News: RE:EMERGE season announced for the Harold Pinter Theatre

Following a year of extraordinary challenges, and as British theatre begins to find ways to re-emerge from the devastating impact of the enforced shutdown, SFP today announces a season of new plays for a new world. The RE:EMERGE season will create a space for vital, new voices and fresh talent in the West End and beyond, working alongside some of the industry’s greatest theatremakers and artists. The extraordinary collection of plays curated by SFP alongside Ian Rickson – who becomes Artistic Director for the season – tackles urgent issues integral to rebuilding our society, including structural inequality, climate change and the economics of truth in an internet age. Supported by Arts Council England, RE:EMERGE will support the theatre-makers of the future, provide vital work for the freelance community and celebrate the live experience as we begin to build back to the full reopening of British Theatre.

The RE:EMERGE season intends to open to socially-distanced audiences from May to help re-open and re-energise our theatres, and will be staged in a Covid safe environment following government advice and adhering to social distancing guidelines; and in line with Society of London Theatre & UK Theatre’s See It Safely campaign. Alongside the season, SFP also intends for the comedy The Comeback to return to the West End following its enforced shutdown in December. Continue reading “News: RE:EMERGE season announced for the Harold Pinter Theatre”

September theatre news, the UK version

Chichester Festival Theatre has announced their Autumn plans and it looks to be a good’un. It includes:
– Sarah Kane’s Crave, directed by Tinuke Craig and starring Erin Doherty and Alfred Enoch, staged in a socially distanced Festival Theatre for 10 performances and live streamed to digital audiences
– for Christmas, a series of festive concerts (including one with Rebeccas Caine and Trehearn), followed by Chichester Festival Youth Theatre in a new version of Pinocchio by Anna Ledwich, directed by Dale Rooks
Michael Ball, Sheila Hancock and Patricia Routledge in conversation with Edward Seckerson
– cabaret and comedy including Frisky & Mannish, The Black Cat Cabaret, Barely Methodical Troupe, Rich Hall, Suzi Ruffell, Russell Kane and Rosie Jones
– music ranging from a celebration of Sondheim with West End stars, to a song recital by Kate Royal, a new concert from Joe Stilgoe and a portrait of Rachmaninoff with Henry Goodman and Lucy Parham Continue reading “September theatre news, the UK version”

Happy 50th Birthday to the Young Vic

Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.

The 50th birthday year of work begins with three major commissions:

  • YV 50thProjection Project – a projection celebrating the people and productions from across five extraordinary decades, illuminating the front of the Young Vic building each evening, with video design by Duncan McLean – check out just some of those productions in the gallery above.

    From 11 Sept – 4 October, 7.30pm – 10.30pm daily except Sundays, free.

  • The Unforgotten an interactive outdoor art installation commemorating trailblazers Mary Seacole, Marsha P. Johnson and Ulric Cross. Furthering the conversation within the Black Lives Matter movement, the Young Vic community will be invited to contribute to the installation by submitting their own nominations in writing on the side of the building and online, asking us all to (re)consider who we celebrate as our heroes. Created by artists Sadeysa Greenaway-Bailey and Anna Fleischle.
    From 11 September, free.
  • The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced.
    3 & 4 October, 4pm, Main House, free

News: Chichester announce their Concert in the Park

Chichester Festival Theatre will present a day of outdoor performances on Monday 31 August. Join us for a live evening concert where Omid Djalili will introduce songs from the musicals with West End stars Gina Beck, Gabrielle Brooks, Rob Houchen, Julian Ovenden and Giles Terera, joined by CFT Artistic Director Daniel Evans. Songs will include a medley from South Pacific alongside hits from West Side Story, Wicked, The Sound of Music and My Fair Lady. Continue reading “News: Chichester announce their Concert in the Park”

Film Review: Notes on a Scandal (2006)

A marvellously against-type Judi Dench and Cate Blanchett score a huge hit in Notes on a Scandal

“Lasagne irritates my bowels, I’ll ask for a small portion”

Intelligently adapted from Zoë Heller’s novel by Patrick Marber, you get the feeling that Notes on a Scandal would be good even if anyone was acting in it. But since Richard Eyre’s film boasts Judi Dench and Cate Blanchett as its leads, it is something extraordinary.

Barbara and Sheba both teach at the same Islington secondary school. Barbara a long-serving history teacher, Sheba a brand new recruit to the art department, an unlikely friendship develops between the pair, one which detonates when the latter starts an affair with a pupil. Continue reading “Film Review: Notes on a Scandal (2006)”

Review: Anna Bella Eema, Arcola Theatre

The strange but spellbinding Anna Bella Eema makes for an intriguing trip to the Arcola Theatre

“Outside is a state of mind”

A queer little thing indeed, this. Described as a “part ghost story, part fairytale, part coming-of-age fantasy”, that still doesn’t come anywhere close to encapsulating the experience of Lisa D’Amour’s striking play Anna Bella Eema.

Music melds into mellifluous prose, sound effects slide into strange speech, Jessica Lazar’s production builds up an eerily compelling soundscape through Chris Sidorfsky’s original freeform score and Tom Foskett–Barnes’ sound design and from there, locates its entirely individual place in the world. Continue reading “Review: Anna Bella Eema, Arcola Theatre”

July theatre round-up

I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw  in July.

On Your Feet, aka the rhythm will get you, sometimes
the end of history…, aka how can you get cheese on toast so wrong
Equus, aka hell yes for Jessica Hung Han Yun’s lighting design
Games for Lovers, aka straight people be crazy
Captain Corelli’s Mandolin, aka the one that got my goat
The Girl on the Train, aka Philip McGinley in shorts
A Midsummer Night’s Dream, aka Another Dream? dream on
Uncle Vanya, aka I really need to stop booking for plays like this with casts like that 
Jellyfish, aka justice for the second best play of last year
Sweat, aka Clare Perkins should always be on in the West End
Sue Townsend’s The Secret Diary of Adrian Mole Aged 13 3/4 The Musical, aka yay for lovely new musicals in the West End
The Light in the Piazza, aka Molly Lynch fricking nails it
Jesus Christ Superstar, aka was third time the charm?
Continue reading “July theatre round-up”

Nominees for the 8th annual Mousetrap Awards

BEST FEMALE PERFORMER AWARD:
Marisha Wallace as Effie in Dreamgirls
Natalie Kassanga, as Diana Ross in Motown the Musical
Patsy Ferran as Alma in Summer and Smoke
Jodie Steele as Chandler in Heathers

BEST MALE PERFORMER AWARD:
Jonny Labey, as Scott in Strictly Ballroom
John Pfumojena, as Okot in The Jungle
Kyle Soller, as Eric Glass in The Inheritance
John McCrea, as Jamie in Everybody’s Talking About Jamie Continue reading “Nominees for the 8th annual Mousetrap Awards”

20 shows to look forward to in 2019

So many of the recommendations for shows to see next year focus on the West End. And for sure, I’m excited to catch big ticket numbers like All About Eve, Come From Away, and Waitress but I wanted to cast my eye a little further afield, so here’s my top tips for shows on the London fringe (plus one from the Barbican) and across the UK.

1 Medea, Internationaal Theater Amsterdam at the Barbican
Simon Stone’s sleekly contemporary recasting of Euripides is straight up amazing. Anchored by a storming performance from Marieke Heebink, it is as beautiful and brutal as they come. It’s also one of the few plays that has legit made me go ‘oh no’ out loud once a particular penny dropped. My review from 2014 is here but do yourself a favour and don’t read it until you’ve seen it.

Macbeth, Watermill Theatre
2018 saw some disappointing Macbeths and I was thus ready to swear off the play for 2019. But the Watermill Ensemble’s decision to tackle the play will certainly break that resolve, Paul Hart’s innovative direction of this spectacular actor-musician team will surely break the hoodoo…

3 Noughts and Crosses, Derby Theatre, and touring
Pilot Theatre follow on from their strong Brighton Rock with this Malory Blackman adaptation by Sabrina Mahfouz, a Young Adult story but one which promises to speak to us all. Continue reading “20 shows to look forward to in 2019”