A quality cast including Gemma Arterton and Dame Diana Rigg can’t save Black Narcissus for me
“Better honey than vinegar”
A funny one this, particularly for the captive audience of the inbuilt lethargy of the Twixmas period. In the absence of Sarah Phelps’ brilliant reinventions of Agatha Christie, Black Narcissus was the BBC’s big drama punt on the festive schedule but I’m not entirely sure if it was the right choice.
Based on the Rumer Godden novel and famously filmed in 1947 by Powell and Pressburger with Deborah Kerr, the story follows a band of Anglican nuns as they try to establish a new mission in the Himalayan mountains. Their chosen base is a former palace with erotic paintings on the bricks, a troubled history seeping from the mortar and a swarthily handsome agent who keeps popping by – Sister Act this ain’t. Continue reading “TV Review: Black Narcissus”
I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
Series 5 of Line of Duty has some cracking moments, some big revelations and one of Anna Maxwell Martin’s best ever performances
“There’s no secrets in AC12”
So we make it to the end of Series 5 of Line of Duty and it was a lot wasn’t it. A properly tragic couple of deaths, a deep suspicion of a core team member or two and perhaps inevitably, one step forwards and two steps back in the ongoing H conspiracy.
Jed Mercurio’s plotting remains as tightly wound and full of surprises as ever, the reveals in the organised crime group were well done but I think the gang stuff was nowhere near as much fun as the internecine conflicts within the police force itself. Continue reading “TV Review: Line of Duty (Series 5)”
Flying Rabbit Productions’s Di and Viv and Rose at the White Bear Theatre is a smart production of a play that has endured well
“I’ll be alright – won’t I?”
Amelia Bullmore’s Di and Viv and Rose is a play I’ve loved since its 2011 debut in the downstairs space at the Hampstead Theatre, from whence it graduated to the main house and from there into the West End. At each spot, it has been blessed with some superb actors – Nicola Walker, Claudie Blakley and Tamzin Outhwaite, Gina McKee and Anna Maxwell Martin, Samantha Spiro and Jenna Russell – so I was intrigued to see how it would fare in this off-West End production by Flying Rabbit.
And I have to say it stood up really rather well, a mark of the strength of its writing. The play follows the developing friendship between three women thrown together as undergraduates who move to a houseshare in which a real kinship is formed, connections which are tested by the trials and tribulations not only of student life, but through into the ‘real’ world as well. Did the Spice Girls really get it right? Does friendship never end…? Continue reading “Review: Di and Viv and Rose, White Bear Theatre”
Bodyguard reaches a thrilling climax that is sure to disappoint some but left me on the edge of my seat
“I wanted to know who did it, I don’t know who did it”
Except we do finally know who did it. Jed Mercurio’s Bodyguard – an unexpected massive hit and a reminder that the appointment-to-view model is far from over – reached its climax tonight in typically high-tension style, confounding expectations to the end and dashing the dreams of many a conspiracy theorist to boot. Seriously, so glad that Julia Montague remained dead (at least until a sequel is announced and we have to go through this whole farrago again).
And though it is bound to have its detractors, I have to say I found it all hugely entertaining. If it just wasn’t realistic enough for you, then WTF are you doing watching dramas? If you’re getting swept up in locations in this fictionalised version of London not being where they are in real life, turn the damn thing off! Its not for everyone, that’s absolutely fine, but you don’t have to drag everyone else down with your misery. Continue reading “TV Review: Bodyguard Series 1”
It may be Daniel Day-Lewis’ apparent last hurrah but Phantom Thread is all about Lesley Manville’s world-conquering excellence.
“No one gives a tinker’s fucking curse about Mrs. Vaughn’s satisfaction!”
Written and directed by Paul Thomas Anderson and nominated for 6 Academy Awards, a lot of the attention around Phantom Thread has been around Daniel Day-Lewis’ announcement that this would be his last film role. But for me (and for any right-thinking folk), the pleasure comes from a scene-stealing supporting role for Lesley Manville which has garnered her one of those nods. (Not sure if she’ll be attending the ceremony though or giving her understudy a brief moment in the sun.)
And it is an unexpectedly engaging and surprising film. Day-Lewis plays fashion designer Reynolds Woodcock whose rule on the world of 1950s London couture is slowly slipping due to the arrival of the New Wave. His audacious arrogance, sorry artistic temperament, is brought into question when he meets Belgian waitress Alma but when a romance sparks up between the pair, the result is a far from conventional affair which leaves its gender dynamics entirely shooketh. Continue reading “Oscar Week Film Review: Phantom Thread”
“I’d rather walk in blood than walk a slave for he thy Emperor!”
For every Blue Stockings, there’s been a Pitcairn, with a Bedlam inbetween. No matter the AD, the commitment to new writing in the later part of the summer season at Shakespeare’s Globe has thrown a marked inconsistency. And Tristan Bernays’ Boudica proves no different, given an ambitious production by Eleanor Rhode which strives a little too hard to situate the play in an Emma Rice house-style, fun as it may come across.
So Game of Thrones-style storytelling mashes up against spirited covers of the likes of ‘London Calling’ and ‘I Fought The Law’, a great sense of energy percolating through this wooden O. But Bernays’ play doesn’t always fit easily with this treatment, written in blank verse that has to balance the required info-dump to flesh out this historical fiction with something more fascinatingly insightful about what might have driven the Queen of the Iceni. Continue reading “Review: Boudica, Shakespeare’s Globe”
“I suppose we should start by reading it”
Atonement was only Joe Wright’s second film but crikey it’s a good’un. Following on from Pride and Prejudice with another literary adaptation was a bold move, especially in taking on such a modern classic as Ian McEwan’s 2001 Booker Prize nominee but with Christopher Hampton on script duties and Wright’s visionary eye at the helm, Atonement is a deliciously gorgeous piece of art.
From Kiera Knightley’s iconic green dress to that epic Dunkirk tracking shot, from a three-fold Briony (Saoirse Ronan, Romola Garai, Vanessa Redgrave) to narrative daring that enriches the whole piece, Atonement is a sumptuous and assured film that has lost none of its charge nearly ten years on. Wright is blessed with a top-notch cast to be sure, but it is his flair that characterises the film’s brilliance. Continue reading “DVD Review: Atonement (2007)”
And who is there to lead into…well, god know where?
The Donmar’s Faith Healer has a lot of rain pissing down in it and given the voting record of our own new faith healer, it May well feel like its pissing down for the foreseeable.