Series 3 of The Crown sees new actors in across the board but Olivia Colman is sadly no Claire Foy. Helena Bonham Carters rock though
“Sometimes duty requires one to put personal feelings…
Doing little to dispel rumours that she isn’t a Time Lord, The Crown takes its cues from Doctor Who as Series 3 sees the Queen regenerate from Claire Foy to Olivia Colman. And not just that, the whole cast of main players has been replaced as this new company will take us through the next couple of series. It’s a clever move, considering the spain of history that the show takes but it is also a little sad to lose such excellent performances as Vanessa Kirby’s Princess Margaret, Victoria Hamilton’s Queen Mum, Alex Jennings and Lia Williams as Edward and Wallis and of course, Foy’s exceptional work.
Series 3 then, takes us from 1964 to 1977, featuring such notable events as the Aberfan tragedy, the moon landing and the arrival of Camilla in Charles’ life. And with its many millions and pick of the white acting talent in this country, it remains eminently watchable. That said, something has shifted for me and it just doesn’t feel as effective as the first two seasons. A large element of this is the way series creator and main writer Peter Morgan has structured the show, choosing to maintain a massive ensemble of recurring characters but keeping the focus, and turnover, of episodes relentlessly tight. Continue reading “TV Review: The Crown Series 3”
“I’ve seen all my friend’s wieners”
It feels only too right that an emerging theme at this year’s VAULT Festival is a brutally honest depiction of what it means to be a woman in this modern world. And whether it’s #MeToo or #TimesUp or both, the voices of the young, inspired theatremakers corralled under Waterloo are perfect for capturing that zeitgeist and giving it gloriously full expression.
Hitting the Wall Productions’ contribution to the debate is The Internet Was Made For Adults, exploring how the greater potential for ‘connection’ facilitated by the internet has had a disproportionate and disconcerting impact on how we all – but particularly young women – see love and sex. Meshing cabaret with theatre, this all-female team make a vibrant impact.
Continue reading “Review: The Internet Was Made For Adults, VAULT Festival”
“Do you think – deep down – that all men secretly hate women?”
Elinor Cook was the 2013 winner of the George Devine Award for Most Promising Playwright and so it is a natural fit that her play The Girl’s Guide to Saving the World should premiere at HighTide this year. Billed as “a frank and funny new play about friendship, feminism and what it means to be successful”, it’s a tale of nearly-30-something angst as Jane, Bella and Toby deal with the difficulties of accepting adulthood and what that means for their lives.
For Bella, it is calming down her chaotic sex life, just a little, and figuring out how to become the writer she wants to be rather than an in-house retail magazine scribe; for Jane and Toby, it is first recognising and then reconciling the huge differences in what they want from their partnership; and Jane’s relationship with longstanding best friend Bella is also under threat as their interests diverge even as they work together to tackle cultural representations of women via the medium of a blog. Continue reading “Review: The Girl’s Guide to Saving the World, HighTide”