As distinct from my favourite shows of the year, this list celebrates the fact that sometimes the good and the not-so-good co-exist right next to each – some of my favourite moments.
For reference, here’s my 2020 list, 2019 list, 2018 list, 2017 list, 2016 list, 2015 list and 2014 list.
Helen McCrory, in memoriam
I still don’t really have the words to talk about how sad the passing of Helen McCrory is, such a favourite actor of mine for so long. But what was joyful was hearing the absolute esteem in which seemingly every one of her colleagues held her, a testament to the person as well as the performer.
Being scared, by women
After having declared that scary theatre just didn’t work for me, the Terrifying Women made me eat my words in quite some style with their Halloween special. Continue reading “10 top theatrical moments of 2021”
John Robinson and Phil Willmott’s musical adaptation of Lady Chatterley’s Lover is sadly uninspired and somewhat directionless
“Nothing will come between us”
Whether unfairly or not, Lady Chatterley’s Lover carries with it a degree of steamy notoriety which you might have thought would give it a leg up (or leg over) in the streaming market. But instead of taking a steer from what Sean Bean did to my teenage loins, John Robinson (music and lyrics) and Phil Willmott (book) have filleted out any hint of impropriety which rather flattens out this new musical into something a bit too dull.
Shifting the focus so fully onto the class struggles of the story, something hammered home a little too much on the nose with an undoubtedly effective split-level set from Andrew Exeter, robs it of all the emotional texture that comes from DH Lawrence’s exploration of love in its different forms. Neither book nor lyrics show any interest in the psychology of it all, instead ending up functional in the extreme and consequently not engaging enough. Continue reading “Review: Lady Chatterley’s Lover – stream.theatre”
In a co-production with The Old Vic, Emma Rice (Romantics Anonymous, Wise Children) and the Wise Children Company bring Percy and Eleonore Adlon’s iconic 1987 film Bagdad Cafe to The Old Vic stage with their signature playful, visual and emotional style. After a long year apart, we invite you to join us for a joyful celebration of togetherness, hope and friendship.
The cast for Bagdad Cafe has now been revealed and includes Nandi Bhebhe, Le Gateau Chocolat, Bettrys Jones, Patrycja Kujawska, Nadine Lee, Sandra Marvin, Kandaka Moore, Renell Shaw, Gareth Snook and Ewan Wardrop. Watch at the theatre: 17 Jul–21 Aug 2021 or watch from home: 25–28 Aug 2021.
Continue reading “News: musicals update for May 2021”
Round 2 of Graduates at Cadogan Hall sees a second set of 13 performers from the 2020 and 2021 graduating classes getting the chance to showcase their talents that COVID-19 so cruelly robbed them of. And as with the first concert, we’re doing things a little differently – click on an image below to read mini reviews of each and every one.
Presented by a chirpy Luke Bayer with messages of support from Bonnie Langford, Victoria Hamilton-Barritt, Oliver Tompsett and Sophie Thompson, this initiative from Ameena Hamid Productions and The Grad Fest is such a bright, uplifting thing and with plans for reopening theatreland creeping onto the schedule as well, feels full of hope. Continue reading “Graduates at Cadogan Hall concert #2”