“I’m gonna say hee, and you’re gonna say haw”
So we hit my sixth different production of A Midsummer Night’s Dream in 2016 with The Donkey Show – A Midsummer Night’s Disco which is less Shakespeare than Shalamar, more Baccara than the Bard. Setting up shop for the summer in nightspot Proud Camden, Athens is thus swapped out for the more hedonistic locale of Club Oberon, where trapeze artists swing from the ceiling, fire breathers roam the stage and pole-dancing go-go boys take the place of fairies.
First created by Randy Weiner and Diane Paulus in 1999, the immersive nature of the production – audience members are encouraged to dance throughout, climbing on podiums optional, – proved a hit formula as disco classics replace iambic pentameter and aerial hoop work is substituted for characterisation. The reimagined and much-reduced story sees merry wanderers of the night Mia, Dmitri, Helen and Sander at the mercy of club hostess Lady Puck, a drag artiste on rollerskates, pushing pills left right and centre at the bidding of nefarious owner Oberon. Continue reading “Review: The Donkey Show, Proud Camden”