“Love, it’s like a dripping tap”
First up was 2002’s All or Nothing, though it was a little of an inauspicious beginning, as I’m not sure how much I actually liked this film in the end. Set on a modern-day London council estate, it circles the fortunes of three working-class families and their everyday lives, so far so Leigh, but it doesn’t really develop into anything that gripped me. There are several outstandingly strong elements in here, but they never really coalesce into an effective whole but rather remain too separate and thus end up losing some impact.
The focus settles on one of the families: Phil, Timothy Spall, is a taxi driver who has long lost ambition for life and is reduced to scraping pennies from his family in order to pay his retainer for the taxi firm; Penny, Lesley Manville, works the checkout at a supermarket and is struggling to remember what it is she ever loved about Phil. Alison Garland plays their daughter Rachel who works as a cleaner in an old people’s home and is being semi-stalked by Sam Kelly’s much older colleague and James Corden is their unemployed and belligerent son. There’s a whole lot of misery, which is then alleviated by tragedy, which ultimately suggests that life might hold something more. Continue reading “DVD Review: All or Nothing”
“Gonna tell me next that the game is all about the comfort of social habit and a worldwide need for tribal ritual and worship within the parameters of global capitalism…”
There’s a great sense of fun around the Soho Theatre’s new show, the RSC-commissioned Fit and Proper People by Georgia Fitch: the theatre has been transformed into a miniature football stadium with East and West stands, terrace seating and flashy advertising hoardings; turn up in a football shirt and you’ll get a free drink and there’s even free pies and a prize raffle at half-time. But as Fatboy Slim’s ‘Right Here Right Now’ swells loudly over the PA system and the cast launch into choreographer Spencer Soloman’s stylised slo-mo movement, it soon becomes apparent that whilst there’s a lot of show on display, the content unmistakably leaves a lot to be desired.
Fitch’s meticulously researched play has taken much inspiration from real life events in the world of football and particularly the murky backroom dealings as ethics are increasingly pushed aside in the race to top the league. The rush to secure foreign investors, the sweeping of numerous scandals under the carpet, the exploitation of young players, the experience of women in such a male-dominated industry, the treatment of loyal fans as profit margins are pushed, there’s a plethora of issues which Fitch folds into the narrative but they just meld into a cacophonous mess that whilst brimming with enthusiasm, lacks any sort of clarity. Continue reading “Review: Fit and Proper People, Soho Theatre”