“Were it not better…that I did suit me all points like a man”
As You Like It is one of those Shakespeare plays that seems to pop up most regularly at the moment, so much so that its mere mention makes my heart sink a little. I quite like the play but it is not one of my favourites and so had been intending to give the many productions appearing all over the show a miss this year. The best intentions etc etc no willpower blah blah meant that I couldn’t resist popping into the Royal Exchange to take in this modern-dress version.
Chief of my reasons was the casting of Cush Jumbo as Rosalind: she was a highlight in the Pygmalion I saw at the same venue last year and I suspect she is an actress destined for big things. She is excellent here, at her best when disguised as a street-smart Ganymede, peppering her lines with hip-hop slang and becoming terrifyingly convincing as an awkward teenage boy. A terrific performance and definitely one to watch. Continue reading “Review: As You Like It, Royal Exchange”
“You have no idea how frightfully interesting it is to take a human being and change her into a quite different human being…”
A fortuitous set of circumstances combined to enable me to go see Pygmalion at the Royal Exchange with Aunty Jean and my father, being up near Manchester for the weekend, and how glad am I that I did. I used to visit the Royal Exchange quite often when younger but it is years since I have been and I was also quite intrigued to see the play itself, never having seen it before, only in its adapted musical form as My Fair Lady. (I was on the lookout for the links between the two in particular around the songs, but the only song title I picked up from the dialogue was ‘I’ve Grown Accustomed To Her Face’).
When Henry Higgins makes a bet with Colonel Pickering that he can turn a cockney flower girl into a lady, he sets out to change Eliza Doolittle completely and equip her for life in high society – but he reckons without the spirit and strength of Eliza herself. It is a scathing comment on the class structure of Britain at the turn of the century and a surprisingly modern take on the gender politics of the time, but above all highly entertaining and really rather funny. Continue reading “Review: Pygmalion, Royal Exchange”