Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show, with Vicki Pepperdine’s Anne a real highlight
“You lied to me when you went to bed with Nicola Sturgeon in her holiday persona of Flame”
Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show as Theresa May (Gillian Bevan), Nicola Sturgeon (a genius Amy Booth-Steel) and Donald Trump (Corey Johnson) (and Ellie Goulding too – nice to see Lizzy Connolly on TV) all make appearances to further lampoon our blessed Royal Family.
Harry Enfield’s Prince Charles comes in for some particular stick as his organic credentials, urban planning skills and predilection for interfering in geopolitical affairs all get raked over the coals to great comic effect. Elsewhere, most everyone else gets away with flights of fancy rather than having their actions similarly scrutinised, for the most part. Continue reading “TV Review: The Windsors, Series 2”
Series 1 of The Windsors proves that Hugh Skinner can do no wrong, nor Haydn Gwynne for that matter
“We’ve outgrown our usefulness like nipples on men”
Despite starring several of my theatrical faves, I’d never quite got around to watching The Windsors. But given that I’m off to see the stage show The Windsors: Endgame tomorrow, I thought I’d give Series 1 a whirl since it is on Netflix. And I have to say I absolutely frigging loved it.
George Jeffrie and Bert Tyler-Moore’s parody of the House of Windsor takes the form of a fast-moving soap opera, which means that the joke rate is phenomenal and as in the fashion of many a comedy show, if you’re not enjoying a particular turn, you don’t have to wait more than a few minutes before the next one appears. Continue reading “TV Review: The Windsors, Series 1”
“Sum up my faults, I pray”
It feels a bit of a shame that one of the centrepieces of the RSC’s Roaring Girls season is a play that doesn’t manage gender parity in its cast, even with some cross-gender casting. This may speak of the nature of Jacobean Theatre, for it is Webster’s The White Devil of which we speak here, but Maria Aberg’s reputation precedes her and so it was a little disappointing to see that the opportunity hasn’t been seized here – if not now, then when?
And though I’d heard such great things about this production, I couldn’t help but feel a little disappointed here. Part of lies in the play itself – I can’t deny that I just don’t really like it and though it is updated to the debauchery of the 1980s Rome club scene here, the messy chaos of the pursuit of naked self-interest that proves Aberg’s main focus dominates too much and often to the detriment of the storytelling. Continue reading “Review: The White Devil, Swan Theatre”
Kicking off a substantial tour that will take in Delhi and Mumbai as well as numerous UK theatres, Harvey Virdi’s Happy Birthday Sunita opens at Watford Palace Theatre and ever curious, a cheeky trip to a Sunday matinée felt in order. This Rifco Arts production centres on a British Punjabi family as they gather to celebrate a surprise 40th birthday celebration for Sunita. All is going well but the birthday girl is nowhere to be seen…
For as with any family, the Johals have their secrets and dramas and lifelong resentments and as the drinks starts to flow, truths start to spill out over the plates of curries and rotis. There’s a real sense of the family bond here though, no matter how strained it gets – in the blink of an eye, brother and sister go from bickering to bhangra dancing, the mother who makes sure all the cooking is done before unleashing her own shocking revelation. Continue reading “Review: Happy Birthday Sunita, Watford Palace Theatre”
“He did do it, didn’t he?“
One of the side-effects of seeing so much theatre is that there is less time available to imbibe other forms of culture and for me, it has meant that I watch hardly any television these days. I rely on the iPlayer (although too much of what I download ends up lingering unwatched and then expiring) and other catch-up TV services, or else I add the DVD to my ever-growing pile of things to watch on a rare quiet day. Which means it frequently takes me ages to catch up, even with things that I am most looking forward to, one of which was the second series of Peter Morgan’s The Jury which played on ITV last year.
To be honest, calling it a second series is something of a misnomer as it bears no real connection to the first one from 2002, aside from being a show about a jury, which is something of a shame as that show remains one of the televisual highlights of my life. It was one of the shows that introduced me to love of my life Helen McCrory and also featured a smoking hot pre-Hollywood Gerard Butler, but also played out as a rather satisfying combination of character study and legal drama. This time round, the case in question was a retrial of a triple murder, but the focus is as much on the lives of the twelve people eventually selected as jurors. I’m not quite sure why Morgan decided to revisit the format, as in the end it was to somewhat lesser effect for me. Continue reading “DVD Review: The Jury (Series 2)”
“I’m losing patience with the patients”
Tiger Country is the third play by Nina Raine, writer of the best play out of all 271 that I saw last year, Tribes (which still gives me goosebumps when I think about it now) so there was nooo expectations lying on this show at all. Actually, it wasn’t too bad as I knew the subject matter here, the modern NHS, was not something that I have any connection to (unlike as in Tribes), but I was still looking forward to seeing another facet to this fast upcoming playwright’s work. Interestingly, Raine also serves as director here at the Hampstead Theatre, this writer/director thing being something which this season at Swiss Cottage has featured heavily (Athol Fugard and Mike Leigh being the other culprits).
Raine’s production reconfigures the space in traverse, allowing for the hustle and bustle of hospital life to be quickly and efficiently portrayed. We see emergencies being rushed in by paramedics, the studied quiet of the operating room, the weariness of the staffroom, private rooms for terminally ill patients, cubicles, wards, offices staffed by a range of medical professionals with varying degrees of enthusiasm, coping with terminal exhaustion and a hierarchy that won’t let go of age-old rivalries between departments. Looking at the personal and professional lives of the medical staff as they deal with the unrelenting pressure to make the right decisions for both their patients and themselves. Continue reading “Review: Tiger Country, Hampstead Theatre”
My intention is, honestly, to see less theatre this year and try and regain some semblance of a normal life again on the odd evening. But the curse of advance booking and grabbing cheap(er) tickets whilst you can has meant that there’s already an awful lot of theatre booked for 2011. Some have been booked without a huge deal of enthusiasm, but others have a dangerous amount of anticipation attached to them…and so I present to you, the shows I am most excited about seeing this year (so far).
Antonioni Project – Toneelgroep Amsterdam at the Barbican
The Roman Tragedies was hands down one of the most exhilarating and refreshing theatrical experiences of 2009 and possibly my life, I’m even headed to Amsterdam in May to see a surtitled production of their Angels in America. So when I heard that the same Dutch theatre company were returning to the Barbican in February, tickets were booked instantly and I am feverishly over-excited for this now! Continue reading “Shows I am looking forward to in 2011”
Having had a whirlwind of publicity whipped up around it through accusations of heavy-handed racism, I was mildly disappointed to not be accosted by any protestors upon entering the auditorium for England People Very Nice, Richard Bean’s new play at the National Theatre. I was less surprised to find that I enjoyed the piece very much, and found largely most amusing, and not at all “racist”.
The play is set up as being performed by a group of asylum seekers awaiting the results of their appeals for residency, and tells the story of wave after wave of immigration of different ethnic groups into Bethnal Green throughout the last few centuries. So we see the French Huguenots arrive and face resistance to their arrival on a number of levels: on culture, on religion, and more materially on housing and on jobs, but yet also finding time for love. Time passes by and as a new wave of immigrants arrive, this time the Irish, so the French find themselves guilty of the same attitudes that were held against them upon their arrival. Continue reading “Review: England People Very Nice, National Theatre”