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News: The Barn Theatre Presents – The Music of Annabel Mutale Reed

The Barn Theatre has announced an all-star West End line up for their fifth virtual concert, The Barn Theatre Presents: The Music of Annabel Mutale Reed, which will celebrate the work of musical theatre playwright, lyricist and director Annabel Mutale Reed.

The concert, which will be hosted by Barn Theatre producer Jamie Chapman Dixon, is the fifth edition of the Barn Theatre in Cirencester’s virtual concert series, The Barn Presents:, which celebrates the work of British musical theatre writers. Continue reading “News: The Barn Theatre Presents – The Music of Annabel Mutale Reed”

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fosterIAN awards 2019

 WinnerRunner-upOther nominees
Best Actress in a PlaySarah Niles/Natalie Simpson/Racheal Ofori,
Three Sisters		Marieke Heebink,
Medea		Adjoa Andoh,
Richard II
Sharon D Clarke,
Death of a Salesman
Claire Foy,
Lungs
Leah Harvey,
Small Island
Chris Nietvelt,
De Kersentuin
Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boysCary Crankson,
Country Music		Tobias Menzies,
The Hunt
Daniel Monks,
Teenage Dick
Wendell Pierce,
Death of a Salesman
Matt Smith,
Lungs
Zubin Varla,
Equus
Best Supporting Actress in a PlayMonica Dolan,
All About Eve		Jackie Pulford,
Karaoke Play		Ronkẹ Adékoluẹjo,
Three Sisters
Janni Goslinga,
De Kersentuin
Pippa Nixon,
The Ocean at the End of the Lane
Cecilia Noble,
Faith Hope and Charity
Gemma Whelan,
Pinter Seven
Best Supporting Actor in a PlayNick Holder,
Faith Hope and Charity		Hugo Koolschijn,
De Kersentuin		Rupert Graves,
Pinter Five
John Heffernan,
Pinter Seven
Martins Imhangbe/Natey Jones,
Death of a Salesman
Arinzé Kene/Sope Dirisu,
Death of a Salesman
Ken Nwosu,
Three Sisters
Best Actress in a MusicalAudrey Brisson,
Amélie the Musical		Kirsty Findlay/Bethany Tennick,
Islander		Lucie Jones/Katherine McPhee,
Waitress
Miriam-Teak Lee,
& Juliet
Samantha Pauly,
Evita
Joanna Riding,
Follies
Zizi Strallen,
Mary Poppins
Best Actor in a MusicalJamie Muscato,
West Side Story (Curve Leicester)		Keith Ramsay,
Preludes		Andy Coxon,
West Side Story (Royal Exchange)
Jordan Fox/Michael Vinsen,
[title of show]
David Hunter,
Waitress,
Charlie Stemp,
Mary Poppins
Oliver Tompsett,
& Juliet,
Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie,
& Juliet 		Jocasta Almgill/Emily Langham,
West Side Story (Royal Exchange)		Laura Baldwin/Marisha Wallace,
Waitress
Tiffany Graves/Gabrielle Lewis-Dodson,
The Boy Friend
Claire Machin/Claire Moore,
Mary Poppins
Rebecca McKinnis/Lauren Ward,
Dear Evan Hansen
Carly Mercedes Dyer/Victoria Hamilton-Barritt,
The View UpStairs,
Best Supporting Actor in a MusicalDavid Bedella,
& Juliet		Jack Butterworth,
The Boy Friend		Ricardo Afonso,
Jesus Christ Superstar
Rob Houchen,
The Light in the Piazza
Samuel Holmes,
Curtains
Cedric Neal,
The View UpStairs
Jez Unwin,
Amélie the Musical
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2019 Best Supporting Actress in a Play + in a Musical

Best Supporting Actress in a Play

Monica Dolan, All About Eve
In a star-studded ensemble, it was Dolan’s no-nonsense pseudo-narrator Karen who ended up pulling focus with her every utterance. With Appropriate too, 2019 was a superb year for Dolan and those of us who are captivated by her work.

Honourable mention: Jackie Pulford, Karaoke Play
Scorchingly good in a doozy of a tragicomic role, this is one I wasn’t expecting and entirely typical that it emerged out of the brilliant Bunker. 

Ronkẹ Adékoluẹjo, Three Sisters
Janni Goslinga, De Kersentuin
Pippa Nixon, The Ocean at the End of the Lane
Cecilia Noble, Faith Hope and Charity
Gemma Whelan, Pinter Seven

8-10
Deborah Findlay, Glass. Kill. Bluebeard. Imp.; Jane Horrocks, Pinter Five; Sarah Niles, Richard II

 

Best Supporting Actress in a Musical

Cassidy Janson/Melanie La Barrie, & Juliet
There was just so much superlative work in this category that shortlisting was nigh on impossible. So I doubled up on nominations, recognising how much great work was going on and in that crowded field, the glories of Janson and La Barrie just about edged it. Cassidy belting Céline as if her life depended on it, Mel getting it on in fine fashion (just watch her hips go!) – f**kin’ perfect you might say!

Honourable mention: Jocasta Almgill/Emily Langham, West Side Story (Royal Exchange)
Anita is probably one of my favourite roles in all of musical theatre and Almgill absolutely nailed it with a whirlwind of charismatic personality and pitch-perfect vocals. Langham’s Anybodys was a real surprise though, a near-constant presence in the background but a masterclass in detailed character work. And when ‘Somewhere’ starts…ooff!

Laura Baldwin/Marisha Wallace, Waitress
Tiffany Graves/Gabrielle Lewis-Dodson, The Boy Friend
Claire Machin/Claire Moore, Mary Poppins
Rebecca McKinnis/Lauren Ward, Dear Evan Hansen
Carly Mercedes Dyer/Victoria Hamilton-Barritt, The View UpStairs

8-10
Melissa James/Kate O’Donnell, Gypsy; Rebecca Lock/Carley Stenson, Curtains; Carly Mercedes Dyer/Beth Hinton-Lever, West Side Story (Curve Leicester)

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Film Review: Cats (2019)

Against a barrage of bad reviews, I tried to give Cats a fair hearing. There may have been wine involved…

“I remember the time I knew what happiness was”

I wanted to like Cats, honest. But…but…everytime you look at a detail in this unexpected horror film, there’s something ungainly or odd that distracts you inordinately:

  • the scale of the damn thing. The mind boggles as the cats change from being tiny compared to railway tracks to almost human-sized at Nelson’s Column, bringing almost any object into screen ends up pulling focus as you try and work out wtf is going on
  • why do some of them wear shoes (the ‘street’ cats in trainers, TSwift in heels…?) and of those who don’t, what’s with the toes
  • in fact the whole anthropomorphic thing. There’s cleavage and six packs but no genitals or anuses. You wouldn’t think it would bother you so much but there’s so many lingering shots of these places…! 
  • the dancing cockroaches in danger of being eaten. Whyyyyyyyy?!
  • it’s rather amusing that pretty much every reaction shot of Dench is her looking aghast, we know how you feel Judi

An unfortunate waste of talent all-round I’m afraid.

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Review: The Boy Friend, Menier Chocolate Factory

As light as a madeleine and as frivolous as a macaron, Sandy Wilson’s The Boy Friend proves a festive treat at the Menier Chocolate Factory

“Clap-a your hands and slap on your thighs
Grin like a goon and roll up your eyes”

As light as a madeleine and as frivolous as a macaron, Sandy Wilson’s The Boy Friend belongs in the same delightfully daft bracket of musical theatre as the likes of Salad Days and as such, is the perfect kind of frothy fun that offers a little respite from the darkness of winter nights and politicians’ empty promises. Written in the 1950s as an homage to the 1920s and with a plot that can be summed up in one character’s aside “poor little rich girl”, Matthew White’s production for the Menier Chocolate Factory sees him renew a richly fruitful relationship which has included such successes as She Loves Me and Sweet Charity.

Keeping the original three act structure, complete with two intervals, pushes the evening a little towards the episodic, but any sense of slightness is banished by the thrilling choreographic content from Bill Deamer (also associate director). From the gobsmacking elasticity and unflagging energy of Jack Butterworth and Gabrielle Lewis-Dodson’s first act charleston, to the explosive passion of Bethany Huckle and Matthew Ives’ fiery carnival tango, the quality of the dancing really is second to none. And as the full company join in time and again, it’s hard not to be swept up in the joyous atmosphere and just join in with their beaming grins. Continue reading “Review: The Boy Friend, Menier Chocolate Factory”

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News: Cats trailer released

The only good thing to come out of the release of the trailer for the forthcoming movie adaptation of Cats is Twitter’s collective response

 

And if you must see the original for yourself…

 

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Album reviews: Working / Bat out of Hell / 42nd Street

A trio of West End cast recordings (well, one’s off-West-End…) show that it is sometimes hard to recapture the stage magic 

© Robert Workman

Starting off with the best of this bunch, the Southwark Playhouse’s production of Working might not have seemed like the obvious choice for a cast recording but maybe the lure of a couple of new Lin-Manuel Miranda tracks was a real sweetener.

Truth is, it is the quality of the cast’s performances that make this a fantastic addition to the list of albums you need to hear. From Siubhan Harrison’s impassioned ‘Millwork’ to Dean Chisnall’s gleeful ‘Brother Trucker’, and the highly charismatic Liam Tamne nails both of Miranda’s contributions – the wilful ‘Delivery’ and a corking duet (with Harrison) on ‘A Very Good Day’.

Experience pays though, as Gillian Bevan and Peter Polycarpou take the honours with some scintillating work. The latter’s ‘Joe’ is beautifully judged, as is the former’s ‘Nobody Tells Me How’, both demonstrating the uncertainty that can come at the end of a long career, when retirement doesn’t necessarily hold the joyful promise it once did. Highly recommended.  Continue reading “Album reviews: Working / Bat out of Hell / 42nd Street”

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The Curtain Up Show Album of the Year 2017 nominees

Best UK Cast Recording
42nd Street – 2017 London Cast Recording
Bat Out Of Hell The Musical – Original Cast Recording
Dreamgirls – Original London Cast Recording
Everybody’s Talking About Jamie – Original Concept Recording
Girl From The North Country – Original London West End Cast Recording
The Wind in the Willows – Cast Recording

Best American Cast Recording
Anastasia – Original Broadway Cast Recording
Come From Away – Original Broadway Cast Recording
Dear Evan Hansen – Original Broadway Cast Recording
Hello, Dolly! – New Broadway Cast Recording
Spongebob Squarepants – Original Cast Recording
Sunday in the Park with George – 2017 Broadway Cast Recording

Best Solo Album/Non Cast Recording
Collabro – Home
Leading Ladies – Songs From The Stage
Marisha Wallace – Soul Holiday
Patti LuPone – Don’t Monkey With Broadway
Rachel Tucker – On The Road
Sheridan Smith – Sheridan

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Review: 42nd Street, Theatre Royal Drury Lane

“You’re going out a youngster, but you’ve got to come back a star”

In the rush to dole out the five star reviews that seem de rigueur for any big musical these days (22 for An American in Paris so their new poster shouts proudly), there appears to be a willingness to overlook storytelling for spectacle. As at the Dominion, the newly opened 42nd Street is a massive dance show which is undoubtedly hugely, well, spectacular. And it also suffers from not being particularly dramatically interesting, Michael Stewart and Mark Bramble’s book contains hardly any dramatic tension at all – will the show-within-the-show be alright on the night? What do you think?!

I start with this line of thought because as much as I was impressed by 42nd Street, it rarely moved me in the way that Golden Age musical theatre (my favourite genre of all, surprising no-one) at its best does. Based on a novel from the 1930s, the book here – as directed by Bramble – sacrifices any hint of suspense or meaningful character development for the headlong rush from production number to production number. And it just about gets away with it due to the sheer scale of what is being mounted here. 40+ bodies tap-dancing in unison in bucket-loads of sequins – bawdy and gaudy indeed.

Continue reading “Review: 42nd Street, Theatre Royal Drury Lane”