“6 knows that 6 is 6”
I’ve never seen the original series of The Prisoner from the 1960s so I was able to approach the 2009 remake with a fresh mind and take in another of Ruth Wilson’s earlier televisual appearances. A co-production between ITV and US cable network AMC, it was filmed in the Namibian desert and featured the likes of Ian McKellen and Jim Caviezel in its cast as a man who wakes up in a strange isolated village with people calling him 6, and no idea of how or why he got there or how he can escape. It’s something of a curious beast. Caviezel’s 6 is the leading man of this show yet it is not always immediately apparent why we should really care about his fate. Somewhere between Caviezel’s handsome but anodyne looks and Bill Gallagher’s simplistic script, the driving thrust of the show just isn’t there.
There are aspects to enjoy though. Wilson gets some brilliantly emotive scenes as 313, the doctor who finds herself at the forefront of event as she is caught up in 6’s battle against the Village, and there’s some amazing work from her in the final episode, and Ian McKellen really is excellent as the Machiavellian 2, the sinister puppeteer who controls so much of what is going on, even as it seems that things are slipping from his grasp. Good support comes too from a range of strong actors in minor parts like Hayley Atwell, Lennie James and Rachael Blake. Continue reading “DVD Review: The Prisoner (2007)”
“So what are you doing about sex just now?”
As a young gay, reading Alan Hollinghurst novels felt like the height of sophistication, and whether true or not, there was an air of exclusivity about those of us who knew him (at least in the circles I moved in). So his ‘breakthrough’ with winning the Man Booker Prize for The Line of Beauty was a validation tinged with disappointment that I now had to share that something special. His journey into the mainstream was completed with the requisite television adaptation, but with Andrew Davies at the helm for BBC2, it did feel like the right hands were on the tiller.
Hollinghurst’s story centres on a five year period in the life of Nick Guest, a fresh-faced Oxford graduate who moves to London in the summer of 1983. His offer to house-sit for the family of a university friend leads into an odyssey of personal and sexual discovery as he becomes a full-on lodger, thrust into the world of Tory politicians and old money, around which he fits furtive encounters with men as he explores his sexuality in a world in where homosexuality is far from being widely accepted in public. Thus the two main strands overlap and complement each other: Nick is given a window into the privileged lives of the wealthy upper classes in the Thatcherite boom years and in which he is allowed to play his own supporting part, but in the shadow of the emerging AIDS crisis, he discovers just how barely tolerated gay life is and just how hypocritical this society can be. Continue reading “DVD Review: The Line of Beauty”
There are so many short films out there featuring so many actors that I like that I found it impossible choose my favourites…so here’s a second set for your delectations, there may well be more to come!
The main reason I started looking at short films was after having been sent this little beauty which was a finalist in the 2010 Electric Shorts competition. I Do stars both Julian Ovenden and Aden Gillett so it should be clear why someone thought it relevant to my interests, but it is actually a really well put together little film by Duncan Cargill. It looks good, it is sexy and fresh and wittily clever all within less than three minutes. If you only watch one of these films, I’d make it this one! Continue reading “Short film reviews #2”
“I mean to have that ruby”
The Ruby from the Smoke is the first in a series of four books featuring adventuring lead character Sally Lockhart. Here a mysterious message received from her father just before he drowned in the South China Seas sets her on a dangerous journey which starts with a man dying in front of her very eyes at the mere mention of what is contained within. She is then drawn into a mystery involving the opium trade, the fabled Ruby of Agrapur and even secrets from her own family history as her life is under constant peril from the dastardly Mrs Holland.
This was one of those things that I pretty much knew I was going to love from the moment I heard about it, but it certainly does help that I do really like the actress that Billie Piper has become. There’s an inner strength to her as well as a richly warm quality that is highly endearing and ideally suited to this modern figure of a woman, challenging Victorian notions of womanhood as she strives to uncover the truth. And Pullman writes extremely well for his female characters, something carried over in Adrian Hodges’ screenplay, as Hayley Atwell’s Rosa makes a sterling ally for Sally and as the evil Mrs Holland, Julie Walters makes a convincing villain. Obviously casting against type, it is an astonishingly effective performance, exuding huge malevolence and full of spine-chilling touches – the false teeth in particular – it’s a vein of work she ought to pursue a little more. Continue reading “DVD Review: The Ruby in the Smoke”
“I thought you had a bit of milk in your coconut”
The second (and last) of the Sally Lockhart Mysteries to be adapted for the television, The Shadow in the North very much pales in the shadow of The Ruby in the Smoke for me as the lesser of the two, which is a real shame as I did love the latter and felt it showed great promise in setting up the mini-franchise. This story sees Sally following up a client who has lost her savings after investing in a company, on Sally’s advice, which went bust suspiciously. The mysterious industrialist behind that company the Swedish Axel Bellman quickly set up again and so Sally’s instincts are aroused as she investigates the business dealings in order to get compensation for her client. But accusing such a powerful man of corruption and fraud sets her on a most dangerous course and puts the lives of those around her at severe risk.
So the ingredients are there, and the story is one I enjoyed reading, but something was just missing. The mystery never quite has the drive to keep the story going, the tone ends up being rather dour rather than dark and subsequently doesn’t grip like it ought. And its nature means that Billie Piper’s Sally is given less chance to interact with the key players around her – it is Pullman’s fault rather than the show’s but it is a real shame that Hayley Atwell’s Rosa is dispatched to marital bliss in the country within 10 minutes of the show starting as they made a great team. Instead, the personal intrigue is around whether Sally will admit to her feelings for JJ Feild’s Fred (still so handsome!) and Matt Smith’s Jim, thankfully no longer the narrator, hangs around like a bit of a spare part, though gets to do a lot of the investigating (bizarrely though off-screen and on his own…). Continue reading “DVD Review: The Shadow in the North”
“As they say, the Duke of Devonshire is the only man in england not in love with his wife”
Another of the films that I revisited in my period drama splurge over Christmas was The Duchess. This Keira Knightley and Ralph Fiennes vehicle did fairly well in 2008 and I quite enjoyed it at the cinema, though I remember being a little tired of the marketing shtick that overplayed the title character’s familial connection with the late sainted Diana, Princess of Wales and rather unnecessarily sought to draw huge parallels between the two. The film is about Georgiana, Duchess of Devonshire, who delighted and scandalised late eighteenth century society with her extravagance, forward fashion sense and a soft spot for gambling. Her marriage to the Duke though was far from happy though and as her public persona rises and rises and she becomes beloved of most everyone, behind closed doors infidelities and terrible betrayals push the Duchess to extreme measures.
I did enjoy watching this again for the most part and it is strongly acted, but for a film that covers at least ten years, it is surprisingly slow moving. Knightley in particular is excellent as Georgiana (I’ve never understood why she is such a polarising figure), a woman ahead of her time in many ways with her intellect and political nous having no official outlet in the society of its time and also challenged by being unable to contain her passion for Dominic Cooper’s Charles Gray (great casting choice!). Her portrayal deepens as the film progresses too, she becomes a convincing mother and pained victim faced with a harrowing choice as Fiennes’ passive-aggressive Duke finally rouses into action. He is superbly controlled throughout, almost terrifying with his impassive domination of all around him and the best scenes of the film, in my opinion, are the masterful shots at the long dinner table with husband and wife at either end and his mistress in the middle – beautifully, excruciatingly done. Continue reading “DVD Review: The Duchess”
“Certainty is a state of mind, faith is a state of heart. There’s a marked difference, I believe.”
I wavered about the status of this review/not-a-review as the performance of the Royal Court’s The Faith Machine that I saw had to be delivered under house lights without any of Neil Austin’s lighting design since a heavy downpour in the afternoon had put the lighting rig out of action which was a shame as Mark Thompson’s design looks intriguing. Indeed, the rain continued to drip onto the stage throughout the show and so the actors had a fair amount to contend with whilst still working things out in this preview. We did still pay full price though so I am not feeling totally forgiving: so I’ve called it a review, but the focus will mainly be on the play itself rather than the production.
Alexi Kaye Campbell scored a massive hit with his first play The Pride back in 2008 and the play recently had its regional premiere which I was able to catch in Sheffield and I was vastly impressed by the maturity of the writing and its refusal to settle for easy answers. Thus the anticipation for The Faith Machine was quite high, especially with a cracking cast like the one put together here for Jamie Lloyd’s production. Continue reading “Review: The Faith Machine, Royal Court”
Best New Play
Enron by Lucy Prebble – Royal Court / Noël Coward
Jerusalem by Jez Butterworth – Royal Court / Apollo
The Mountaintop by Katori Hall – Trafalgar Studio 1
Red by John Logan – Donmar Warehouse
Best New Musical
Dreamboats and Petticoats – Savoy
Priscilla, Queen of the Desert – Palace
Sister Act – London Palladium
Spring Awakening – Novello
A Streetcar Named Desire – Donmar Warehouse
A View from the Bridge – Duke of York’s
Arcadia – Duke of York’s
Cat on a Hot Tin Roof – Novello
The Misanthrope – Comedy
Three Days of Rain – Apollo Continue reading “2010 Laurence Olivier Awards nominations”
BEST ACTRESS IN A PLAY
Rachel Weisz – A Streetcar Named Desire at the Donmar Warehouse
Alison Steadman – Enjoy at the Gielgud
Fiona Shaw – Mother Courage & Her Children at the NT Olivier
Helen Mirren – Phedre at the NT Lyttelton
Juliet Stevenson – Duet for One at the Almeida & Vaudeville
Lesley Sharp – The Rise & Fall of Little Voice at the Vaudeville
THE CAPITAL BREAKS BEST ACTOR IN A PLAY
Jude Law – Hamlet, Donmar West End at Wyndham’s
David Harewood – The Mountaintop at Theatre 503 & Trafalgar Studios 1
Dominic West – Life Is a Dream at the Donmar Warehouse
Ken Stott – A View from the Bridge at the Duke of York’s
Mark Rylance – Jerusalem at the Royal Court Downstairs
Samuel West – Enron at the Royal Court Downstairs Continue reading “2010 What’s On Stage Award nominations”
The Man of Mode is a Restoration comedy of 1676 by George Etheredge, but has been given a thorough makeover here by Nicholas Hytner in a modern-day version which is playing in the Olivier auditorium at the National Theatre.
The story centres around the bed-hopping Dorimant, played here by an often shirtless, toned tattooed Tom Hardy who in a nutshell, is sleeping with Mrs Loveit, but in the midst of dumping her to sleep with Belinda, but also hunting after Harriet whom he wants to marry. So we follow Dorimant and his motley crew of followers and hangers-on from party to fashion shoot to opening in their world of wealth and celebrity. Played against this is the story of one of the followers Bellair, who is trying to escape an arranged marriage so he can pursue his true love (who his father also fancies), setting this in as Asian community as both stories wind their way to farcical ends. Continue reading “Review: The Man of Mode, National Theatre”