A feast of visiting drama, dance, comedy, family shows and music for all tastes and ages is heading to Chichester Festival Theatre for the Winter 2021/22 season.
We’re particularly proud to offer a new home-grown production: the revival of one of the best plays of modern times, John Patrick Shanley’s Pulitzer Award-winning Doubt: A Parable, directed by Lia Williams and starring Monica Dolan and Sam Spruell in their Chichester debuts. Continue reading “News: Chichester Festival Theatre announce Winter 2021/22 season”
Vivienne Acheampong, Adelayo Adedayo, Ray Emmet Brown, Ernest Kingsley Jnr, Tamara Lawrance, Rudolphe Mdlongwa, Mark Monero and Cecilia Noble have been cast in the UK premiere of Is God Is written by Aleshea Harris and directed by Royal Court Associate Director Ola Ince.
Is God Is by Aleshea Harris will run in the Royal Court Jerwood Theatre Downstairs from Friday 10 September 2021 – Saturday 23 October 2021 with press night on Thursday 16 September 2021, 7.30pm.
With set design by Chloe Lamford, costume design by Natalie Pryce, lighting design by Simisola Lucia Majekodumni, composition by Renell Shaw, sound design by Max Perryment, movement direction from Imogen Knight, choreography by Jordan ‘JFunk’ Franklin and special effects design by Susanna Peretz. The associate designer is Shankho Chaudhuri, the assistant director is Leian John-Baptiste, the dialect coach is Dawn-Elin Fraser and the fight director is Philip D’Orléans. Continue reading “Late summer casting news”
It’s so exciting to have an inbox full of theatre announcements – here’s a recap of some of the ones that are most piquing my interest at the moment
The Lawrence Batley Theatre, Huddersfield and The Dukes, Lancaster announce the full cast of their digital co-production of The Importance of Being Earnest by Yasmeen Khan.
The full cast is Gurjeet Singh (Ackley Bridge, Wuthering Heights), Tom Dixon (Twelfth Night, Romeo & Juliet), Mina Anwar (Everybody’s Talking About Jamie, The Thin Blue Line), Nikki Patel (Trojan Horse, Coronation Street), Zoe Iqbal (Finding Fatimah, Ackley Bridge) and Melanie Marshall (Jane Eyre); with appearances from finalist of RuPaul’s Drag Race UK Divina De Campo, star of stage and screen Paul Chahidi, award-winning actor, comedian and writer Hugh Dennis, actress Harriet Thorpe (Absolutely Fabulous) and comedian Sindhu Vee. Continue reading “News, such theatre news!”
The National Theatre, in partnership with Bloomberg Philanthropies, has today launched National Theatre at Home, a brand-new streaming platform making their much-loved productions available online to watch anytime, anywhere worldwide.
Launching today with productions including the first ever National Theatre Live, Phèdre with Helen Mirren, Othello with Adrian Lester and the Young Vic’s Yerma with Billie Piper, new titles from the NT’s unrivalled catalogue of filmed theatre will be added to the platform every month.
In addition to productions previously broadcast to cinemas by National Theatre Live, a selection of plays filmed for the NT’s Archive will be released online for the first time through National Theatre at Home, including Lucy Kirkwood’s Mosquitoes with Olivia Colman and Inua Ellams’ new version of Chekhov’s Three Sisters (a co-production with Fuel). Continue reading “News: NT launches new streaming service National Theatre at Home”
“I am Muslim, but my humanness is shared with anyone and everyone. If we choose to love one special person, does it mean that they are the only person worth loving? ‘To you, your religion, to me, mine’. ‘There is no obligation in religion’ – straight from the Quran. We cannot force our religion upon others.”
For all the gnashing of teeth about how ‘national’ Rufus Norris’ newly announced debut season as AD at the NT is or isn’t, there’s actually something much more significant happening right now as part of Nicholas Hytner’s finale. The press attention may be on Tom Stoppard’s return to the stage but over in the Lyttelton, the first South Asian play to run at this South Bank venue is doing that most idealised of theatrical practices – reaching out and engaging with new audiences.
I saw a late preview of Shahid Nadeem’s Dara and I was blown away at how mixed a crowd I was taking my seat with – there’s undoubtedly a more sophisticated debate to be had about people wanting to see stories they can directly connect with rather than being more adventurous but still, it felt like a significant enough matter that I wanted to make mention of. And as critics will be seeing the show with a more than likely traditional press night audience, it isn’t something they’ll necessarily pick up on. Continue reading “Review: Dara, National Theatre”