Round-up of August theatre news

Hampstead Theatre has announced its remaining Main Stage productions for 2021. Stockard Channing and Rebecca Night will perform in the Pulitzer Prize-winning ‘night, Mother by Marsha Norman.This astonishing play, which had its UK premiere at Hampstead Theatre in 1985, will be directed by the theatre’s Artistic Director, Roxana Silbert.  ‘night, Mother will run from 22 October until 4 December 2021.

Tamsin Greig will perform in Alan Plater’s raucously funny Peggy For You.  Richard Wilson will direct this Olivier-nominated play, which had its world premiere at Hampstead Theatre in 1999.  Peggy For You will run from 10 December until 29 January 2022. Continue reading “Round-up of August theatre news”

Review: The Picture of Dorian Gray

Alfred Enoch and Russell Tovey enliven a digital take on Oscar Wilde’s The Picture of Dorian Gray

“People say there’s no dark side to social media”

What A Carve Up! proved a highlight of the theatre industry’s pivot to online work over the last year, the creative team really probing into what could be done differently, more effectively, through the digital medium. So it is little surprise to see them reunite to tackle Oscar Wilde’s The Picture of Dorian Gray.

A co-production by the Barn Theatre, Lawrence Batley Theatre, New Wolsey Theatre, Oxford Playhouse and Theatr Clwyd, directed by Tamara Harvey and written by Henry Filloux-Bennett, Wilde’s tale is lifted wholesale into the 21st century and immersed in the world of social media. For what is a modern-day equivalent of a portrait if not one’s Instagram profile… Continue reading “Review: The Picture of Dorian Gray”

Teaser images from The Picture of Dorian Gray

First look images of the upcoming digital adaptation of The Picture of Dorian Gray have been released today.

The contemporary take on the Oscar Wilde classic brings the Faustian tale kicking and screaming into a world of Instagram, Facebook and dating apps and stars Fionn Whitehead (DunkirkBlack Mirror: Bandersnatch) in the title role of Dorian Gray. Continue reading “Teaser images from The Picture of Dorian Gray”

2021 Offie & ONCOMM Award Winners

In this ‘special circumstances’ year, the Offies 2021 Awards Ceremony celebrated the creativity and resilience of artists in fringe, alternative and independent theatre in a time of crisis who have found new ways to produce fresh and inventive work for thousands of stay-at-home audiences.

The Offies are OffWestEnd’s main awards, for shows with at least 10 performances, and awards were given to the best of the shows presented before lockdown and the few who managed to go ahead in the summer
months.

The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in May 2020. Additionally, the winner of the OffFest award for theatre shows in festivals was also announced, alongside extra OneOff awards for innovative work and initiatives in 2020, especially in the light of the Covid lockdown. Continue reading “2021 Offie & ONCOMM Award Winners”

News: full cast announced for digital Dorian Gray

The co-producers of the upcoming digital adaptation of The Picture of Dorian Gray have today announced the production’s full casting and creative team.

Joining previously announced Fionn Whitehead, in the title role, are Alfred Enoch as Harry Wotton, Joanna Lumley as Lady Narborough, Emma McDonald as Sibyl Vane and Russell Tovey as Basil Hallward with Stephen Fry as the Interviewer. Continue reading “News: full cast announced for digital Dorian Gray”

Assorted January news

Photo © Pip

Fionn Whitehead, star of Dunkirk and Black Mirror: Bandersnatch, will take on the titular role in an upcoming contemporary digital adaptation of the Oscar Wilde classic, The Picture of Dorian Gray.

The Picture of Dorian Gray, from the team behind the celebrated digital production of What a Carve Up!, is set to push the theatrical form like its predecessor; utilising elements found in radio plays, films, documentaries as well as traditional theatrical techniques.

Set in a profile pic-obsessed, filter-fixated world where online and reality blur, influencer Dorian Gray makes a deal. For his social star never to fade. For the perfect self he broadcasts to the world to always remain. But as his mental health starts to decline, as corruption and murderous depravity start to creep into his world, the true and horrific cost of his deal will soon need to be met.

The Picture of Dorian Gray, which runs for two weeks from 16-31 March, will reunite Henry Filloux-Bennett, writing the new adaptation, and director Tamara Harvey. Continue reading “Assorted January news”

The finalists of The ONCOMMs 2021

The OnComm is the new award for online shows from across the UK (and beyond) and was introduced in
May 2020. 

1. Recording pre-lockdown (direct)
(i.e. with little or no editing)
Going Viral / Daniel Bye
Hysteria / Spymonkey
Jane Clegg / Finborough Theatre
The House Of Bernarda Alba / Graeae

2. Recording pre-lockdown (edited)
(i.e. with significant editing)
Bubble / Theatre Uncut
Cyprus Avenue / Royal Court & Abbey Theatre
SeaWall / Simon Stephens
The Encounter / Complicité Continue reading “The finalists of The ONCOMMs 2021”

10 top theatrical moments of 2020

In lieu of trying to make sense of this shitshow of a year through the normal year-end lists, I thought I’d just stick with an unranked list of 10 of my top theatrically based productions of the year

For reference, here’s my 2019 list, 2018 list, 2017 list2016 list2015 list and 2014 list.

Uncle Vanya, Harold Pinter Theatre

A rather exhilaratingly good take on the familiar Chekhov classic, a worthy presence in the West End.

The Wicker Husband, Watermill Theatre

One of the last things I saw before lockdown and what a gorgeous lingering memory to have, I pray that this is not the last we hear of this beautiful new musical. Continue reading “10 top theatrical moments of 2020”

Review: What A Carve Up!

Jonathan Coe’s novel What A Carve Up! is adapted brilliantly into a gripping online play with an excellent lead performance from Alfred Enoch

“Who even reads novels at this point, they’re just an irrelevance”

As the shadow of another lockdown looms, What A Carve Up! shines as an example of what lemonade can be made from those particular kind of lemons. Produced collaboratively by The Barn Theatre, Lawrence Batley Theatre and New Wolsey Theatre and written specifically by Henry Filloux-Bennett for online delivery, this is exciting hybrid thinking.

Based on the novel by Jonathan Coe, Filloux-Bennett and director Tamara Harvey have done a remarkable job here. Covid restrictions aside, it would never have been the most straightforward piece to adapt but reflecting the book’s postmodern structure, this play interleaves multiple layers to build up not just a murder mystery but a damning commentary on the state of the world. Continue reading “Review: What A Carve Up!”