Before then, the film is plotted as a strategic confrontation between two monarchs, two women, who are battling the worlds around them as much as each other. Continue reading “Film Review: Mary Queen of Scots (2018)”
The reliance on an all-white cast to tell Hogarth’s Progress is another mis-step from a Rose Theatre Kingston who should know better
“We’ve all had our share of bad reviews”
The oft-misquoted George Santayana once said “those who cannot remember the past are condemned to repeat it” and taking a glance at Nick Dear’s Hogarth’s Progress, you can’t help but feel it is most apposite for the folks at the Rose Theatre Kingston. Once again, they’re tackling a slice of English history in a multi-play format and once again, they’re doing it with a lily-white cast – diversity be damned!
It’s a bit exhausting to go over the same arguments but they still hold true. The notion of historical verisimilitude holds no water, not least because Dear has talked about employing dramatic licence with history itself, but because once again we’re not talking about German actresses being employed to play Queen Caroline (it is Susannah Harker, with an accent). We’re talking about directors not trusting that audiences will accept actors of colour in such roles, but also not doing enough to challenge such audience-held perceptions. Continue reading “Review: Hogarth’s Progress, Rose Theatre Kingston”
The cast of Hogarth’s Progress include Ben Deery, Bryan Dick, Emma Cunniffe, Ian Hallard, Jack Derges, Jasmine Jones, Keith Allen, Mark Umbers, Ruby Bentall, Susannah Harker, and Sylvestra Le Touzel.
Having a gay old time of it with Shakespeare and his company in Foul Pages at the Hope Theatre, London.
““We’re going to get it up the arse by the new King of England…’
Thank God we rehearsed.”
It is easy to slip into reverence with artistic representations of William Shakespeare, such is his storied reputation but pleasingly, there’s little of that on display here in Robin Hooper’s Foul Pages. Imagining the man behind the myth, Hooper presents the Bard as a hard-working theatre professional, beset by controversies, split loyalties and tough decisions – the Vicky Featherstone of his day if you will.
His Rita, Sue… moment comes as a result of needing to secure the patronage of new king James I, not just for his own career prospects but to save the imprisoned Sir Walter Raleigh, a close personal friend of his collaborator the Countess of Pembroke. But to please the king is to disappoint some of his actors and in the Wiltshire estate where they’re all sequestered whilst London is riddled with plague, the consequences of puncturing actors’ egos become all too real. Continue reading “Review: Foul Pages, Hope”
“I’ve never had a lover die on me before”
Chemsex is one of those subjects that always seems to pop up at festivals and sure enough, in week 1 of the VAULT we find a new play on the very subject by Christopher Adams. But with a sparkingly fresh and darkly witty take and some intelligent and imaginative direction from Matt Steinberg, Tumulus emerges as a cracking piece of theatre, a “chilling queer noir” that entertains as much as it elucidates.
Anthony is well and truly addicted to the chemsex scene in London. He’s holding down his job as an assistant curator at the British Museum just about fine, though that promotion always seems to elude him, as his evenings and weekends are taken up with chasing the next amazing high, the next unmissable party, the next insatiable guy. This high-functioning addict has his certainties shaken though when his one of his latest hook-ups turns up dead on Hampstead Heath. Continue reading “Review: Tumulus, VAULT Festival”
On the one hand, that the Vault Festival has expanded to over 300 shows running over 8 weeks is fantastic news for the emerging theatremakers that it supports. On the other, it means making the choice about what to see, even tackling the catalogue alone can feel somewhat daunting. It has taken me a wee while to get round to delving into it myself, but as the festival is set to open this week, here’s some of my top tips for each week. Continue reading “2018 Vault Festival – what to see”
A quick whip through Series 2 of The Crown
“History is not made by those who did nothing”
Do I still love The Crown? Yes. Do I still find it a little hard to muster enthusiasm about it until I’m watching it. Absolutely. It remains lavish prestige drama that carries little excitement about it and that’s perhaps inevitable as it trundles through the decades of the second half of the twentieth century, little dramatic surprise can really be sprung.
Instead, the thrills come from the script of Peter Morgan’s fantasia into the emotional life of our monarch, and a production that looks like the multi-millions of dollars that have been spent on it. Oh, and the cream of British acting talent popping in for a scene or two at an astonishingly high rate. Continue reading “TV Review: The Crown, Series 2”