Join Seth and James as Stars In The House hosts an Election Day Vote-A-Thon featuring Iain Armitage, Colleen Ballinger, Laura Benanti, Annette Bening, Stephanie J. Block, Brenda Braxton, Betty Buckley, Laura Bell Bundy, Andréa Burns, Ann Hampton Callaway, Liz Callaway, Tom Cavanagh, Michael Cerveris, Will Chase, Javier Colon, Gavin Creel, Marcia Cross, Charlotte d’Amboise, Darius DeHaas, Dana Delany, Colin Donnell, Jill Eikenberry, Melissa Errico, Victor Garber, Peri Gilpin, Josh Groban, Sean Hayes, Marilu Henner, Megan Hilty, Carly Hughes, Jeremy Jordan, Celia Keenan-Bolger, Judy Kuhn, Anika Larsen, Laura Leighton, Beth Malone, Melissa Manchester, Terrence Mann, Andrea Martin, Michael McElroy, Lindsay Mendez, Laurie Metcalf, Ingrid Michaelson, Lisa Mordente, Jessie Mueller, Patti Murin, Julia Murney, Kelli O’Hara, Karen Olivo, Adam Pascal, Lauren Patten, Christine Pedi, Rosie Perez, Anthony Rapp, Caroline Rhea, Alice Ripley, Chita Rivera, Jenna Russell, Lea Salonga, Glenn Scarpelli, Marc Shaiman, Martin Short, Elizabeth Stanley, Ben Stiller, Michael Tucker, Jenna Ushkowitz, Vanessa Williams, Schele Williams, Marissa Winokur, BD Wong, Tony Yazbeck and Bellamy Young.
London said arts matter with 400 musos, Holsts’ The Planet – Mars.
Yesterday, Broadway said it with Sunday.
— Le Gateau Chocolat (@LeGateauChoc) October 8, 2020
It’s impossible to resist another visit to Joe’s Diner as Sara Bareilles and Gavin Creel begin their limited run in Waitress at the Adelphi Theatre
“I’ll slice and serve my worries away”
I wasn’t going to go back to Waitress, having enjoyed both my previous visits to the Adelphi Theatre where I was blown away by Katharine McPhee and then Lucie Jones in the leading role of Jenna. But then a genius casting move (surely this doesn’t count as stunt casting? who knows…?) saw the show’s composer and lyricist Sara Bareilles and Olivier and Tony Award winner Gavin Creel announced for a limited run and so I couldn’t help but book myself in for another slice of pie.
Both of them appeared in the show on Broadway so they’re clearly au fait with their roles but more significantly, they clearly share a special connection and so their electricity as Jenna and Dr Pomatter is off the charts. The shenanigans in the doctor’s surgery are always fun but here, they’re fricking hilarious as Creel and Bareilles bounce off each other while having the time of their lives and almost, almost, making you forget the slight ickiness of the boundaries that their incipient relationship crosses. Continue reading “Review: Sara Bareilles and Gavin Creel in Waitress, Adelphi Theatre”
This trio of album reviews covers Love on a Summer Afternoon: Songs of Sam Davis, The Maury Yeston Songbook and There’s Something About You – More Words and Music of Richard Kates
“You don’t know what you do to me”
There’s something of a deliciously old-school feel about Love on a Summer Afternoon: Songs of Sam Davis, these vignettes of song that recall even Noël Coward in their ability to capture mood and tone as well as telling a damn good story. David Hyde Pierce’s ‘Goodbye to Boston’ is probably the best, most heart-breaking example, Gavin Creel’s ‘Greenwich Time’ coming a close second. There’s levity and humour too, ensuring the collection doesn’t become too downbeat, but there’s definitely a musical and lyrical gift here that deserves to be more widely known. Continue reading “Album Reviews: Love on a Summer Afternoon / The Maury Yeston Songbook / There’s Something About You – More Words and Music of Richard Kates”
Best UK Cast Recording
42nd Street – 2017 London Cast Recording
Bat Out Of Hell The Musical – Original Cast Recording
Dreamgirls – Original London Cast Recording
Everybody’s Talking About Jamie – Original Concept Recording
Girl From The North Country – Original London West End Cast Recording
The Wind in the Willows – Cast Recording
Best American Cast Recording
Anastasia – Original Broadway Cast Recording
Come From Away – Original Broadway Cast Recording
Dear Evan Hansen – Original Broadway Cast Recording
Hello, Dolly! – New Broadway Cast Recording
Spongebob Squarepants – Original Cast Recording
Sunday in the Park with George – 2017 Broadway Cast Recording
Best Solo Album/Non Cast Recording
Collabro – Home
Leading Ladies – Songs From The Stage
Marisha Wallace – Soul Holiday
Patti LuPone – Don’t Monkey With Broadway
Rachel Tucker – On The Road
Sheridan Smith – Sheridan
I’m tipping down the street in Nowhereville, Ohio”
Gavin Creel’s third album (and last to date) is 2012’s self-published Get Out, something of a return to the variety of his first but also building on the maturity of the second, to create a cohesive pop album that effectively shows off a different side of this musical theatre star. It is tempting to say that you see more of Creel’s musical identity emerging on this record, and I can best describe that identity as a singer-songwriter take on Erasure.
And being a big Erasure fan since childhood (I know, right!), it means I found Get Out a very enjoyable record to listen to. There’s an indulgence of the folk-inspired, acoustic sound of the Quiet EP on tracks like ‘Sooner or Later’, the crunchy guitars of ‘U Can’t Ignore Me’ are a delight, and the lyrical playfulness of ‘Whitney Houston’ is wittily done indeed. And since Creel is so dreamy, I’ll forgive him the spoken word bit in ‘Get Out’ but boy ain’t no rapper.
“You won’t be my angel”
I won’t be your guy
2010 EP Quiet by Tony winner Gavin Creel is really rather lovely indeed. Six tracks of acoustically-inclined folk pop co-written with Robbie Roth, it is a short but sweet album of real heart that emphasises the musicality of this musical theatre star, and also shows a wise progression from his first album. And if we’re to believe the lyrics here, that heart is a substantially bruised one which works out very well for fans of a melancholy ballad.
Such fans are particularly well served by the opening pair of tracks. The delicate ‘Green To Grey’ and the plaintive reality check of ‘Love Fell Down’ are desperately heartfelt and beautifully moving as Creel allows a husky tenderness to colour his voice to gorgeous effect. The collection is intelligently sequenced too, allowing a note of hope to creep in with the late realisation of ‘Small Words’ and the gentle humour of closer ‘Hot Ohio’. Continue reading “EP Reviews: Gavin Creel – Quiet (2010) / Oliver Tompsett – Gravity (2013)”
“Most everyone goes the same way as you
Just love me as I go mine”
You gotta love a musical theatre performer who doesn’t take the easy route into a recording career by making a record of the same old standards and pop songs that have been recorded by so many before, no matter how heartfelt their interpretations. And the Tony- and Olivier-award winning Gavin Creel is one such chap, going down the self-penned route with his 2006 debut album Goodtimenation.
And it emerges as a solidly entertaining pop record whose only real weakness is that it perhaps tries to cover too many bases in the spread of songwriting styles. So we go from gorgeous Beatles-inspired choruses on ‘Rocket Ride’ to the ill-advised aping of Madonna’s rap from ‘American Life’, there’s a smattering of frat-boy summer pop on tracks like ‘Radio Lover’ and more cheery radio-friendly material like ‘Might Still Happen’. Continue reading “Album review: Gavin Creel – Goodtimenation (2006)”
A Doll’s House, Part 2 by Lucas Hnath
Indecent by Paula Vogel
Oslo by JT Rogers – WINNER
Sweat by Lynn Nottage
Come from Away
Dear Evan Hansen – WINNER
Groundhog Day the Musical
Natasha, Pierre and the Great Comet of 1812 Continue reading “Winners of the 71st Tony Awards”