The nominations for the 22nd Annual WhatsOnStage Awards have been announced
Voting is open now, closing on Friday 21 January 2022, with the winners being announced at the awards ceremony on Sunday 27 February 2022. Write-in votes for Sutton Foster should be sent forthwith.
BEST PERFORMER IN A MALE IDENTIFYING ROLE IN A MUSICAL
Roger Bart – Back to the Future the Musical, Manchester Opera House & Adelphi Theatre
Olly Dobson – Back to the Future the Musical, Manchester Opera House & Adelphi Theatre
Arinzé Kene – Get Up, Stand Up! The Bob Marley Musical, Lyric Theatre
Julian Ovenden – South Pacific, Chichester Festival Theatre
Eddie Redmayne – Cabaret, Playhouse Theatre – Kit Kat Club
Ivano Turco – Cinderella, Gillian Lynne Theatre
BEST PERFORMER IN A FEMALE IDENTIFYING ROLE IN A MUSICAL
Aimie Atkinson – Pretty Woman, Piccadilly Theatre & Savoy Theatre
Samantha Barks – Frozen, Theatre Royal Drury Lane
Jessie Buckley – Cabaret, Playhouse Theatre – Kit Kat Club
Carrie Hope Fletcher – Cinderella, Gillian Lynne Theatre
Beverley Knight – The Drifters Girl, Garrick Theatre
Stephanie McKeon – Frozen, Theatre Royal Drury Lane Continue reading “2021 What’s On Stage Award nominations”
With a ‘roadmap’ in place, the West End is starting to make plans for a summer that might look something close to normal
The Prince of Egypt will return to the Dominion Theatre from 1st July, operating under socially distanced restrictions until 4th September, after when they intend to return to ‘normal’! The show has also extended its run until Saturday 8th January 2022.
The production has confirmed that the entire cast and orchestra of almost 60 artists, will be presented in its original form at all performances. The cast of 43 is led by: Luke Brady (Moses), Liam Tamne (Ramses), Christine Allado (Tzipporah), Alexia Khadime (Miriam), Joe Dixon (Seti), Debbie Kurup (Tuya), Mercedesz Csampai (Yocheved), Adam Pearce (Hotep), Tanisha Spring (Nefertari) and Silas Wyatt-Barke (Aaron). Further casting is to be revealed. Continue reading “News: the West End starts to make plans…”
The form of the rom-com gets mixed up in Leia and the Roman at the VAULT Festival
“We can’t break up over a Star Wars film”
Is the point at which you introduce roleplay into a relationship a healthy expression of developing desire or a sticking plaster over things going wrong. At first, it seems like it’s the former for Ed and Kate (and when your man looks as good as this centurion, we’re all winners!), but it’s soon apparent that all is not well here. It’s not just that Kate has dressed up as Princess Leia from The Last Jedi rather than Return of the Jedi, but neither really seems to be sure what the costumes are actually for.
Sally O’Leary and James Saville’s playLeia and the Roman tackles the world of modern )straight) dating with something of a coolly unsentimental eye. Kate and Ed find themselves in a rut even after just a couple of years, unable to even decide on what takeaway to get without squabbling. And as is so often the case, it takes an innocuous argument that snowballs into something worse to force them to dig deep into the truth about where they both are emotionally. O’Leary and Sam Jenkins-Shaw are both really good here, even making us believe the script’s lies about ham and pineapple pizza. Continue reading “Review: Leia and the Roman, VAULT Festival”