TV Review: The Split Series 1 / The Good Fight Series 2

If female-fronted lawyer shows are your bag (and why wouldn’t they be!), the twin joys of The Split and The Good Fight have marvellous to behold

“Kill all the lawyers”

If I’m completely honest, Abi Morgan’s The Split did leave me a tad disappointed as it veered away from its legal beginnings to something considerably more soapy over its six episodes. The personal lives of the Defoe clan well and truly took over at the expense of any of the cases they were looking after and even if that family includes Nicola Walker, Annabel Scholey and Deborah Findlay, it’s still a bit of a shame that it ended up so schlocky. Continue reading “TV Review: The Split Series 1 / The Good Fight Series 2”

TV Review: The Good Fight Series 1

“In my experience, whenever somebody says ‘the truth is’ that usually means it’s not”

Lots to love in The Good Fight, not least its very existence as a female-led, POC-heavy US drama, unafraid to tackle the most modern of issues, as its parent show The Good Wife did in its prime. And over the 10 episodes of its first season, it has proved an engaging and entertaining watch in the midst of finding its feet about the kind of show it actually wants to be. (You can read my thoughts about Episodes 1 and 2 here).

The Good Fight tried to achieve a lot – establishing a large new ensemble, delivering enough storyline for three lead characters, paying adequate but not overbearing fan service to Good Wife devotees, and coming up with up-to-the-minute cases-of-the week. And I think we can say it did most this fairly successfully. Christine Baranski’s Diane Lockhart and her statement necklaces remaining a shining beacon of light in our cold, dark world. Continue reading “TV Review: The Good Fight Series 1”

TV Review: The Good Fight Episodes 1 + 2

“Diane, when did you get so cynical?”

I hadn’t intended to write about this spin-off from The Good Wife but its opening two episodes were just too full of insane goodness impossible to ignore – I mean just look at that poster art for one. The earlier seasons of The Good Wife were fantastic, US network television close to its best, but the show definitely lost some of its sparkle as its core ensemble collapsed and none of the replacement cast members were able to deal with the unchecked gravitational vortex of its key star Julianna Margulies as Saint Alicia Florrick.

Two victims of this were Christine Baranski’s Diane Lockhart, in there from the beginning and much abused by the end, and Cush Jumbo’s Lucca Quinn whose arrival in the seventh and final season promised much but ultimately suffered from writing that would not, could not, allow her independence from Florrick. So it is tempting to see The Good Fight as an apologia from series creators Robert King and Michelle King as, along with Rose Leslie’s newcomer Maia Rindell, they form the three leads of a brand new ensemble show that is serving up life! Continue reading “TV Review: The Good Fight Episodes 1 + 2”

Review: American Psycho, Gerald Schoenfeld Theatre

“The song’s so damn catchy, most people don’t realize it’s a rollicking ode to conformity and the importance of trends”

Bigger and bolder, and that’s just the pecs of leading man Benjamin Walker. It’s taken a little while for Rupert Goold’s American Psycho to make it over the pond after its run at the Almeida in the winter of 2013/4. But nothing if not tenacious, it now opens in a remounted and slightly retooled version at the Gerald Schoenfeld Theatre, in a production that is indeed bigger and bolder, brasher too as befits the 80s incarnation of the city in which it now resides.

Book-writer Roberto Aguirre-Sacasa has adapted Bret Easton Ellis’ novel of amorality into a tautly entertaining tale that both mocks the period (was that Donald Trump joke in the original?!) but also subversively questions the whole narrative, asking us how reliable Patrick Bateman is in relaying his tales of natural bedpartners investment banking and serial killing, or whether this uber-narcissist is something of a fantasist too. Continue reading “Review: American Psycho, Gerald Schoenfeld Theatre”

Nominations for 2015-2016 Outer Critics Circle Awards

John Gassner Playwriting Award
Lindsey Ferrentino, Ugly Lies the Bone
Lauren Gunderson, I and You
Martyna Majok, Ironbound
Marco Ramirez, The Royale
Anna Ziegler, Boy

Outstanding Actor in a Play
Reed Birney, The Humans
Gabriel Byrne, Long Day’s Journey Into Night
Frank Langella, The Father
Mark Strong, A View From the Bridge
Ben Whishaw, The Crucible Continue reading “Nominations for 2015-2016 Outer Critics Circle Awards”