The Really Useful Group today announce that, after a period of enforced closure, the world premiere of Andrew Lloyd Webber’s Cinderella will be on Wednesday 25 August. With music by Andrew Lloyd Webber, written by Academy Award winning Emerald Fennell (Best Original Screenplay Oscar in April 2021) and with lyrics from David Zippel, the brand new musical will resume performances at the Gillian Lynne Theatre on Wednesday 18 August. Previews initially began on Friday 25 June 2021, before another period of closure due to Covid-19 isolation protocols. Continue reading “News: World Premiere of Andrew Lloyd Webber’s Cinderella set for 25 August 2021”
By hook or by crook, Andrew Lloyd Webber was going to get Cinderella to the ball and the show is now in previews, albeit with the social distancing that he had previously promised to get himself locked up over. Now the posturing is over, the attention can turn to the show, with a new score by the lord, plus lyrics by David Zippel and a script from Killing Eve’s Oscar-winner Emerald Fennell.
Carrie Hope Fletcher is the lead but it is Victoria Hamilton-Barritt and Rebecca Trehearn for whom I’m most excited. These tasters pics from Johan Persson give an idea of how the show looks at the Gillian Lynne Theatre, revealing some amazing costume work.
The Really Useful Group has announced the full cast for the forthcoming production of Andrew Lloyd Webber’s Cinderella, featuring music by Andrew Lloyd Webber, book by Academy Award winning Emerald Fennell (Best Original Screenplay Oscar at last Sunday’s ceremony) and lyrics from David Zippel. The brand new musical will open at the Gillian Lynne Theatre on Wednesday 14 July 2021, with previews from Friday 25 June 2021.
Joining the previously announced cast will be Rebecca Trehearn, who will play The Queen, Georgina Castle and Laura Baldwin as Cinderella’s stepsisters Marie and Adele and Gloria Onitiri, who will play The Godmother. They join Carrie Hope Fletcher, as title character Cinderella in the highly anticipated new production, as well as Ivano Turco as Prince Sebastian and Victoria Hamilton-Barritt playing The Stepmother. Continue reading “News: Cinderella reveals the full cast who will be going to the ball”
Jesus Christ Superstar takes to the “rock’n’roll” arena. It isn’t good.
“Why waste your breath moaning at the crowd?
Nothing can be done to stop the shouting.”
Amidst the deluge of theatrical content emerging online, it can be quite hard to make decisions about what to actually watch. Andrew Lloyd Webber’s release of the 2012 live arena tour of Jesus Christ Superstar stood out for me as though I did go and see it at the O2, we were seated at the back of the cavernous space and so the opportunity to actually see what happened on the actors’ faces was enough to tempt me. Plus it’s Good Friday…
Pre-dating the Open Air Theatre’s revelatory restaging by three years, Laurence Connor’s restaging of ALW’s 1971 rock opera lays its contemporary allusions thickly (Occupy, Guantánamo, reality TV) but right from the start, you can see how superficial it is. A busy prologue full of kinetic energy references the Occupy movement strongly but as soon as the show proper starts, it’s as if it never happens, you could cut it and never know the difference.
Baby baby BABY! For better or worse, Bat out of Hell introduces the singalong musical into the West End
“You got the kind of lips that do more than drink
You got the kind of mind that does less than think”
Although it might feel like every night is singalong night at some musicals (cough Motown cough), Bat out of Hell have gone the extra step and made one night a month an actual sing-along performance. So if you get down to the Dominion Theatre on these selected dates, then you can live your dream of singing in a West End theatre, just, you know, not on the actual stage…!
If you’re pondering whether this is a good idea, I’ve answered a few questions below.
“I know you’re lookin’ for a ruby in a mountain of rocks
But there ain’t no Coupe de Ville hidin’ at the bottom of a Cracker Jack box”
1. What if I don’t know all the words?
Never fear – there are screens dotted around the theatre, and above the stage, which show the lyrics. And it’s not every song we’re invited to sing along to, which I was particularly gutted for for “What Part of My Body Hurts the Most”. Seeing the lyrics like this has the additional amusing bonus of showing how batshit crazy some of them are…! Continue reading “Review: A singalong Bat out of Hell, Dominion”
A trio of West End cast recordings (well, one’s off-West-End…) show that it is sometimes hard to recapture the stage magic
Starting off with the best of this bunch, the Southwark Playhouse’s production of Working might not have seemed like the obvious choice for a cast recording but maybe the lure of a couple of new Lin-Manuel Miranda tracks was a real sweetener.
Truth is, it is the quality of the cast’s performances that make this a fantastic addition to the list of albums you need to hear. From Siubhan Harrison’s impassioned ‘Millwork’ to Dean Chisnall’s gleeful ‘Brother Trucker’, and the highly charismatic Liam Tamne nails both of Miranda’s contributions – the wilful ‘Delivery’ and a corking duet (with Harrison) on ‘A Very Good Day’.
Experience pays though, as Gillian Bevan and Peter Polycarpou take the honours with some scintillating work. The latter’s ‘Joe’ is beautifully judged, as is the former’s ‘Nobody Tells Me How’, both demonstrating the uncertainty that can come at the end of a long career, when retirement doesn’t necessarily hold the joyful promise it once did. Highly recommended. Continue reading “Album reviews: Working / Bat out of Hell / 42nd Street”
Serving up more Meatloaf, Bat Out of Hell returns to London at the Dominion with a new-found subtlety…
“Some nights you’re like nothing I’ve ever seen before or will again”
I jest of course – there ain’t nothing subtle about Bat Out of Hell, apart from the slight price rises on the merchandise stall. Newly installed at the Dominion Theatre, after runs in Manchester, Toronto and at the Coliseum last year, it has lost little of the bizarre, baffling energy that saw it find a very devoted audience.
And they’ll be pleased that leads Andrew Polec and Christina Bennington return, the new cast members slot in effortlessly, and the inimitable vocal prowess of all is still ear-splittingly breathtaking, under Michael Reed’s musical supervision. Rob Fowler and Sharon Sexton remain the show’s secret weapon, stealing the thunder like a punked-up Jack and Karen. Continue reading “Review: Bat Out of Hell, Dominion”
Best UK Cast Recording
42nd Street – 2017 London Cast Recording
Bat Out Of Hell The Musical – Original Cast Recording
Dreamgirls – Original London Cast Recording
Everybody’s Talking About Jamie – Original Concept Recording
Girl From The North Country – Original London West End Cast Recording
The Wind in the Willows – Cast Recording
Best American Cast Recording
Anastasia – Original Broadway Cast Recording
Come From Away – Original Broadway Cast Recording
Dear Evan Hansen – Original Broadway Cast Recording
Hello, Dolly! – New Broadway Cast Recording
Spongebob Squarepants – Original Cast Recording
Sunday in the Park with George – 2017 Broadway Cast Recording
Best Solo Album/Non Cast Recording
Collabro – Home
Leading Ladies – Songs From The Stage
Marisha Wallace – Soul Holiday
Patti LuPone – Don’t Monkey With Broadway
Rachel Tucker – On The Road
Sheridan Smith – Sheridan
“It’s so hard to believe but it’s all coming back to me now”
Sign-Up for more information on the rock’n’roll return of @BATtheMusical to London’s #West End ? https://t.co/n7m60a0EG6 pic.twitter.com/WpMs3rM0yS
— Bat Out Of Hell (@BatTheMusical) August 22, 2017
There are (still) no words to say about Bat Out Of Hell that can really do it justice (here’s my attempt from the first viewing) and in any case, even if I wanted to I couldn’t, as it really is a show that demands to be seen having partaken of a beverage or seven. And believe me, last night I partook! So I guess I’ll see you at the Coliseum next year then, you can get the first round in 😉
“Will you hose me down with holy water, if I get too hot?”
I think it is safe to say that Bat out of Hell is one of the most random things you’ll see in the West End this year, if not ever, whether you’re a fan of Meatloaf or not. It is a deliciously over-the-top production quite unlike the usual fare in the august surroundings of the London Coliseum but that’s part of its charm here – what would be sacrilegious is actually cheekily charming. Find production photos of the show here and read my 4 star review for Cheap Theatre Tickets here.