News: 72-strong cast announced for Jermyn Street’s 12-hour Odyssey

Dame Janet Suzman, Miranda Raison, Michael Pennington, Jamael Westman and Kirsty Bushell among the 72 actors performing The Odyssey over 12 hours

In this digital theatrical first, Jermyn Street Theatre joins forces with The London Review Bookshop and publishers WW Norton to stage a live performance of all twenty-four books of Homer’s masterpiece Continue reading “News: 72-strong cast announced for Jermyn Street’s 12-hour Odyssey”

News: September theatre news gathers apace

Lockdown may have returned but theatres are boldly looking ahead – the David Tennant-starring Good and Six the Musical are moving theatres, Haydn Gwynne is back and The Last Five Years extends at the Southwark Playhouse

CP Taylor’s Good, starring David Tennant, Fenella Woolgar and Elliot Levey and directed by Dominic Cooke, which was due to open this October, has announced new dates for 2021 and a new run at the Harold Pinter Theatre.

Produced by Fictionhouse and Playful Productions, Good was originally scheduled to begin performances at the Playhouse Theatre on Tuesday 6th October. Due to the current global situation, the production was postponed and will now preview at the Harold Pinter Theatre from Wednesday 21st April  to Saturday 17st July 2021.

Current ticket holders will be given priority for the new dates and do not need to do anything. The point of purchase will be in touch with ticket holders to reschedule or refund their booking. Extra tickets for the new dates for Good at The Harold Pinter Theatre go on sale at 10am, Monday 12 October 2020. Continue reading “News: September theatre news gathers apace”

News: stars come out to support the Jermyn Street Theatre

Stars of stage and screen including Olivia Colman, Helena Bonham Carter, David Suchet, Dame Penelope Keith, Timothy West, Jamael Westman, Tobias Menzies, Aimee Lou Wood, Grace Saif, Dame Penelope Wilton, and Julie Hesmondhalgh have joined forces to perform Shakespeare’s 154 sonnets for Jermyn Street Theatre, a 70-seat studio in London’s West End.

The Sonnet Project launched on the theatre’s social media channels on 21 March, when Hannah Morrish performed Sonnet 1. One sonnet has appeared every day since then, with the cycle due to complete with Sonnet 154 in late August. David Suchet, star of Agatha Christie’s Poirot but also a veteran of numerous Royal Shakespeare Company productions, performed Sonnet 34 on Shakespeare’s birthday. Continue reading “News: stars come out to support the Jermyn Street Theatre”

News: National Theatre at Home continues with dual Frankensteins and more

National Theatre at Home continues its home programming with both versions of Frankenstein with Benedict Cumberbatch and Jonny Lee Miller and Antony and Cleopatra with Ralph Fiennes and Sophie Okonedo, plus there’s a National Theatre at Home Quiz 

Following on from the success of its opening set of transmissionsOne Man, Two Guvnors was viewed over 2.5 million times in the week it was available – the National Theatre has announced the next two productions it will be airing as part of National Theatre at Home. 2011’s Frankenstein with Benedict Cumberbatch and Jonny Lee Miller sharing its two main roles and 2018’s Antony and Cleopatra, starring Ralph Fiennes and Sophie Okonedo.

Both productions will be free to stream, premiering at 7.00PM BST and then available on demand for seven days. Further productions to be streamed as part of National Theatre at Home will be announced soon.

Today also sees the launch of the National Theatre at Home Quiz, to be played from home featuring familiar faces from the world of stage and screen as the quizmasters. Each quiz will include rounds of five questions on a wide variety of topics.

On the final Monday of each month people will be able join the virtual quiz directly from their homes via the NT’s YouTube channel and Facebook page live at 7pm. The first quiz will be on Monday 27 April with quizmasters Dame Helen Mirren, Sir Lenny Henry, Lesley Manville, and Sir Ian McKellen asking questions on topics including history, sport, nature, and of course, the National Theatre (bagsy team Manville).  

Review: All’s Well That Ends Well, Jermyn Street Theatre

Shakespeare via Fleetwood Mac, Patti Smith and Judy Collins? All’s Well That Ends Well works well at the Jermyn Street Theatre

“The web of our life is of a mingled yarn, good and ill together”

Finally managed to get to the Jermyn Street Theatre to see All’s Well That Ends Well, a co-production with Guildford Shakespeare Company, after director Tom Littler spoke so passionately about it to me. And I’m glad I did too, as it is a rather wonderfully inventive and musical interpretation of the play that makes it sing in a new way, albeit with a careworn air of Joni Mitchell.

Pushed into a (near-)contemporary setting and presented almost as a memory play by Hannah Morrish’s Helena, handing out keepsakes as props. The plot isn’t one of Shakespeare’s strongest, as Helena tries to inveigle her way into the affections of the higher-born Count Bertram, but suggesting it as a recollection of the folly of (younger) love, I bought this take on it. Continue reading “Review: All’s Well That Ends Well, Jermyn Street Theatre”

The 2018 Ian Charleson Award

I remain unconvinced we should be rewarding classical roles over the breadth of the theatre out there but hey ho, it’s not my award! A good selection of performances nominated here nonetheless – and Gill feels a worthy winner.

Winner

Bally Gill for Romeo in Romeo and Juliet at the RSC

Second place

Hannah Morrish for Octavia in Antony and Cleopatra at the National Theatre

Third place

Luke Newberry for Malcolm in Macbeth at the RSC

Other nominees

Daniel Burke for Diomed in Troilus and Cressida at RSC
Heledd Gwynn for Katharine and Dauphin in Henry V by Shakespeare at the Tobacco Factory 
Tyrone Huntley for Lysander in A Midsummer Night’s Dream at the Watermill, Newbury
Martins Imhangbe for Bagot and Aumerle in Richard II at the Almeida
Toheeb Jimoh for Demetrius in A Midsummer Night’s Dream at the Crucible
Aaron Pierre for Cassio in Othello at Shakespeare’s Globe
Ellora Torchia for Emilia in Two Noble Kinsmen at Shakespeare’s Globe
Helena Wilson for Mariana in Measure for Measure at the Donmar Warehouse

Review: Antony and Cleopatra, National Theatre

Antony and Cleopatra is a lengthy evening at the National Theatre but one which pays rich rewards, particularly in Sophie Okonedo’s majestic performance

“Give me my robe, put on my crown; I have Immortal longings in me”

Or Cleopatra and Antony as it turns out. Ralph Fiennes is plenty good in Simon Godwin’s modern-dress production of Antony and Cleopatra for the National Theatre, but Sophie Okonedo is sit-up, shut-up, stand-up amazing as she holds the ancient world and the entirety of the Olivier Theatre in her hand (and then wipes it clean with a look of disdain, as she wittily does after a messenger slobbers kisses all over it at one point). It is often acclaimed as one of Shakespeare’s greatest roles for women but an actor still has to do great things with it and here, Okonedo more than delivers.

In the opulent cerulean blue of Hildegard Bechtler’s design with its sunken pools and luxury, and in the magnificent array of statuesque costumes by Evie Gurney (such capes!!), her Cleopatra is a figure of immense poise. Even in her most capricious moments, there’s a knowing, performative quality to her that demonstrates just how much she’s controlling the narrative here, even when left alone by her Antony. And when together, there’s a palpable, mature connection between them – made all the more tragic by a prologue that presents a tableau of the final scene – their destinies entwining even as they’re increasingly doomed. Continue reading “Review: Antony and Cleopatra, National Theatre”

News: National Theatre Season: July 2018 – January 2019

So much goodness announced here in the National Theatre’s near future – particularly excited for Nine Night’s transfer, what looks like a leading role for Siân Brooke and the prospect of Joanna Riding’s ‘Losing My Mind’. 

National Theatre Season: July 2018 – January 2019

Nine Night, Natasha Gordon’s critically acclaimed debut play transfers to the West End following a sold-out run at the NT

Further cast announced for Antony and Cleopatra alongside Ralph Fiennes and Sophie Okonedo, playing from September

Cast confirmed for world premiere of David Hare’s new play I’m Not Running, including Siân Brooke, Alex Hassell and Joshua McGuire

Peter Brook returns to direct at the National Theatre for the first time in 50 years with The Prisoner, co-directed with Marie-Hélène Estienne

Following the acclaimed Consent, Nina Raine returns to the NT with her new play Stories starring Claudie Blakley

Anthony Neilson makes his NT debut with new play The Tell-Tale Heart, based on the short story by Edgar Allan Poe

Alexander Hanson and Joanna Riding to join the cast of Follies alongside Janie Dee and Peter Forbes, returning to the Olivier Theatre in February 2019

War Horse returns to the NT marking the centenary of Armistice Day

Antony and Cleopatra and I’m Not Running to  broadcast to 65 countries worldwide as part of NT Live

To mark the 100th anniversary of the first women in the UK gaining the right to vote, the NT stages Courage Everywhere; a series of rehearsed readings, talks and screenings Continue reading “News: National Theatre Season: July 2018 – January 2019”

The 2017 Ian Charleson Awards nominees announced – time for an update?

Nominees have been announced for the 2017 Ian Charleson Awards:

Ellie Bamber for Hilde in The Lady from the Sea, Donmar Warehouse
Daniel Ezra for Sebastian in Twelfth Night, National Theatre
Tamara Lawrance for Viola in Twelfth Night, National Theatre
Rebecca Lee for Friar Laurence in Romeo and Juliet, Watermill, Newbury
James Corrigan for Mark Antony in Julius Caesar, Shakespeare Royal Shakespeare Company
Ned Derrington for Lysander in A Midsummer Night’s Dream, Shakespeare’s Globe
Sope Dirisu for Coriolanus in Coriolanus, Royal Shakespeare Company
Arthur Hughes for Lucius in Julius Caesar, Crucible, Sheffield
Douggie McMeekin for Snug in A Midsummer Night’s Dream, Young Vic
Natalie Simpson for Duchess Rosaura in The Cardinal, Southwark Playhouse
Hannah Morrish for Lavinia in Titus Andronicus, Royal Shakespeare Company Continue reading “The 2017 Ian Charleson Awards nominees announced – time for an update?”