Album Reviews: Company / Follies / Mythic

A trio of album reviews cover the (relatively) recently released cast recordings of Company, Follies and Mythic

“One more souvenir of bliss”

I adored Marianne Elliott’s reinterpretation of Stephen Sondheim and George Furth’s Company on my many visits and so the news of a cast recording was of course ecstatically received. And perhaps inevitably it doesn’t quite live up to the thrill of seeing it live but maybe that’s because the production is still so fresh in my mind. I mean we’re only talking a 4 instead of a 4.5…

© Brinkhoff Mogenburg

I swear Patti LuPone’s ‘Ladies Who Lunch’ was different every time I saw it but this version here is as good as any, with the glorious fullness of her voice pointedly sharpening its wit. Her contributions to ‘The Little Things We Do Together’ are inspired, Jonny Bailey’s ‘Not Getting Married’ is breathlessly affecting and the warmth of Rosalie Craig’s character and voice infuse the whole experience with real quality.  Continue reading “Album Reviews: Company / Follies / Mythic”

The finalists of The Offies 2019

Some decisions that reflect my own nominations for the year, many others for plays I haven’t seen and as ever, some curious choices too.

DESIGN
COSTUME DESIGN
Gabriella Slade for Six at the Arts Theatre
Jonathan Lipman for Harold & Maude at the Charing Cross Theatre
Pam Tait for Rothschild & Sons at the Park Theatre

SET DESIGN
Bethany Wells for Distance at the Park Theatre
Francis O’Connor for Harold & Maude at the Charing Cross Theatre
Simon Daw for Humble Boy at the Orange Tree Theatre Continue reading “The finalists of The Offies 2019”

fosterIAN awards 2018

 WinnerRunner-upOther nominees
Best Actress in a PlayLeah Harvey, Clare Perkins & Vinette Robinson, EmiliaSarah Gordy, JellyfishPatsy Ferran, Summer and Smoke
Marieke Heebink, Oedipus
Elinor Lawless, To Have To Shoot Irishmen
Carey Mulligan, Girls and Boys
Sarah Niles, Leave Taking
Best Actor in a Play
Kyle Soller, The InheritanceHans Kesting, OedipusBen Batt, The York Realist
Ian Bonar, Jellyfish
Paapa Essiedu, The Convert
Richard Harrington, Home I'm Darling
Shubnam Saraf, An Adventure
Best Supporting Actress in a PlayCecilia Noble, Nine NightMartha Plimpton, SweatAdjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night's Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia
Best Supporting Actor in a PlayPaul Hilton, The InheritanceForbes Masson, Summer and SmokeLouis Bernard, Much Ado About Nothing (Antic Disposition)
Demetri Goritsas, ear for eye
Wil Johnson, Leave Taking
Nicky Priest, Jellyfish
Sam Troughton, Stories
Best Actress in a MusicalRosalie Craig, CompanyKaisa Hammarlund, Fun HomeBonnie Langford, 42nd Street
Eva Noblezada, Hadestown
Caroline O'Connor, The Rink
Gemma Sutton, The Rink
Adrienne Warren, Tina the Musical
Best Actor in a MusicalSteven Miller, Sunshine on LeithAndrew Finnigan, DripPaul-James Corrigan, Sunshine on Leith
Arinzé Kene, Misty
Michael Mather, Mythic
Leon Scott, Midnight
Zubin Varla, Fun Home
Best Supporting Actress in a Musical
Patti LuPone, CompanyAmber Gray, HadestownNaana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary McLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors
Best Supporting Actor in a MusicalJonathan Bailey, CompanyPatrick Page & André de Shields, HadestownAlex Cardall, Sweet Charity (Watermill)
Alex James Ellison,
The Secret Garden

Richard Fleeshman, Company
Matt Willis, Little Shop of Horrors

2018 Best Supporting Actress in a Play + in a Musical

Best Supporting Actress in a Play

Cecilia Noble, Nine Night
A peach of a role for this most characterful of performers, Noble fits Aunt Maggie so well the part could have been written for her. And as with Nine Night at large, the beauty is in the simultaneous specificity and universality of the character. Though rooted entirely in Jamaican traditions, she’s also the archetype of the opinionated elderly relative that is recognisable no matter where you come from and Noble imbues her with just enough heart to go along with the hilarity. 

Honourable mention: Martha Plimpton, Sweat
A late but indisputable arrival, the ferocity with which Plimpton permeates her performance makes an already excellent production into something unmissable. Obviously it helps that she’s an iconic figure from my childhood movie days but seriously, do what you can to see her at the Donmar.

Adjoa Andoh, Leave Taking
Eva Feiler, A Midsummer Night’s Dream (Watermill)
Penny Layden, Jellyfish
Lashana Lynch, ear for eye
Charity Wakefield, Emilia

8-10
Lucy Cohu, The Height of the Storm; Sylvestra Le Touzel, The Prime of Miss Jean Brodie; Kayla Meikle, Dance Nation

 

Best Supporting Actress in a Musical

Patti LuPone, Company
A triumphant return to the West End stage for this most iconic of performers whose every mmm-hmm turns another theatregoer into a homosexual. Every time I’ve seen the show, her interpretation of ‘Ladies Who Lunch’ has brought different colours and textures – and check the moment when her eyes pin down Bobbie with “the girls who just watch”. Plus she does furniture-shuffling choreography like a real trouper – a privilege to watch (and watch again).

Honourable mention: Amber Gray, Hadestown
I’d thought LuPone would walk this category but the elemental force with which Gray blew onto the Olivier stage had me in raptures as her every move and utterance had me absolutely gripped. Is there any way we can keep her in the UK or entice her back as soon as possible please.

Naana Agyei-Ampadu, Caroline or Change
Vivien Carter, Sweet Charity (Watermill)
Genevieve McCarthy, Mythic
Hilary MacLean, Sunshine on Leith
Seyi Omooba, Christina Modestou & Renée Lamb, Little Shop of Horrors

8-10
Cherelle Skeete, Fun Home; Susannah van den Berg, Once; Vicky Vox, Little Shop of Horrors

Review: Mythic, Charing Cross Theatre

Greek mythology goes pop with appealing new musical Mythic at the Charing Cross Theatre

“Step away from the pomegranate” 

As we wait for Hadestown to arrive at the National Theatre, an alternative modern musical take on Greek mythology has emerged just across the river at the Charing Cross Theatre. Marcus Stevens and Oran Eldor’s Mythic may have a rather unassuming demeanour by comparison, but it is proves to be something of a gently Olympian success from director/choreographer Sarah O’Gleby. (FYI I caught a late preview of this). 

Stevens’ book focuses on the troubled mother/daughter relationship between earth mother goddess Demeter and rebellious teen Persephone. Demeter has rejected the hard-partying celebrity lifestyle of the gods in favour of her Mother Nature ways but Persephone wants nothing more than to drop the trowel and kick it up good with the likes of the Essex-style Aphrodite and an emo Hades. Continue reading “Review: Mythic, Charing Cross Theatre”