Stars of stage and screen including Olivia Colman, Helena Bonham Carter, David Suchet, Dame Penelope Keith, Timothy West, Jamael Westman, Tobias Menzies, Aimee Lou Wood, Grace Saif, Dame Penelope Wilton, and Julie Hesmondhalgh have joined forces to perform Shakespeare’s 154 sonnets for Jermyn Street Theatre, a 70-seat studio in London’s West End.
The Sonnet Project launched on the theatre’s social media channels on 21 March, when Hannah Morrish performed Sonnet 1. One sonnet has appeared every day since then, with the cycle due to complete with Sonnet 154 in late August. David Suchet, star of Agatha Christie’s Poirot but also a veteran of numerous Royal Shakespeare Company productions, performed Sonnet 34 on Shakespeare’s birthday. Continue reading “News: stars come out to support the Jermyn Street Theatre”
Dame Vera Lynn will convey her personal message of love and best wishes to the theatre industry in an exclusive new online video. This unique production of ‘We’ll Meet Again’ features socially-distanced West End stars united in song, assuring the nation that West End and UK theatres shall once more rise and thrive – some sunny day.
Sharon D Clarke, Louise Dearman, Kerry Ellis, Maria Friedman, Cassidy Janson, Hannah Waddingham, Michael Xavier and choreographer Bill Deamer are amongst those appearing in the cinematically designed music video, with further musical theatre stars to be announced. Continue reading “News: Dame Vera Lynn unites with West End stars for ‘We’ll Meet Again’”
Last year, Hammersmith’s Riverside Studios scored itself quite the sleeper hit of the festive shows with a hugely successful revival of Salad Days which was an absolute delight. This year, Carl Rosa Opera were booked in to bring their production of The Pirates of Penzance to try and recapture some of the same retro vibe but due to circumstances beyond their control, the show had to be cancelled. Stepping into the breach, as unlikely as it may sound, is a musical version of The Importance of Being Earnest starring no less than Gyles Brandreth as Lady Bracknell – something that promised to rather different to the Jane Asher-starring version that recently played at the Rose, Kingston.
Douglas Livingstone’s adaptation of Oscar Wilde’s classic retains much of the original, but re-sites the action into the 1920s. This offers a world of opportunity on the music and dance side, but also seems rather apt in terms of the increasing empowerment of women – though necessarily still limited – in dealing with their affairs. And the music from Adam McGuinness and Zia Moranne has a nice simplicity which never tries to do too much or make too much of an impact. For the songs really do serve an integral purpose here, taking advantage of our familiarity with the play to further build on and enrich these characters and scenarios to great effect. Continue reading “Review: The Importance of Being Earnest – a new musical, Riverside Studios”