This trio of album reviews covers Love on a Summer Afternoon: Songs of Sam Davis, The Maury Yeston Songbook and There’s Something About You – More Words and Music of Richard Kates
“You don’t know what you do to me”
There’s something of a deliciously old-school feel about Love on a Summer Afternoon: Songs of Sam Davis, these vignettes of song that recall even Noël Coward in their ability to capture mood and tone as well as telling a damn good story. David Hyde Pierce’s ‘Goodbye to Boston’ is probably the best, most heart-breaking example, Gavin Creel’s ‘Greenwich Time’ coming a close second. There’s levity and humour too, ensuring the collection doesn’t become too downbeat, but there’s definitely a musical and lyrical gift here that deserves to be more widely known. Continue reading “Album Reviews: Love on a Summer Afternoon / The Maury Yeston Songbook / There’s Something About You – More Words and Music of Richard Kates”
“This world should be notified.
It’ll be a bumpy ride.
Thanks to Bonnie and Clyde!”
My first work-in-progress show at The Other Palace in the form of Bonnie and Clyde and as it is a developmental work, I ain’t gonna say a thing!
Part of The Other Palace’s rebranding has been to establish it as an incubator for new musical theatre pieces and so it has been opening its doors for work-in-progress performances of shows like Heathers and Joybubbles.
And in a couple of weeks we get Bonnie and Clyde – music by Frank Wildhorn, lyrics by Don Black and a book by Ivan Menchell – which flopped on Broadway despite the best attempts of stars Laura Osnes and Jeremy Jordan. And rather excitingly, for this production, we get the talents of Evelyn Hoskins and Jamie Muscato in the leading roles. Continue reading “Cast announced for Bonnie and Clyde”
“Jackie – a woman of a certain age”
I don’t remember reading my big sister’s copies of Jackie, nor could I say I’ve ever knowingly listened to a David Cassidy or a David Essex song. So I’m perhaps not directly in the target audience for Jackie the Musical, a 70s jukebox show that takes inspiration from the pages of that weekly magazine for teenage girls. That’s not to say that there isn’t plenty to be enjoyed by all but rather that this is a very particular kind of nostalgia.
Janet Dibley’s Jackie is picking through the pieces of her life – in her 50s, about to be divorced, teenage dropout son – when she comes across a stash of paraphernalia from her girlhood in the attic. Old schoolbooks are soon discarded though when she finds some old copies of Jackie (the magazine) and as this is Jackie (the musical), a younger version of Jackie (the woman) manifests itself in her mind, to act as a kind of spirit guide through this time of emotional turbulence as she dips a toe into the world of online dating, aided by sparky best friend Jill, an excellent Lori Haley Fox. Continue reading “Review: Jackie the Musical, Churchill Bromley”
“Now is the time when the people of Chile come together”
I’m going to put it out there, I have no idea why new musical The Postman and the Poet hasn’t received a major production yet. This concept album was recorded in 2011 and has to rank as one of my favourite things I’ve listened to over the last few weeks of all these cast recordings, if not the whole year. It’s even based on source material that has Oscar-winning connections to endear it to risk-averse audiences – if From Here To Eternity can make it to a West End theatre, I’m sure The Postman and the Poet could make a decent stab at it too.
The show is based on Antonio Skármeta’s novel Ardiente Paciencia, on which the 1994 Oscar-winning film Il Postino was based, but Trevor Bentham and Eden Phillips’ book keeps the story of the musical in Isla Negra, a small fishing village on the Chilean coast and in the early 1970s, when political turmoil threatened to overwhelm this South American country. And Michael Jeffrey, a composer new to me, has pulled together a hugely exciting and accomplished score that blends its Latin influences seamlessly into a grand musical theatre style. Continue reading “Album Review: The Postman and the Poet (2011 Concept Album)”
“There’s beauty in the breaking of things”
Despite sounding like a lost novel by Gabriel García Márquez, The House of Mirror and Hearts is actually something a lot closer to home, although no less rare, an original British musical. Written by Eamonn O’Dwyer and Rob Gilbert with music and lyrics by O’Dwyer too, it is the tale of a household torn apart by grief, where secrets have been held unspoken for nearly a decade, and resentments allowed to fester into toxic antipathy. The arrival of a nerdish lodger threatens to upset the fragile balance but it is far from clear if this will bring release to the Keanes or just another seven years bad luck and misery.
Developed by Perfect Pitch and co-produced with Aria Entertainment, it is clear that much love and care has gone into nurturing this piece of musical theatre into life, in all its challenging, angular beauty. O’Dwyer’s score has a pleasingly complex bent to it – those who judge musicals by their instant hummability will be left (mistakenly) disappointed – full of intensely unexpected harmonies and contrapuntal melodic lines that demand rapt attention and richly reward relistens (head to the Arcola’s website where 8 of the songs can be heard) – the music emerges as a thing of a jagged beauty. Continue reading “Review: The House of Mirrors and Hearts, Arcola Theatre”